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Muisca music describes the use of music by the Muisca. The Muisca were organized in the Muisca Confederation before the Spanish conquest of the Muisca of the central highlands (Altiplano Cundiboyacense) of present-day Colombia. The Muisca used music in their religious rituals, to welcome the new cacique and during harvest, sowing and the construction of the houses.
The music of the Muisca was produced in a magic-religious sense; music was played during religious rituals where the Muisca people gathers to worship the Sun (Sué), the Moon (Chía) and other deities. The music served as hope for the guecha warriors and to relieve the pain of the dead. [1]
According to the Spanish chroniclers, the music of the Muisca was sad and monotonous. [2] The people could play music during events that took a full month to please their gods where they sang about the wars fought and begged the gods for victory in future wars. Everytime a war was fought, the Muisca danced and sang. [1]
Also during sowing and harvests in their agriculture, the people sang and danced continuously. While singing they removed the loose rocks of the farming fields. The sacrifices, sometimes human in character, were accompanied by music, dances and singing. Also when new caciques were installed as rulers of their territories music and dances were performed. [3]
When the Muisca were constructing their houses (bohíos), they sang and danced and moved the wood for their houses according to the rhythm of the music. They dressed up with golden diadems and drank a lot of chicha. During these rituals they were accompanied by their god of construction and drunkenness, Nencatacoa. [4]
For their music the Muisca used mainly flutes, drums and fotutos ; musical instruments made of shells or snails. They also used ocarinas. [3] The Muisca also used zampoñas [5] and rattling cups with a pebble inside [6] for their musical compositions.
The dances for the harvest and sowing periods of the Muisca calendar were performed with feathers and costumes representing bears, jaguars and other animals. [3] The dances performed when they were constructing their houses were mixed-gender; women and men danced holding hands. [4]
Ubaque is a municipality and town of Colombia in the Eastern Province of the department of Cundinamarca. Ubaque borders the municipalities Choachí in the north, Fómeque in the east, Cáqueza and Chipaque in the south and in the west is the Colombian capital Bogotá at 56 km away.
The Muisca raft, sometimes referred to as the Golden Raft of El Dorado, is a pre-Columbian votive piece created by the Muisca, an indigenous people of Colombia in the Eastern Ranges of the Colombian Andes. The piece probably refers to the gold offering ceremony described in the legend of El Dorado, which occasionally took place at Lake Guatavita. In this ritual, the new chief (zipa), who was aboard a raft and covered with gold dust, tossed gold objects into the lake as offerings to the gods, before immersing himself into the lake. The figure was created between 1295 and 1410 AD by lost-wax casting in an alloy of gold with silver and copper. The raft was part of an offering that was placed in a cave in the municipality of Pasca. Since its discovery in 1969, the Muisca raft has become a national emblem for Colombia and has been depicted on postage stamps. The piece is exhibited at the Gold Museum in Bogotá.
The Muisca Confederation was a loose confederation of different Muisca rulers in the central Andean highlands of present-day Colombia before the Spanish conquest of northern South America. The area, presently called Altiplano Cundiboyacense, comprised the current departments of Boyacá, Cundinamarca and minor parts of Santander.
Nencatacoa or Nem-catacoa was the god and protector of the mantle makers, artists and festivities in the religion of the Muisca. The Muisca and their confederation were one of the advanced civilizations of the Americas; as much as the Aztec, Mayas and Incas but other than the other three, they did not construct grand architecture. Their gold working however was well-known and respected which made Nencatacoa an important deity and protector.
Chaquén was the god of sports and fertility in the religion of the Muisca. The Muisca and their confederation were one of the four advanced civilizations of the Americas and as they were warriors, sports was very important to train the fighters for wars, mainly fought between the zipazgo and the zacazgo but also against other indigenous peoples as the Panches, Muzos and others. When the Spanish arrived in the highlands of central Colombia, the Altiplano Cundiboyacense, they encountered resistance of the guecha warriors, trained by Chaquén.
Chiminigagua, Chiminichagua or Chimichagua was the supreme being, omnipotent god and creator of the world in the religion of the Muisca. The Muisca and their confederation were one of the four advanced civilizations of the Americas and developed their own religion on the Altiplano Cundiboyacense in the Andes.
Pacanchique was a person in the mythology of the Muisca. He is said to have been the son of the cacique of Ramiriquí; Baganique. During that time, Ramiriquí was part of the zacazgo of Quemuenchatocha of the northern Muisca Confederation. Pacanchique's fiancé, Azay, is said to have been kidnapped by Quemuenchatocha and Pacanchique did all to get her back, eventually leading the Spanish conquistadores to Hunza to beat Quemuenchatocha.
Muisca religion describes the religion of the Muisca who inhabited the central highlands of the Colombian Andes before the Spanish conquest of the Muisca. The Muisca formed a confederation of holy rulers and had a variety of deities, temples and rituals incorporated in their culture. Supreme being of the Muisca was Chiminigagua who created light and the Earth. He was not directly honoured, yet that was done through Chía, goddess of the Moon, and her husband Sué, god of the Sun. The representation of the two main celestial bodies as husband and wife showed the complementary character of man and woman and the sacred status of marriage.
The iraca, sometimes spelled iraka, was the ruler and high priest of Sugamuxi in the confederation of the Muisca who inhabited the Altiplano Cundiboyacense; the central highlands of the Colombian Andes. Iraca can also refer to the Iraka Valley over which they ruled. Important scholars who wrote about the iraca were Lucas Fernández de Piedrahita, Alexander von Humboldt and Ezequiel Uricoechea.
