| Culture of|
The music of Colombia is an expression of Colombian culture, music genres, both traditional and modern, according with the features of each geographic region, although it is not uncommon to find different musical styles in the same region. The diversity in musical expressions found in Colombia can be seen as the result of a mixture of African, native Indigenous, and European (especially Spanish) influences, as well as more modern American.
Many aspects of Colombian culture can be traced back to the early culture of Spain of the 16th century and its collision with Colombia's native civilizations. The Spanish brought Catholicism, Africans, the feudal encomienda system, and a caste system that favored European-born whites. After independence from Spain, the criollos struggled to establish a pluralistic political system, between conservative and liberal ideals. The conservatives supported the involvement of the Catholic Church in the state, while liberals favored the separation of these. The conservatives managed to outsource public education to the Catholic Church, and for many years, the church controlled the country's education system. Both parties engaged in multiple civil wars resulting in a slow development of the country and the isolation of regions until the end of the 19th century. Ethno-racial groups maintained their ancestral heritage culture: whites tried to keep themselves, despite the growing number of illegitimate children of mixed African or indigenous ancestry. These people were labeled with any number of descriptive names, derived from the casta system, such as mestizo, mulatto and moreno. Blacks and indigenous people of Colombia also mixed to form zambos, creating a new ethno-racial group in society. This mix also created a fusion of cultures. Carnivals for example became an opportunity for all classes and colors to congregate without prejudice. The introduction of the bill of rights of men and the abolishment of slavery (1851) eased the segregationist tensions between the races, but the dominance of the whites prevailed and prevails to some extent to this day.
A music genre is a conventional category that identifies some pieces of music as belonging to a shared tradition or set of conventions. It is to be distinguished from musical form and musical style, although in practice these terms are sometimes used interchangeably. Academics have argued that categorizing music by genre is inaccurate and outdated.
The music of the United States reflects the country's pluri-ethnic population through a diverse array of styles. It is a mixture of music influenced by West African, Irish, Scottish and mainland European cultures among others. The country's most internationally renowned genres are jazz, blues, country, bluegrass, rock, rhythm and blues, soul, ragtime, hip hop, doo wop, pop, techno, house, folk music, disco, boogaloo, reggaeton, and salsa. American music is heard around the world. Since the beginning of the 20th century, some forms of American popular music have gained a near-global audience.
Colombia has a vibrant collage of talent that touches a full spectrum of rhythms ranging from Pop music and Classical music to Salsa and Rock music. Colombian music is promoted mainly by the support of the largest record labels, independent companies and the Government of Colombia, through the Ministry of Culture.
Pop music is a genre of popular music that originated in its modern form in the United States and United Kingdom during the mid-1950s. The terms "popular music" and "pop music" are often used interchangeably, although the former describes all music that is popular and includes many diverse styles. "Pop" and "rock" were roughly synonymous terms until the late 1960s, when they became increasingly differentiated from each other.
Classical music is art music produced or rooted in the traditions of Western culture, including both liturgical (religious) and secular music. While a more precise term is also used to refer to the period from 1750 to 1820, this article is about the broad span of time from before the 6th century AD to the present day, which includes the Classical period and various other periods. The central norms of this tradition became codified between 1550 and 1900, which is known as the common-practice period.
Salsa music is a popular dance music genre that initially arose in New York City during the 1960s. Salsa is the product of various musical genres including the Afro-Cuban son montuno, guaracha, cha cha chá, mambo, and to a certain extent bolero, and the Puerto Rican bomba and plena. Latin jazz, which was also developed in New York City, has had a significant influence on salsa arrangers, piano guajeos, and instrumental soloists.
Colombia is known as "The land of a thousand rhythms" but actually holds over 1,025 folk rhythms.
Some of the best known genres are cumbia and vallenato. The most recognized interpreters of traditional Caribbean and Afrocolombian music are Totó la Momposina and Francisco Zumaqué.
Cumbia[ˈkumbja] is a folkloric genre and dance from Colombia and Panama.
