Israel Tanenbaum | |
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Background information | |
Also known as | Izzy Tanenbaum |
Born | March 7, 1961 The Bronx, New York City, New York, United States |
Origin | Puerto Rico |
Genres | Salsa, jazz, incidental music, film scoring, pop, rock |
Occupation(s) | Pianist, recording artist, music producer, professor, composer, arranger |
Instrument(s) | Piano, keyboards, percussion, trumpet |
Website | www.israeltanenbaum.com |
Israel Tanenbaum-Rivera is an American pianist, music producer, composer, arranger and audio engineer who has produced more than 50 albums and participated in over 100 recordings.
Tanenbaum has performed with many of the classic salsa artists and bands such as Pete "El Conde" Rodriguez, Marvin Santiago, Daniel Santos, Tommy Olivencia, Cheo Feliciano, Santitos Colón, Lalo Rodríguez and Roberto Roena for whom he became musical director in 1986. Other major artists include Batacumbele, Orquesta Mulenze, Brenda K. Starr, Zaperoko and Ednita Nazario. In 1988, with a successful career as a pianist, Tanenbaum moved to Colombia [1] and joined (as the producer, pianist and arranger) Guayacán Orquesta, one of Colombia's premiere salsa bands. Tanenbaum played a vital role in defining the sound that allowed Guayacán to effectively reach out to the growing U.S. and European Latino markets. [2] [3] This led to one Platinum and two Gold Records. In Colombia, Israel has worked with many other artists including Grupo Niche, [4] Grupo Clase, Checo Acosta and Galy Galiano. Tanenbaum has taken special interest in all-female salsa bands -popular in Colombia- such as Caña Brava, Aché Orquesta and Santísima Charanga, and has contributed to the field as director, arranger and producer.
In 1992, Cuban violinist Alfredo De La Fé, who, at the time, lived in Medellín, Colombia, asked Tanenbaum to produce his next album "Con Toda la Salsa" for the Discos Fuentes label. The album included Israel's Latin Jazz composition Hacha y Machete [5] which reached the jazz top 10 lists across Europe. This success opened the doors to the European markets and led to several tours during which Israel accompanied Alfredo as his pianist and musical director. In 1995, Tanenbaum produced La Salsa de los Dioses [6] shortly before Alfredo moved to Italy. [7] When Alfredo moved to New York in 2002, Israel -who was then living in the US- put together a band and toured the US with Alfredo. [8] [9] In 2018 Izzy settled in San Francisco Bay Area where he performs in a variety of venues with renown bands such as Candela (band) led by Uruguayan percussionist and singer Edgardo Cambón.
Tanenbaum has produced music for record labels like Sony, Phillips, CBS, BMG, Fania and Latinbaum Records.
Israel has played with jazz musicians such as Dave Valentin, Giovanni Hidalgo, John Benitez, David Sanchez, Juancito Torres Jazz Ensemble, and Richie Flores. In 1997 he mixed the album "Papo Lucca y La Cuban Jazz All Stars". In 2000 Israel recorded a Christmas album with trumpet player Frank Vardaros. Tanenbaum's compositions have been recorded by flutist Connie Grossman, pianist Papo Lucca: Tanenbaum a la Lucca (On Target with La Sonora Ponceña), [10] and violinist Alfredo de la Fe: NN, Hacha y Machete. Since 2018 Izzy Tanenbaum can be heard performing in the San Francisco Bay Area with his ensemble Latinbaum and with renown musicians from the West Coast such as Pete Escovedo in classic venues like Yoshi's [11] and Angelicas. [12] In 2023, Israel debuted as solo artist in the Zoho Music label's album: Impressions, Israel Tanenbaum & The Latinbaum Jazz Ensemble, co-produced with John Benitez. [13]
Israel has composed music for documentary, theater, radio, multimedia, transmedia, television, videogames and film that has been nominated for various awards. In the 90's he created soundtracks for radio comedies and worked on the music for Amor, Mujeres y Flores, a Colombian documentary directed by Marta Rodríguez and Jorge Silva, and for the TV series Otra en Mi. For the first Iberoamerican Theater Festival in Bogota, Israel composed the music for one of the first transmedia performances in Colombia, alongside illustrator and storyteller Alekos. Tanenbaum has written music for Martin Guigui's movies: [14] Swing, My X-Girlfriend's Wedding and Cattle Call. The music for "Swing" was awarded Best Soundtrack in a feature film at the 2003 Latin USA Film Festival and Best Impact of Music in an Independent Feature Film at the 2004 Park City Film Music Festival. In 2009 he composed the music for El Atolondrado, an adaptation for clown of Molière's classic by Argentinian director, Ricardo Behrens [15] produced by the Colombian National Theater. [16] [17] In addition, he has produced jingles for many clients such as Renault, Hyundai and Eveready.