The Cojines del Zaque is an archeological site of the Muisca located in the city of Tunja, Boyacá, which in the time of the Muisca Confederation was called Hunza. The cojines are two round stones used in the religion of the Muisca to worship Sun god Sué and his wife; Moon goddess Chía. When the Spanish conquistadores arrived, they called them Cojines del Diablo.
The Moon Temple of Chía was a temple constructed by the Muisca as a place of worship for their Moon goddess Chía. The temple was built in Chía, Cundinamarca, Colombia, then part of the Muisca Confederation. It was one of the most important temples in the religion of the Muisca. The temple was destroyed during the Spanish conquest of the Muisca on the Altiplano Cundiboyacense. Little is known about the temple built on the Tíquiza Hill in western Chía bordering Tabio.
A tunjo is a small anthropomorh or zoomorph figure elaborated by the Muisca as part of their art. Tunjos were made of gold or tumbaga; a gold-silver-copper alloy. The Muisca used their tunjos in various instances in their religion and the small votive offering figures have been found in various places on the Altiplano Cundiboyacense, Colombia. Tunjos were used as offer pieces, to communicate with the gods and when the Muisca asked for favours from their deities. Muisca scholar Pedro Simón wrote about the tunjos of the Muisca.
The Muisca agriculture describes the agriculture of the Muisca, the advanced civilisation that was present in the times before the Spanish conquest on the high plateau in the Colombian Andes; the Altiplano Cundiboyacense. The Muisca were a predominantly agricultural society with small-scale farmfields, part of more extensive terrains. To diversify their diet, they traded mantles, gold, emeralds and salt for fruits, vegetables, coca, yopo and cotton cultivated in lower altitude warmer terrains populated by their neighbours, the Muzo, Panche, Guane, Guayupe, Lache, Sutagao and U'wa. Trade of products grown farther away happened with the Calima, Pijao and Caribbean coastal communities around the Sierra Nevada de Santa Marta.
This article describes the architecture of the Muisca. The Muisca, inhabiting the central highlands of the Colombian Andes, were one of the four great civilizations of the Americas. Unlike the three civilizations in present-day Mexico and Peru, they did not construct grand architecture of solid materials. While specialising in agriculture and gold-working, cloths and ceramics, their architecture was rather modest and made of non-permanent materials as wood and clay.
This article describes the astronomy of the Muisca. The Muisca, one of the four advanced civilisations in the Americas before the Spanish conquest of the Muisca, had a thorough understanding of astronomy, as evidenced by their architecture and calendar, important in their agriculture.
This article describes the role of women in the society of the Muisca. The Muisca are the original inhabitants of the Altiplano Cundiboyacense before the Spanish conquest of the Muisca in the first half of the 16th century. Their society was one of the four great civilizations of the Americas.
The Muisca inhabited the Altiplano Cundiboyacense in the Colombian Andes before the arrival of the Spanish and were an advanced civilisation. They mummified the higher social class members of their society, mainly the zipas, zaques, caciques, priests and their families. The mummies would be placed in caves or in dedicated houses ("mausoleums") and were not buried.
This article describes the economy of the Muisca. The Muisca were the original inhabitants of the Altiplano Cundiboyacense, the high plateau in the Eastern Ranges of central present-day Colombia. Their rich economy and advanced merchant abilities were widely known by the indigenous groups of the area and described by the Spanish conquistadores whose primary objective was the acquisition of the mineral resources of Tierra Firme; gold, emeralds, carbon, silver and copper.
The Spanish conquest of the Muisca took place from 1537 to 1540. The Muisca were the inhabitants of the central Andean highlands of Colombia before the arrival of the Spanish conquistadors. They were organised in a loose confederation of different rulers; the psihipqua of Muyquytá, with his headquarters in Funza, the hoa of Hunza, the iraca of the sacred City of the Sun Sugamuxi, the Tundama of Tundama, and several other independent caciques. The most important rulers at the time of the conquest were psihipqua Tisquesusa, hoa Eucaneme, iraca Sugamuxi and Tundama in the northernmost portion of their territories. The Muisca were organised in small communities of circular enclosures, with a central square where the bohío of the cacique was located. They were called "Salt People" because of their extraction of salt in various locations throughout their territories, mainly in Zipaquirá, Nemocón, and Tausa. For the main part self-sufficient in their well-organised economy, the Muisca traded with the European conquistadors valuable products as gold, tumbaga, and emeralds with their neighbouring indigenous groups. In the Tenza Valley, to the east of the Altiplano Cundiboyacense where the majority of the Muisca lived, they extracted emeralds in Chivor and Somondoco. The economy of the Muisca was rooted in their agriculture with main products maize, yuca, potatoes, and various other cultivations elaborated on elevated fields. Agriculture had started around 3000 BCE on the Altiplano, following the preceramic Herrera Period and a long epoch of hunter-gatherers since the late Pleistocene. The earliest archaeological evidence of inhabitation in Colombia, and one of the oldest in South America, has been found in El Abra, dating to around 12,500 years BP.
This article describes the art produced by the Muisca. The Muisca established one of the four grand civilisations of the pre-Columbian Americas on the Altiplano Cundiboyacense in present-day central Colombia. Their various forms of art have been described in detail and include pottery, textiles, body art, hieroglyphs and rock art. While their architecture was modest compared to the Inca, Aztec and Maya civilisations, the Muisca are best known for their skilled goldworking. The Museo del Oro in the Colombian capital Bogotá houses the biggest collection of golden objects in the world, from various Colombian cultures including the Muisca.