Vallenato, along with cumbia, is a popular folk music of Colombia. It primarily comes from the Colombia's Caribbean region. Vallenato literally means "born in the valley". The valley influencing this name is located between the Sierra Nevada de Santa Marta and the Serranía de Perijá in north-east Colombia. The name also applies to the people from the city where this genre originated: Valledupar. In 2006, vallenato and cumbia were added as a category in the Latin Grammy Awards. Colombia’s traditional vallenato music is Intangible Cultural Heritage in Need of Urgent Safeguarding, according to UNESCO.
Sonia Bazanta Vides, also known as Totó la Momposina, is a Colombian singer of Afro-Colombian and Indigenous descent.
Cumbia began as a courtship dance practiced among the African population on the Caribbean coasts of Colombia. It is a mixture of Spanish, Native Colombian and African music. The style of dance is designed to recall the shackles worn around the ankles of the slaves. In the 19th century, slavery was abolished and Africans, Indians and other ethnic groups got a more complete integration in the Colombian culture.
American Indians, or Indigenous people of Colombia, are the ethnic groups who have been in Colombia prior to the Europeans in the early 16th century. Known as pueblos indígenas in Spanish, they comprise 3.4% of the country's population and belong to 87 different tribes.
Cumbia is a complex, rhythmic music which arose on Colombia's Atlantic coast. In its original form, cumbia bands included only percussion and vocals; modern groups include saxophones, trumpets, keyboards and trombones as well. It evolved out of native influences, combining both traditions. Some observers have claimed that the dance originally associated with iron chains around the ankle. Others still believe that it is a direct import from Guinea, which has a popular dance form called cumbe.
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. The percussion family is believed to include the oldest musical instruments, following the human voice.
The saxophone is a woodwind instrument. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. Although most saxophones are made from brass, they are categorized as woodwind instruments, because sound is produced by an oscillating reed, traditionally made out of woody cane, rather than lips vibrating in a mouthpiece cup as with the brass instrument family. As with the other woodwinds, the pitch of the note being played is controlled by covering holes in the body tube to control the resonant frequency of the air column by changing the effective length of the tube.
A trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group contains the instruments with the highest register in the brass family. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC; they began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips, producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century they have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape.
Cumbia's form was solidified in the 1940s when it spread from the rural countryside to urban and middle-class audiences. Mambo, big band and porro brass band influences were combined by artists like Lucho Bermúdez to form a refined form of cumbia that soon entered the Golden Age of Cumbia during the 1950s. Discos Fuentes, the largest and most influential record label in the country, was founded during this time. Fruko, known as the Godfather of Salsa, introduced Cuban salsa to Colombia and helped bring Discos Fuentes to national prominence by finding artists like La Sonora Dinamita, who brought cumbia to Mexico, where it remains popular.
Mambo is a genre of Cuban dance music pioneered by the charanga Arcaño y sus Maravillas in the late 1930s and later popularized in the big band style by Pérez Prado. It originated as a syncopated form of the danzón, known as danzón-mambo, with a final, improvised section, which incorporated the guajeos typical of son cubano. These guajeos became the essence of the genre when it was played by big bands, which did not perform the traditional sections of the danzón and instead leaned towards swing and jazz. By the late 1940s and early 1950s, mambo had become a "dance craze" in the United States as its associated dance took over the East Coast thanks to Pérez Prado, Tito Puente, Tito Rodríguez and others. In the mid-1950s, a slower ballroom style, also derived from the danzón, cha-cha-cha, replaced mambo as the most popular dance genre in North America. Nonetheless, mambo continued to enjoy some degree of popularity into the 1960s and new derivative styles appeared, such as dengue; by the 1970s it had been largely incorporated into salsa.
A big band is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to describe a genre of music, although this was not the only style of music played by big bands.
