Carlos Kalmar | |
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 Carlos Kalmar, shown here rehearsing with the Grant Park Festival orchestra in Chicago. | |
| Background information | |
| Born | February 26, 1958 Montevideo, Uruguay |
| Occupations | Conductor |
Carlos Kalmar (born February 26, 1958, in Montevideo) is a Uruguayan conductor. [1]
Kalmar began violin studies at age six. At age fifteen, he enrolled at the Vienna Academy of Music where his conducting teacher was Karl Österreicher. In 1984, he won first prize in the Hans Swarowsky Conducting Competition in Vienna. Kalmar has been music director of the Hamburger Symphoniker (1987–91), the Stuttgart Philharmonic (1991–95), and the Anhaltisches Theater in Dessau. He was principal conductor of the Tonkünstlerorchester, Vienna, from 2000 to 2003.
In the USA, Kalmar has served the principal conductor of the Grant Park Music Festival in Chicago since 2000. He is also music director of the Oregon Symphony, since 2003. In April 2008, the orchestra announced the extension of Kalmar's contract as music director to the 2012–13 season. In February 2020, the Oregon Symphony announced that Kalmar is to conclude his music directorship of the orchestra at the close of the 2020-2021 season. [2] [3] [4] In May 2021, the Cleveland Institute of Music announced the appointment of Kalmar as its next director of orchestral studies, effective 1 July 2021. [5] As of May 2023, Kalmar is being investigated for alleged Title IX violations at the Cleveland Institute of Music. [6] [7]
Kalmar currently lives with his second wife, Raffaela, a violinist and nurse, and their two sons, Luca and Claudio, in Shaker Heights, Ohio. [8] Kalmar was born to Jewish immigrant parents from Austria. [9]
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Music for a Time of War is a 2011 concert program and subsequent album by the Oregon Symphony under the artistic direction of Carlos Kalmar. The program consists of four compositions inspired by war: Charles Ives'The Unanswered Question (1906), John Adams'The Wound-Dresser (1989), Benjamin Britten's Sinfonia da Requiem (1940) and Ralph Vaughan Williams' Symphony No. 4 (1935). The program was performed on May 7, 2011, at the Arlene Schnitzer Concert Hall in Portland, Oregon, and again the following day. Both concerts were recorded for album release. On May 12, the Oregon Symphony repeated the program at the inaugural Spring for Music Festival, at Carnegie Hall. The performance was broadcast live by KQAC and WQXR-FM, the classical radio stations serving Portland and the New York City metropolitan area, respectively. The concerts marked the Oregon Symphony's first performances of The Wound-Dresser as well as guest baritone Sanford Sylvan's debut with the company.
This England is a classical music album by the Oregon Symphony under the artistic direction of Carlos Kalmar, released by Dutch record label PentaTone Classics in November 2012. The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon, at five performances in February and May 2012. It contains works by three English 20th-century composers: Edward Elgar's Cockaigne , Ralph Vaughan Williams' Symphony No. 5, and "Four Sea Interludes" and "Passacaglia" from Benjamin Britten's opera Peter Grimes. The recording was the orchestra's second under Kalmar's leadership, following Music for a Time of War (2011), which also included works by Britten and Vaughan Williams. This England received positive critical reception but failed to chart.
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Spirit of the American Range is a classical music album by the Oregon Symphony under the artistic direction of Carlos Kalmar, released by the Dutch record label Pentatone on February 10, 2015. The album was recorded at the Arlene Schnitzer Concert Hall in Portland, Oregon in April 2013 and January 2014. It contains works by three American 20th-century composers: Walter Piston's ballet suite from The Incredible Flutist, George Antheil's "A Jazz Symphony", and Aaron Copland's Symphony No. 3. The recording was the third by the orchestra under Kalmar's leadership, following the highly successful Music for a Time of War (2011) and This England (2012). Spirit of the American Range received a Grammy Award nomination for Best Orchestral Performance, and its producer, Blanton Alspaugh, was nominated for Producer of the Year, Classical.
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