Israel has studied the musical roots of afro-caribbean rhythms and traditional music of places where he has lived like Korea and Colombia. He enjoys incorporating elements of folklore in his compositions and arrangements. Tanenbaum has produced artists like Puerto Ricans Felita Oyola and Celia Ayala (of the renown folklore group "La Familia Ayala") as well as Colombian Juana Francisca Alvarez (Esencia de Currulao) and Categoría Vallenata. He recorded the participants of the First Marimba Festival in Cali Colombia in 2008 where he was the Technical Director. [18] His own experimental project Latinbaum mixes elements of folklore with rock, pop and jazz.
Tanenbaum has developed curriculum for teaching in informal and formal settings in his different areas of expertise. In the United States, he has run workshops to teach jazz, [19] Afro-Caribbean rhythms and audio production. In 2004, he developed the Audio Recording Technician Program for the Roxbury Community College in Boston, MA. While in Boston, Israel also worked with WGBH Educational Foundation, in collaboration with the Boston Public Schools, on the production of the "Music and Words" program which integrates music and literature into curriculum based activities. In Colombia, he created and taught the first university classes on jazz history and harmony, salsa and Latin ensembles for the music program at Javeriana University in the late 80s/early 90s. On his return to Colombia in 2008, he introduced music business classes to the Javeriana Faculty of Arts where he taught and directed Latin and jazz ensembles until 2014. [20] As the leader for ViveLab Huila in Pitalito Colombia, Israel was responsible for dozens of workshops to train thousands of people from the region under the slogan "Building the Digital Future" as well as continuing education programs in animation, youth entrepreneurship and cultural activities such as the San Agustin Film Festival and performances by youth orchestras.
Israel is an expert in the design of sound insulation for rehearsal and recording studios. In the decade of the 80s, he designed the first rehearsal studio in Bogota, Colombia (in the downtown neighborhood of "La Concordia") used by bands such as Guayacan, Ivan and Lucia and Ache. In the 90s, Israel designed studios for various artists and bands including Guayacan in Cali, Yurumei Studio owned by Honduran Efrain Martinez, Char Studio for the Colombian pianist Simon Char in Boston, Massachusetts and Chekere Studio for the Cuban percussionist Jorge Najarro in Rhode Island. In 2010, Tanenbaum built the rehearsal and recording rooms of K30 Estudio in Bogotá and in 2012, he was a consultant for the design of the recording studio for the Technological and Cultural Center Somos Pacífico in Cali, Colombia.
Israel has performed (among others) at:
The music of Colombia is an expression of Colombian culture, music genres, both traditional and modern, according with the features of each geographic region, although it is not uncommon to find different musical styles in the same region. The diversity in musical expressions found in Colombia can be seen as the result of a mixture of Amerindian, African, and European influences, as well as more modern American.
Enrique Arsenio Lucca Quiñones better known as Papo Lucca, is a Puerto Rican multi-instrumentalist best known for his pianist skills. His main musical genres are Salsa and Latin Jazz. He ranks with the late Charlie Palmieri, as one of the best piano instrumentalists in Latin Jazz and Salsa. He is the co-founder with his father Don Enrique "Quique" Lucca Caraballo of the Puerto Rican band La Sonora Ponceña. He has also played and recorded with the Fania All-Stars, Hector Lavoe, Willie Colón, Celia Cruz, Johnny Pacheco, Bobby Valentín, Ismael Quintana, Gloria Estefan, Adalberto Santiago, Andy Montañez, Pablo Milanés, and Rubén Blades. He is also a well-known music arranger.
Grupo Niche is a salsa group founded in 1978 in Cali, Colombia. It enjoyed great popularity throughout Latin America. It was founded by Jairo Varela and Alexis Lozano. Varela remained with the group throughout his life, serving as producer, director, songwriter, vocalist, and guiro player. Alexis Lozano, trombone player and arranger later left to form Orquesta Guayacán. The group also included Nicolas Cristancho "Macabi" on the piano, Francisco Garcia "Porky" on the bass, Luis Pacheco, on the congas, and vocalists Jorge Bazán and Hector Viveros.
Juan Pablo Knipping Pacheco, known as Johnny Pacheco, was a Dominican musician, arranger, composer, bandleader, and record producer. Born in the Dominican Republic, Pacheco became a leading figure in the New York salsa scene in the 1960s and 1970s as the founder and musical director of Fania Records.
This page is a glossary of Colombian music.