The porro is a musical style and dance from the Caribbean region of Colombia. It is a Colombian cumbia rhythm that developed into its own subgenre. It was originally a folkloric expression from the Sinú River area that evolved into a ballroom dance. It is played mostly by brass bands or orchestras, and danced in couples. This genere influenced some of the greatest Latin American Bands of the 60's, with songs such as "Pachito E'ché", "Se va el Caimán", and "Me voy pa'Cataca"
It is worth pointing out that the "classic" cumbia known throughout Colombia is the Cumbia Cienaguera. This song reflects a uniquely Colombian feel known as "sabor" (flavour) and "ambiente" (atmosphere). Arguably, this song has remained a Colombian staple through the years and is widely known as Colombia's unofficial national anthem. Some artists are Los Gaiteros de San Jacinto, Los Graduados, Los Black Stars, Los Golden Boys, Los Teen Agers, and Los Corraleros de Majagual. In the United States, an Afro- Colombian band based in New York called Grupo Rebolu, performs a variety of Afro-Colombian rhythms with authentic instruments such as Tambora and Tambor Alegre. Their repertoire includes Cumbia and many more genres from the Northern coast of Colombia as part of their original compositions.
Some Colombian communities, such as Chocó, Cartagena, San Andres and Providence Island, have large African-descendant communities. Unlike most of the country, cultural mixing with native and European influences have been rare, and, especially in El Chocó, music has changed little since being imported from West Africa. Providencia Island is also home to a type of folk music which is closely related to mento, a Jamaican folk form. Most influentially, however, is the city of Cartagena and its champeta music which has been influenced by soukous, compas, zouk, and reggae. Champeta musicians have included Luis Towers, El Afinaíto, El Sayayín, El Pupy, and Boogaloo, while others like Elio Boom have incorporated Jamaican raggamuffin music to champeta.
Porro bands are an enthusiastic form of big band music that came from Sucre, Córdoba and Sabana de Bolívar. The brass ensembles are modeled after European military bands. Influential porros include La Orquestra Lucho Bermudez, Matilde Diaz, Pacho Galan, Banda de 11 Enero, La Sonora Cordobesa, La Sonora Cienaguera, Orquesta Climaco Sarmiento and Pedro Laza y sus Pelayeros.
Vallenato was first played by the pre-Colombian Indians using traditional instruments. The first vallenato singer was Guillermo Buitrago, born in the Magdalena department. Vallenato did not always use accordion as its main instrument. In fact, from 1920 to 1936 the main instrument was the guitar groups such as bovea and sus vallenatos also are among the first vallenato singers. They form the group in the city of Barranquilla Atlantico department. They also were the first to take the vallenato music to a different country like Argentina more specifically in northern Argentina Contrary to popular belief, vallenato is not a rhythm. Rather, it is a Genre. It is made up of four rhythms: Son, Puya, Merengue, and Paseo. Vallenato arose in Valledupar on Colombia's Atlantic Coast and only gained popularity elsewhere in the country in the 1980s. Its origins are shrouded in mystery but are said to have begun with Francisco el Hombre, who allegedly defeated Satan in a musical contest. Based around the accordion,the guacharaca, and the caja vallenata(a larger version of the bongo), vallenato has long been connected with cumbia. Influential artists include Alejo Duran and more recently[ when? ], Alfredo Gutiérrez and Lisandro Meza. In addition to the accordion, the bass guitar has been a common part of vallenato ensembles since it was introduced by Caliya in the mid-1960s. The most recent modernization of vallenato occurred in 1993 when Carlos Vives released Clásicos de la Provincia , which made him into a star and changed the face of vallenato.
An important phenomenon has occurred in Colombia with Vallenato. At first it was an exclusive kind of music for Atlantic Coast people but because the proliferation of radio programs of this genre in other cities of the republic (Example: Bogota), and the migration of people from the Coast to the capital, Vallenato took more consolidation in the rest of Colombia. But not only the music but the musicians of the genre increase in the capital and other cities. In 2006 for first time a musicians from Bogota, Alberto "Beto" Jamaica was the king of Vallenato in the traditional competition to play accordion, "El Festival Vallenato". Another important musicians from other cities have taken importance in the Vallenato world.
Vallenato has spawned several subgenres, including vallenato-protesta, which is known for socially aware lyrics, and charanga vallenata, which was invented by Cubans in the United States like progenitor Roberto Torres.
This is one of the most African influenced-styles in all of Colombia, and has its roots among the Afro-Colombian/African-descendant/Black people of the Pacific coast.
In its most basic form, the currulao is played by a group of four musicians.
One musician plays a 6-8 rhythm on a drum known as a "cununo", which superficially resembles the "alegre" drum (used in Cumbia) to the untrained eye, but is narrower and taller. The Currulao rhythm is created by both striking the skin of the drum with the one's hand and tapping the side of the drum with a small stick.
