Haydn Symphonies | ||||
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Studio album by | ||||
Released | April 2017 [1] | |||
Recorded | 2013 | |||
Venue | Arlene Schnitzer Concert Hall, Portland, Oregon | |||
Genre | Classical | |||
Label | Pentatone | |||
Oregon Symphony chronology | ||||
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Haydn Symphonies is an album recorded by the Oregon Symphony under the direction of Carlos Kalmar, released by Pentatone on April 7, 2017. [1] [2] [3] The albums was recorded at Portland, Oregon's Arlene Schnitzer Concert Hall in 2013, and features three symphonies by Joseph Haydn: Symphony No. 53 in D Major ("The Imperial"), Symphony No. 64 in A Major ("Tempora Mutantur"), and Symphony No. 96 in D Major ("The Miracle"). [1]
Track listing adapted from AllMusic. [1]
Credits adapted from AllMusic. [4]
The Symphony No. 94 in G major is the second of the twelve London symphonies written by Joseph Haydn. It is popularly known as the Surprise Symphony.
Ludwig van Beethoven's Symphony No. 1 in C major, Op. 21, was dedicated to Baron Gottfried van Swieten, an early patron of the composer. The piece was published in 1801 by Hoffmeister & Kühnel of Leipzig. It is not known exactly when Beethoven finished writing this work, but sketches of the finale were found to be from 1795.
The Symphony No. 96 in D major, Hoboken I/96, was completed by Joseph Haydn in 1791 as part of the set of symphonies composed on his first trip to London. It was first performed at the Hanover Square Rooms in London on 11 March 1791. Although it is the fourth of the twelve London symphonies by number, it was actually the first one written and performed. It is popularly known as the Miracle Symphony.
The Symphony No. 102 in B♭ major, Hoboken I/102, is the tenth of the twelve London symphonies written by Joseph Haydn, at the instigation of impresario Johann Peter Salomon. It is one of three symphonies he worked on in 1794, along with his 103 and 104th symphonies. Despite being lesser-known than many of the other works in the group, it is sometimes viewed as Haydn's best symphony, in terms of successful use of compositional strengths unified in a quality undisturbed throughout the work.
The Symphony No. 91 in E♭ major, Hoboken I/91, was written by Joseph Haydn. It was completed in 1788 as part of a three-symphony commission from Count d'Ogny for the Concert de la Loge Olympique, a successor to Haydn's series of "Paris symphonies". It is occasionally referred to as The Letter T referring to an older method of cataloguing Haydn's symphonic output.This triptych also includes Haydn's own Symphony No. 90 and Symphony No. 92.
Symphony No. 81 in G major is a symphony by Joseph Haydn composed in 1784 as part of a trio of symphonies that also included symphonies 79 and 80.These three symphonies were specially written for performance in March 1785.
The Symphony No. 64 in A major is a symphony by Joseph Haydn dated between 1773 and 1775. The likely date of composition puts it at the tail end of the Sturm und Drang period that produced masterpieces such as symphonies 44 to 48. It is often known by the nickname Tempora mutantur.
The Symphony No. 53 in D major, Hoboken I/53, is a symphony by Joseph Haydn. It is often referred to by the subtitle "L'Impériale". The symphony was composed by 1777. It is scored for flute, two oboes, bassoon, two horns, timpani, and strings.
The six String Quartets, Op. 76, by Joseph Haydn were composed in 1797 or 1798 and dedicated to the Hungarian count Joseph Georg von Erdődy (1754–1824). They form the last complete set of string quartets that Haydn composed. At the time of the commission, Haydn was employed at the court of Prince Nicolaus Esterházy II and was composing the oratorio The Creation as well as Princess Maria Hermenegild Esterházy's annual mass.
Franz Ries was a Romantic German violinist and composer, son of Hubert Ries. He studied at the Paris Conservatory. He also worked in the publishing business.
John Marsh was an English gentleman, composer, diarist and writer born in Netherseal, Derbyshire, England. A lawyer by training, he is known to have written more than 350 compositions, including at least 39 symphonies. While today known primarily for his music, he also had strong interest in other fields, including astronomy and philosophy, and wrote books about astronomy, music, religion, and geometry.
The String Quartet No. 3 in D major, Op. 44, No. 1, MWV R 30 was composed by Felix Mendelssohn (1809-1847) in July 1838 at the age of 29. It premiered in 1839, then was published later in 1840. It is a traditional quartet, comprising two violins, a viola, and a cello. The piece is part of the Op. 44 set of 3 string quartets that Mendelssohn dedicated to the Crown Prince of Sweden.
The Op. 33 String Quartets were written by Joseph Haydn in the summer and Autumn of 1781 for the Viennese publisher Artaria. This set of string quartets has several nicknames, the most common of which is the "Russian" quartets, because Haydn dedicated the quartets to the Grand Duke Paul of Russia and many of the quartets were premiered on Christmas Day, 1781, at the Viennese apartment of the Duke's wife, the Grand Duchess Maria Feodorovna. Some scholars theorize that the "Russian" quartets were the inspiration for Mozart's six string quartets dedicated to Haydn, but no direct evidence has been found.
Joseph Haydn's Symphony No. 14 in A major, Hoboken I/14, may have been written between 1761 and 1763.
Joseph Haydn's String Quartets, Op. 64, is a set of six string quartets composed in 1790. Along with six earlier quartets published under the opus numbers 54 and 55, they are known as the Tost quartets, after the Hungarian violinist and later merchant Johann Tost who helped Haydn find a publisher for the works. Unlike the earlier quartets, Haydn actually dedicated the Op. 64 set to Tost in gratitude for his efforts.
Sonatas, duos and fantasies by Franz Schubert include all works for solo piano by Franz Schubert, except separate dances. They also include a number of works for two players: piano four hands, or piano and a string instrument.
The String Quartets, Op. 50, were composed by Joseph Haydn in 1787. The set of six quartets was dedicated to King Frederick William II of Prussia. For this reason the set is commonly known as the Prussian Quartets. Haydn sold the set to the Viennese firm Artaria and, without Artaria's knowledge, to the English publisher William Forster. Forster published it as Haydn's Opus 44. Haydn's autograph manuscripts for Nos. 3 to 6 of the set were discovered in Melbourne, Australia, in 1982.