The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
The music of Argentina includes a variety of traditional, classical, and popular genres. According to the Harvard Dictionary of Music, Argentina also "has one of the richest art music traditions and perhaps the most active contemporary musical life.
Milonga is a musical genre that originated in the Río de la Plata areas of Argentina, Uruguay, and the Brazilian state of Rio Grande do Sul. It is considered a precursor of the tango.
Tango is a style of music in 2
4 or 4
4 time that originated among European and African immigrant populations of Argentina and Uruguay. It is traditionally played on a solo guitar, guitar duo, or an ensemble, known as the orquesta típica, which includes at least two violins, flute, piano, double bass, and at least two bandoneóns. Sometimes guitars and a clarinet join the ensemble. Tango may be purely instrumental or may include a vocalist. Tango music and dance have become popular throughout the world.
Candombe is a style of music and dance that originated in Uruguay among the descendants of liberated African slaves. In 2009, the United Nations Educational, Scientific and Cultural Organization (UNESCO) inscribed candombe in its Representative List of the Intangible Cultural Heritage of Humanity.
Murga is a form of popular musical theatre performed in Argentina, Panama, Spain and Uruguay during the Carnival season. Murga groups also operate in the Buenos Aires Carnival, though to a lesser extent than in Montevideo; the Argentinian murga is more centred on dancing and less on vocals than the Uruguayan one. Uruguayan murga has a counterpart in Cadiz, Spain from which it is derived, the chirigota, but over time the two have diverged into distinct forms.
Jorge Abner Drexler Prada is a Uruguayan musician, actor and doctor specializing in otolaryngology.
Uruguayan rock first emerged in Uruguay in the 1950s. The real breakthrough for rock in Uruguay, however, as in much of the world, came with the arrival of The Beatles in the early 1960s. Although the country has a small population and is far-removed from the world's cultural centres, rock music from these land, which has always taken on an identity forged from a mix of different cultures and local peculiarities, crossing different genres and styles, has largely been a well-kept secret outside the region. Thanks to the Internet and easy access to music libraries through streaming services such as Spotify, this is now changing.
Tango, a distinctive tango dance and the corresponding musical style of tango music, began in the working-class port neighborhoods of Buenos Aires (Argentina) and Montevideo (Uruguay); on both sides of the Rio de la Plata.
Omar Ruben Rada Silva is a Uruguayan percussionist, composer, singer and television personality.
Jaime Roos is an Uruguayan singer, composer and record producer. In 2000, he won a Silver Condor Award for Best Score Musician in El Amateur. He has French blood from his father's side. His grandfather migrated from Germany at the end of 19th century.
Los Piojos were an Argentine rock band. Extremely popular, it became one of the seminal bands of the 1990s Argentine music scene.
Uruguayan tango is a rhythm that has its roots in the poor areas of Montevideo around 1880. Then it was extended to other areas and countries. As Borges said: "...tango is African-Montevidean [Uruguayan], tango has black curls in its roots..." He quoted Rossi, that sustained that "...tango, that argentine people call argentine tango, is the son of the Montevidean milonga and the grandson of the habanera. It was born in the San Felipe Academy [Montevideo], a Montevidean warehouse used for public dances, among gangsters and black people; then it emigrated to underworld areas of Buenos Aires and fooled around in Palermo's rooms..." This also implies that different forms of dance were originated in the neighborhoods of Montevideo, Uruguay in the last part of the 19th century and in the early 20th century that was particular from that area and different from Buenos Aires. It consists of a variety of styles that developed in different regions of Argentina and Uruguay.
Afro-Argentines are Argentines of primarily Sub-Saharan African descent. The Afro-Argentine population is the result of people being brought over during the transatlantic slave trade during the centuries of Spanish domination in the region and immigration from Africa.
Bajofondo is a Río de la Plata-based music band consisting of eight musicians from Argentina and Uruguay, which aims to create a more contemporary version of tango and other musical styles of the Río de la Plata region. It was founded in the early 2000s as a studio experiment, which culminated into the successful album Bajofondo Tango Club. This led to touring and eventually to the current lineup. Bajofondo calls itself a collaborative as all members have solo careers as well. The group has toured around the world, particularly in Latin America, the United States, Europe and parts of Asia. Their music is known to a wider audience than those who know their name as their music has been used in film and television.
Southern Cone music, includes the music of Argentina, Chile and Uruguay. It comes in many varieties. From the Argentine tango, to the Electro music, from the cuarteto to Rock.
Gabino Ezeiza, nicknamed Negro, was an Argentine musician. Ezeiza was one of the greatest performers in the art of the payada. He became renowned, both in his native land and in Uruguay, after a memorable encounter with Oriental payador Juan de Nava, who carried at the time a certain halo of invincibility. This celebrated contest was held in the city of Paysandú on July 23, 1884, in front of one of the largest crowds ever to gather for a payada duel.
The tambores de candombe or tamboriles are drums used in the playing of Candombe music of Uruguay. They are single skin headed and there are three sizes: piano, repique, and the chico. The drums are made of wood and have a curved barrel shape with its base very narrow.
Uruguayans are people identified with the country of Uruguay, through citizenship or descent. Uruguay is home to people of different ethnic origins. As a result, many Uruguayans do not equate their nationality with ethnicity, but with citizenship and their allegiance to Uruguay. Colloquially, primarily among other Spanish-speaking Latin American nations, Uruguayans are also referred to as "orientals [as in Easterners]".
Carnival in Uruguay is a festival that takes place every year in Uruguay from mid January to late February. It is considered to be the longest carnival in the world. The Carnival draws root from candombe, Murga and tablados, which are forms of expression of Uruguayan culture through dance and music. From its conception, the Uruguayan Carnival has evolved into a dance parade in which different comparsas, groups of street performers in Latin American festivals, play the drums and dance at the "Desfile Inaugural del Carnaval" and "Desfile de Llamadas" parade. The biggest carnival celebrations are in the capital Montevideo and can last up to 40 days. They involve a series of cultural events such as dance parades in the streets, street stages called "tablados" and an artistic contest in the "Teatro de Verano" in Montevideo.