The second musician keeps time on a shaker known in parts of Colombia as a "guasá"(goo-ah-SAH) or "guache"(goo-AH-cheh), which is typically a hollow cylinder made of metal, wooden, or guadua bamboo, filled with light seeds, rice is sometimes used in home-made guasás.
But the main instrument of the currulao style is perhaps the Colombian marimba, a wooden xylophone which resembles the African balafon also for the style of playing.
Many groups in Colombia perform this traditional style of music. Currently, the most renowned groups include Grupo Socavón, Grupo Gualajó, and Grups Bahia Trio. A well renowned figure among the old marimbero masters in Colombia is Baudilio Cuama Rentería from Buenaventura Colombia.
In the United States two Colombian Bands performing this genre with authentic traditional instruments are La Cumbiamba NY, on the east coast (New York), and Aluna Band in the west coast (San Francisco). In 2010, Currulao has been added to the UNESCO list of Masterpieces of the Oral and Intangible Heritage of Humanity.
|Flor de Romero (Bambuco - example of a genre of folk music in the Center-East Andean)||Ojito de Agua (Merengue Bambuquiao - example of a genre of folk music in the North-Western Andean)||Ángela (Hayno - example of a genre of folk music in the South-Western Andean)||Siquele (Rajaleña - example of a genre of folk music in the Center-South Andean)|
Bambuco is a type of music with Basque influence, sometimes known as Música del interior. It is not clear the origins of this style, but many specialist agree that it has many components of Spanish folk music. Its popularity has long been, but was extremely popular across Colombia from the mid-1920s to the late 1930s. Artists include Estudiantina, Los Carranguerros de Raquira, Jaime Llano González, Jorge Villamil, and the Morales Pino Trío.
Guabina is a rhythm from the Andean Mountains in Colombia. The features of this music are based on dances and lifestyles of the people from Antioquia, Santander, Boyacá, Tolima, and, Huila.The Guabina rhythm includes dancers, but it may be played without them. There is a version of the Guabina that is played faster and is called Torbellino. Another type of Guabina, known as guabina-torbellino, is a mixture of the instrumental torbellino and the sung guabina, particularly in its a cappella format. Guabina is most popular in rural communities.
Música llanera is a harp-led genre of music from Los Llanos popular throughout Colombia. It includes the traditional joropo musical style, and is known for verbal contests called contrapunteo. Artists in this genre include Alfredo Rolando Ortiz (born in Cuba), Alma Llanera (Colombian band), Cimarrón (band), Luis Ariel Rey, Carlos Rojas, Sabor Llanero, Arnulfo Briceño, and Orlando Valdemarra. This particular type of music is also popular in Venezuela due to the shared llanos. It is considered to be the national music of Venezuela. Listen joropo music .
Salsa music was born among Puerto Ricans and Cubans, but soon spread to Colombia. Native salsa groups like Fruko y sus Tesos and labels that recorded them like Discos Fuentes emerged. Artists like Joe Arroyo followed, inventing a distinctively Colombian form of salsa. Other influential Colombian salsa artists include Cristian Del Real "The Timbal Genius", Grupo Niche, Alquimia, La Misma Gente, Los Titanes, Los Nemus del Pacífico, Orquesta Guayacán, Grupo Galé and La Sonora Carruseles. Some of the most prolific composers in the genre are Jairo Varela and Nino Caicedo whose compositions have been recorded by Grupo Niche and Orquesta Guayacán respectively. Several Cuban and Puerto Rican musicians who have established in Colombia, such as Diego Valdés and Israel Tanenbaum, have collaborated with Colombians in salsa projects. Recently[ when? ] Colombian dancers have become World Champions year after year and the style is becoming more popular and admired among Salsa professionals worldwide; with two of the most prominent salsa schools being Swing Latino driven by the dance choreographer Eduardo 'El Mulato' Hernandez, and Constelación Latina driven by one of the world's most beloved dancers Jhoanna 'KKO' Agudelo. As a dance, Colombian Salsa is unique and different from New York/Puerto Rico and Cuban salsa. Colombian Salsa concentrates on footwork and does not incorporate cross-body leads. Dancers leave the upper part of the body still and relaxed while the feet do extremely fast and complex movements.
