Glossary of Colombian music

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This page is a glossary of Colombian music.

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The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.

<span class="mw-page-title-main">Music of Colombia</span> Music and musical traditions of Colombia

The music of Colombia is an expression of Colombian culture, music genres, both traditional and modern, according with the features of each geographic region, although it is not uncommon to find different musical styles in the same region. The diversity in musical expressions found in Colombia can be seen as the result of a mixture of Amerindian, African, and European influences, as well as more modern American.

<span class="mw-page-title-main">Andean music</span> Style of music

Andean music is a group of styles of music from the Andes region in South America.

Chilean music refers to all kinds of music developed in Chile, or by Chileans in other countries, from the arrival of the Spanish conquistadors to the modern day. It also includes the native pre-Columbian music from what is today Chilean territory.

Panama is a Central American country, inhabited mostly by mestizos. The music of Panama is heavily based on the folk music of Spain, particularly that of Andalusia and was influenced first by the indigenous populations of Kunas, Teribes, Ngobe Bugle and others, and then by the black population who were brought over, first as slaves from Africa, between the 16th century and the 19th century, and then voluntarily to work on the Panamanian Railroad and Canal projects between the 1840s and 1914.

<span class="mw-page-title-main">Merengue music</span> Music genre of Dominican Republic

Merengue is a type of music and dance originating in present day Dominican Republic which has become a very popular genre throughout Latin America, and also in several major cities in the United States with Latino communities. Merengue was inscribed on November 30, 2016 in the representative list of the Intangible Cultural Heritage of Humanity of UNESCO.

<span class="mw-page-title-main">Music of El Salvador</span> Music and musical traditions of El Salvador

The music of El Salvador refers to the Music of the Republic of El Salvador and is encompassed in the wider Latin American musical traditions.

Cumbia refers to a number of musical rhythms and folk dance traditions of Latin America, generally involving musical and cultural elements from American Indigenous peoples, Europeans and African slaves during colonial times. Cumbia is said to have come from funeral traditions in the Afro-Colombian community.

<span class="mw-page-title-main">Los Van Van</span> Cuban musical group

Los Van Van is one of the leading musical groups of post-revolutionary Cuba. It was founded in 1969 by bassist Juan Formell, who directed the band until his death in 2014. Formell and former band members Changuito and Pupy are some of the most important figures in contemporary Cuban music, having contributed to the development of songo and timba, two popular dance music genres.

<span class="mw-page-title-main">Vallenato</span> Colombian folk music genre

Vallenato, is a popular folk music genre from Colombia. It primarily comes from its Caribbean region. Vallenato literally means "born in the valley". The valley influencing this name is located between the Sierra Nevada de Santa Marta and the Serranía de Perijá in north-east Colombia. The name also applies to the people from the city where this genre originated: Valledupar. In 2006, vallenato and cumbia were added as a category in the Latin Grammy Awards. Colombia's traditional vallenato music is Intangible Cultural Heritage in Need of Urgent Safeguarding, according to UNESCO.

<span class="mw-page-title-main">Mexican cumbia</span> Colombian musical subgenre

Mexican cumbia is a type of cumbia, a music which originated in Colombia but was later reinvented and adapted in Mexico.

<span class="mw-page-title-main">Barranquilla Carnival</span> Colombian folklore festival

The Barranquilla Carnival is one of Colombia's most important folkloric celebrations, and one of the biggest carnivals in the world. The carnival has traditions that date back to the 19th century. Four days before Lent, Barranquilla decks itself out to receive national and foreign tourists to join together with the city's inhabitants to enjoy four days of intense festivities. During the carnival, Barranquilla's normal activities are put aside as the city gets busy with street dances, musical and masquerade parades. The Carnival Of Barranquilla includes dances such as the Spanish paleo, African Congo, and indigenous mice y mica's. Many styles of Colombian music are also performed, most prominently cumbia, and instruments include drums and wind ensembles. The Carnival of Barranquilla was proclaimed a Cultural Masterpiece of the Nation by Colombia's National Congress in 2002. Also the UNESCO, in Paris on November 7, 2003, declared it one of the Masterpieces of the Oral and Intangible Heritage of Humanity, and it was during Olga Lucia Rodriquez Carnival Queen year.

<span class="mw-page-title-main">Guacharaca</span> Musical percussion instrument usually made out of the cane-like trunk of a small palm tree

Guacharaca is a percussion instrument found in Colombia. It is a rasp named after a bird whose call it is said to imitate.

<span class="mw-page-title-main">Porro</span>

The porro is a musical style and dance from the Caribbean region of Colombia. It is a Colombian cumbia rhythm that developed into its own subgenre. It was originally a folkloric expression from the Sinú River area that evolved into a ballroom dance. It is played mostly by brass bands or orchestras, and danced in couples. This genre influenced some of the greatest Latin American bands of the 1960s, with songs such as "Pachito E'ché", "Se va el Caimán", and "Me voy pa'Cataca"

Tropical music is a term in the Latin music industry that refers to music genres deriving from or influenced by the Spanish-speaking areas of the Caribbean. It includes the islands of Cuba, Puerto Rico, the Dominican Republic, and the Caribbean coastal regions of Colombia, Mexico, Central America and Venezuela.

<span class="mw-page-title-main">Bombo criollo</span> Family of Latin American drums

The bombo criollo, or simply bombo, is a family of Latin American drums derived from the European bass drum and native Latin American drum traditions. These drums are of smaller dimensions than the orchestral bass drum, and their frame can be made of wood or steel. They can be held vertically or diagonally on the body or a stand. The specific make of the instrument depends on the regional tradition. In Argentina, the bombo criollo is called bombo legüero and played in many folkloric styles. In Cuba, bombos are the largest drums played by the street comparsas in Santiago. In other countries, the term tambora is commonly used.

<span class="mw-page-title-main">Kuisi</span> Indigenous Colombian flute

A kuisi is a Native Colombian fipple flute made from a hollowed cactus stem, with a beeswax and charcoal powder mixture for the head, with a thin quill made from the feather of a large bird for the mouthpiece. Seagull, turkey and eagle feathers are among the feathers commonly used.

<span class="mw-page-title-main">Israel Tanenbaum</span> American pianist, composer, and audio engineer

Israel Tanenbaum-Rivera is an American pianist, music producer, composer, arranger and audio engineer who has produced more than 50 albums and participated in over 100 recordings.

<span class="mw-page-title-main">Cumbia (Colombia)</span> Regional music and dance style

Cumbia is a folkloric genre and dance from Colombia.

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 Wazer, Lise A. (2002). The City of Musical Memory: Salsa, Record Grooves, and Popular Culture in Cali, Colombia. Middletown, Connecticut: Wesleyan University Press. ISBN   0-8195-6441-9.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 Burton, Kim. "El Sonido Dorado". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 372-385. Rough Guides Ltd, Penguin Books. ISBN   1-85828-636-0
  3. Sturman, Janet L. (2003). "Technology and Identity in Colombian Popular Music". In René T.A., Lysloff; Leslie C., Gay (eds.). Music and technoculture (illustrated ed.). Middletown, Connecticut: Wesleyan University Press. pp. 153–180. ISBN   0-8195-6514-8 . Retrieved 2009-08-16.
  4. Waxer, pg. 92; Waxer cites the Cali claim to Helio Orovo, from personal communication on May 31, 1996