Alfredo Manuel De La Fé is a Cuban-born and New York–based violinist who lived in Colombia for more than 16 years and is responsible for adapting the violin to Colombian traditional dance music creating innovative Salsa and Latin American music. The first solo violinist to perform with a Salsa orchestra, De La Fé has toured the world more than thirty times, appearing in concert and participating in over 100 albums by top Latin artists, including Eddie Palmieri, Tito Puente, Celia Cruz, José Alberto "El Canario", Cheo Feliciano, The Fania All-Stars, Santana and Larry Harlow. His second solo album entitled Alfredo released in 1979 was a Grammy nominee for "Best Latin album".
RMM Records, also known as RMM Records & Video Corp, was an independent Latin music record label established in 1987 and based in New York City. The label was most active during the late 1980s and early 1990s and produced primarily salsa, Latin jazz, and merengue music. At its peak, RMM Records employed 55 staff members and had distribution deals in 42 cities around the world, occupying 9,000 square feet in two floors at its Soho headquarters. The label was established by Fania Records promoter Ralph Mercado, who had established RMM Management in 1972 as an artist management and booking agency, providing bookings for Latin artists Tito Puente, Celia Cruz, and Ray Barretto.
Adalberto Santiago is an internationally known salsa singer.
Tempo Latino is a festival of salsa music and Latin music in Vic-Fezensac, France.
Rebeca Mauleón is an American pianist, composer, arranger and writer, specializing in salsa and other Latin American and Afro-Caribbean music.
La Palabra is an American bandleader, singer-songwriter, pianist, record producer, and arranger, known for his versatile approach to music, particularly his invention of the Salsa romantica Latin music genre and his signature style of Afro-Cuban-influenced, sensual Latin jazz.
Francisco Zumaqué Gómez is a Colombian musician and composer of rich Colombo-Caribbean rhythms. Defined as a contemporary musician with great part of his compositions oriented to Electroacoustic music, doing important research that contributed in the creation of new rhythms mixing traditional Colombian music with orchestral compositions. His music is considered avant-garde and refreshing, bright, flexible and with a personal worrisome of his cultural mark, all of these are reflected in several compositions that were a hit and are part of Colombian musical history. His compositions include symphonies, chamber music, vocals and works for non-conventional musical groups.
Alexander Cuesta-Moreno. Bassist, Guitarist, Multi-instrumentalist, Choir and Band Conductor, Producer, Arranger and Composer.
La Misma Gente is a Colombian salsa music band founded in 1978 in Palmira, 20 miles East of Cali, by Jorge Herrera, leader and timbalero, and keyboard player Jaime Henao. It became one of the emblematic Cali salsa groups alongside Grupo Niche and Orquesta Guayacán, although unlike these groups the group was originally local to Cali and had grown out of a mainly white high school band. The group's early records are modeled after the Puerto Rican sound of trumpet quartet led Sonora Poncena, which Henao had listened to as youth, although expanded with two saxophones and a trombone. The band's first successful songs were "Juanita Ae" and "Titico". Later hits include "Hasta Que Llegaste," and "No Hay Carretera". The vocalists have changed over the band's 30 years but on the 30 Aniversario DVD the vocalists are Rey Calderon and Nelson Morales.
Guayacán Orquesta is a Colombian salsa music band.
Roberto Pla is a Colombian percussionist and bandleader based in London, England. Primarily a timbalero, he is best known for his contribution to the Latin music scene in the United Kingdom. He has toured with Carlos "Patato" Valdés, Alfredo Rodríguez and Adalberto Santiago, among others.
Pedro Nolasco Jústiz Rodríguez, better known as Peruchín, was a Cuban pianist specializing in jazz-influenced Cuban popular music. He was an important figure in the 1950s descarga scene in Havana, and one of the most influential Cuban pianists of the 20th century.
Antilliaanse Feesten is a Caribbean music festival that takes place in every second weekend of August in Hoogstraten, Belgium. It had 38,000 attendees in 2016. The festival was first held in 1983, and has been repeated every year except 2000.
"La chismosa del solar" is a guaguancó written by Miguel Sarría and first recorded by Los Muñequitos de Matanzas in 1970. The song was covered in 1975 by Alfredo "Chocolate" Armenteros ("Nicolasa") and Sonora Ponceña and released on LP and single format by both artists. A standard of the rumba repertoire, the song was reworked by Lázaro Rizo, a member of Pancho Quinto's group, as "Lenguasá", also known as "Tremendo chuchuchú", which was covered by Orquesta Revé on their successful 1991 album Mi salsa tiene sandunga. The song was later recorded by Pancho Quinto, featuring Omar Sosa on piano, and it has since been covered by other rumba ensembles such as Grupo Mezcla and Rumberos de Cuba.
Cumbia santafesina is a musical style that arose in Santa Fe, Argentina. It is distinguished by taking the guitar and the accordion as the main instruments. Another distinctive feature of cumbia santafesina compared to other subgenres of the rest of Argentine cumbia is that its lyrics have mainly romantic themes.