In the late 1950s, Mexican rock artists like Enrique Guzmán and César Costa became very popular in Colombia. Soon, native rock bands like Los Speakers and The Flippers gained a wide following. Starting in 1967 (see 1967 in music), native bands like Génesis (unrelated to the more famous band Genesis of a similar name) fused native musical forms (like cumbia) with rock. Marco, the voice of the Rock and Roll, was a pioneer and promoter of the "Rockabilly Colombian" performed with his unmistakable personal stamp in their own language. Virtuality is in their first recordings routed to the sensitive listener to enjoy the simplicity of rock bass, guitar and drums, combined into a whole to produce a very particular and in an atmosphere of a home recording studio, filled with reel tapes and three microphones mixed in mono line. (Marco Tulio Sanchez B) contributed to the Colombian rock and roll look to the past to remember our roots, dabbling in country and rockabilly music evokes Elvis Presley, is called today the "Elvis colombiano", awarded abroad for their ability on stage as a whole "Showman" and the unmistakable voice of Cronn rocker.
Rock in Colombia gained great popularity during the 1980s with the arrival of bands such as Soda Stereo (Argentina), Los Prisioneros (Chile), and Hombres G (Spain). During the 90's, many punk and heavy metal bands appeared in Bogotá, Medellín, and Cali. Colombia has possibly the biggest underground, hardcore, metal and punk movement of the continent, and is known in Latin America as the "punk corner". Kraken and Masacre are some of the most important Colombian rock bands.
The music event Rock al Parque celebrated yearly in Bogotá is the largest free rock festival in Latin America; around 100 bands playing their music along 3 days and 400,000 people in attendance. Currently, Doctor Krápula, a rock band with strong ska influences that is known for making covers of traditional Latin American songs, enjoys great popularity. A popular Colombian Rock band outside of Colombia is The Monas. Aterciopelados named "Colombia's Hottest Band" in a Time magazine article,is one of the most recognized Rock bands of Colombia. "The band, made up of front woman Andrea Echeverri and bassist/producer Hector Buitrago, mixes punk, surf guitar and ska with folky Colombian styles such as vallenato, a bouncy, accordion-heavy genre".
Other popular and interesting bands are Ekhymosis, a group led by Juanes, who began making music in 1988 and are known for doing rock with a Colombian influence, The Hall Effect who make English pop/rock linked with Britpop influences. SOUNDACITYperforms a mix of Brit rock, pop and Andean sounds, rhythms and instrumentation, sing both in English and Spanish and have toured the United States east coast. Proper Strangers is an avant-garde rock band. Two Way Analog is an eclectic band whose influence are roadmovies and its soundtracks, Divagash is an electronic soft-rock band, La Pestilencia is a post-hardcore band, Bajo Tierra, Palenke Soultribe (traditional Colombin roots music fused with electronic beats). But, possibly, the most successful "indie" band is Sidestepper, with its fusion of Colombian traditional music, electronic and African rhythms, who already appeared in Coachella Festival in 2006. Some musical groups in the death metal genre are the world-famous Internal Suffering, Carnivore Diprosopus, Goretrade, Mindly Rotten, Suppuration, and Amputated Genitals. Colombia is also the birthplace of the well known black metal band Inquisition, now based in Seattle, Washington. Miguel Fernando Trapezaris, the bassist of Cyprus-based Epic power metal band Winter's Verge, is of Colombian descent.
This section has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these template messages)(Learn how and when to remove this template message)
This musical genre has been growing recently[ when? ] with artists like Los de Adentro, San Alejo, Sebastian Yepes, Lucas Arnau or Mauricio & Palodeagua. Pop with strong traces of traditional Colombian music, named Tropipop, is also rising currently. Fonseca and Maía represent this trend.
Some of Colombia's most internationally recognized artists include the following:
Her most successful songs are "Hips Don't Lie", which sold over 10 million copies and downloads worldwide, topped in over 70 countries #1, and the song "Whenever Wherever" She is winner of 2 American and 7 Latin Grammies. 2008, Shakira was nominated for a Golden Globe.
Juanes is the most important Colombian artist of the last decade as he has said Billboard magazine and the newspaper El Espectador in Colombia due to the success of songs such as "Fíjate Bien", "A Dios le Pido", "La Camisa Negra", "Me Enamora" and Yerbatero which have occupied at # 1 on the charts in America, Europe, Asia, Africa, Australia and New Zealand and albums Fíjate Bien , Un Día Normal , Mi Sangre , La Vida... Es Un Ratico Platinum release and P.A.R.C.E.. Juanes was chosen by CNN as a global icon and is the youngest of the list. His humanitarian activism has characterized him as the most supportive artist in the history of Spanish music.[ promotion? ] Since he began in the music Juanes has broken records with the Latin Grammys since their creation.
Hip Hop came to Colombia in the late 1980s when a few US Hip-Hop tracks by NWA and MC Hammer spurred a break-dancing fever among the young of the less privileged areas of major cities such as Medellín, Cali and Bogotá. Towards the end of this decade groups began to form, eventually leading to complete album productions in the mid-1990s. La Etnnia and Gotas de Rap were two of the various hip-hop groups that emerged and are widely considered as the pioneers of Colombian Rap. Promoting a very independent style, both groups expressed extreme political and social views, protesting violence, corruption, inequality and hardships in the marginalized regions of Colombia. Then Asilo 38 from Cali come onto the scene with the albums, La Hoguera (2000) and La Descarga (2002), presenting a more commercial and polished sound, while still retaining strong socio-political messages.
It is about this time that Reggaeton from Puerto Rico surges in popularity and Hip-Hop in Colombia takes a back seat for a while as artists try their hand at the new controversial sound. Artist(s) such as Tres Pesos, J Balvin, Maluma, Reykon y Yelsid have established themselves in this genre and hits such as 'Baila (Negra de trasero grande)' by Leka el Poeta and the explixcitly worded 'La Quemona' and 'Micaela' by Master Boy take the country by storm. Even the first ever Colombian 'X Factor' in 2006 produces a Reggaeton singer called Farina Pao Paucar Franco who places third in the competition.
Karol G is a Colombian reggaetón singer who has done collaborations with other reggaetón singers, such as J Balvin, Bad Bunny, and Maluma.Throughout her career, Karol G has had troubles in the industry because reggaetón is a genre that is dominated by male artists. She recounts how when starting her career she noticed that there weren't many opportunities for her in the genre because reggaeton was dominated by male artists. In 2018, Karol G’s single Mi Cama became very popular and she made a remix with J Balvin and Nicky Jam. The Mi cama remix appeared in the top 10 Hot Latin Songs and number 1 in Latin Airplay charts. This year she has collaborated with Maluma called Creeme and with Anuel AA in Culpables. The single, Culpables has been in the top 10 Hot Latin Songs for 2 consecutive weeks.
Reggae has always been popular in the Colombian Caribbean islands of San Andres and Providence and Spanish Reggae from Panama has helped to strengthen the movement of Reggae artists in the Colombian interior. Artists such as Voodoo Soul Jah, Nawal and Alerta Kamarada (Colombian representatives in the Jamaican Reggae festival) are currently spearheading this ever more popular genre in Colombia.
2006 brings a renaissance in Colombian Hip-Hop in the form of Afro-Colombian group ChocQuibTown, fusing traditional rhythms and instruments from their native lands in the Colombian Pacific into their sound. Already hailed as the new phenemomenon in Colombian Hip-Hop, their popularity is ever increasing and making way for other Urban artists to emerge. One such artist is Jiggy Drama, from the island of San Andres, who has become one of the most loved and controversial rap artist in Colombia, his lyrics are spicy and intelligent. Jiggy Drama collaborated with Colombian Party Cartel on the urban merengue track "Chico Malo". *On the international stage Aztek Escobar based in Houston, Colombian Party Cartel based in Nashville, Tres Coronas based in New York, Adassa based in Miami and 3 of the seven-man group of Culcha Candela in Berlin, Germany are representing Colombian urban music worldwide.
The music of Latin America refers to music originating from Latin America, namely the Romance-speaking countries and territories of the Americas and the Caribbean south of the United States. Latin American music also incorporates African music from slaves who were transported to the Americas by European settlers as well as music from the indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
Luis Armando Lozada Cruz, better known as Vico C, is an American reggaeton rapper and songwriter. Widely regarded as the "Father of Latin Hip Hop", as well as the founding father of reggaeton, Vico C has played an influential role in the development of Latin American hip hop and urban music.
The music of the Dominican Republic is primarily influenced by West African, European, and native Taino influences. The Dominican Republic is mainly known for its merengue and bachata music, both of which are the most popular forms of music in the country.
The music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources have been Spain and West Africa, although many aspects of Puerto Rican music reflect origins elsewhere in Europe and the Caribbean. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially indigenous genres like bomba to recent hybrids like Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, and especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Panama is a Central American country, inhabited mostly by mestizos. The music of Panama was influenced first by the indigenous populations of Kunas, Teribes, Ngobe Bugle and others, and then by the black population who were brought over, first as slaves from Africa, between the 16th century and the 19th century, and then voluntarily to work on the Panamanian Railroad and Canal projects between the 1840s and 1914.
The music of El Salvador has a mixture of Lenca, Cacaopera, Mayan, Pipil, and Spanish influences. This music includes religious songs used to celebrate Christmas and other holidays, especially feast days of the saints with Tubular bells Chimes. Satirical and rural lyrical themes are common and played with Xylophone.
Central America is dominated by the popular Latin music, or Black Caribbean trends, including salsa, cumbia, mariachi, reggae, calypso and nueva canción. The countries of Central America have produced their own distinct forms of these genres such as Panamanian salsa, among others. One of the well-known forms of Central American music is punta, a style innovated by the syncretic Garifunas who live across the region, in Honduras, Nicaragua, Guatemala and Belize. The marimba, a type of xylophone, is perhaps the most important folk instrument of Central America, and it is widespread throughout the region.
Mexican cumbia is a musical subgenre of cumbia which was reinvented in Mexico.
Juan Fernando Fonseca,, better known as Fonseca is a Colombian singer, songwriter, record producer, and activist. Born and raised in Bogotá, he studied at the Colegio Los Nogales from kindergarten to 9th grade where he realized his dream of becoming a singer. He then moved to a new school called Gimnasio Campestre. After his time at Gimnasio Campestre, he enrolled in the Berklee College of Music in Boston, USA and while there he got a proposal to record his first single. He left school to focus on his musical career. He began recording some demos and performing in the rock music scene of Bogotá with a rock band "Baroja". In which he participated in Rock al Parque. He recorded his first three solo studio albums with EMI label, then he signed on with Sony Music.
This page is a glossary of Colombian music.
Tropical music is a category used in the music industry to denote Latin music from the Caribbean. It encompasses music from the Spanish-speaking islands and coasts of the Caribbean, as well as genres rooted in this region such as salsa.
Chicha or Peruvian cumbia is a subgenre of Cumbia that became popular in the coastal cities of Peru, mainly in Lima in the 1960s through the fusion of local versions of the original Colombian genre, traditional highland huayno, and rock music, particularly surf rock and psychedelic rock. The term Chicha is more frequently used for the pre-1990s variations of the subgenre.
Israel Tanenbaum-Rivera is a pianist, music producer, composer, arranger and audio engineer who has produced more than 50 albums and participated in over 100 recordings.
Tropipop is a music genre that developed in Colombia in the late 1990s and early 2000s. It is a blend of traditional musical forms of the Caribbean Region of Colombia, mainly vallenato, with foreign Latin genres such as salsa and merengue, and pop and pop rock. The term "tropipop" comes from the synthesis of the words "tropical" and "pop music" describing the genre's mix of Latin tropical roots with American popular music.
Antilliaanse Feesten is a Caribbean music festival that takes place in every second weekend of August in Hoogstraten, Belgium. It had 38,000 attendees in 2016. The festival was first held in 1983, and has been repeated every year except 2000.
Máxima Alerta is a Cuban-American fusion music band known for its merging of Cuban reggaeton, or Cubaton, with traditional Cuban music and other Latin musical genres.