The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Panama is a Central American country, inhabited mostly by mestizos. The music of Panama is heavily based on the folk music of Spain, particularly that of Andalusia and was influenced first by the indigenous populations of Kunas, Teribes, Ngobe Bugle and others, and then by the black population who were brought over, first as slaves from Africa, between the 16th century and the 19th century, and then voluntarily to work on the Panamanian Railroad and Canal projects between the 1840s and 1914.
The music of Guatemala is diverse. Music is played all over the country. Towns also have wind and percussion bands that play during the lent and Easter-week processions as well as on other occasions. The marimba is an important instrument in Guatemalan traditional songs. The oldest documented use of marimba in the Americas dates to 1680 during celebrations at Santiago de los Caballeros de Guatemala.
The music of El Salvador refers to the Music of the Republic of El Salvador and is encompassed in the wider Latin American musical traditions.
Music of Honduras is very varied. Punta is the main "ritmo" of Honduras with other music such as Paranda, Bachata, Caribbean salsa, cumbia, reggae, merengue, soca, calypso, dancehall, Reggaeton and most recently Afrobeats widely heard especially in the North the Department of Atlántida, to Mexican rancheras heard in the interior rural part of the country.
The country of Costa Rica has many kinds of music.
Vallenato, is a popular folk music genre from Colombia. It primarily comes from its Caribbean region. Vallenato literally means "born in the valley". The valley influencing this name is located between the Sierra Nevada de Santa Marta and the Serranía de Perijá in north-east Colombia. The name also applies to the people from the city where this genre originated: Valledupar. In 2006, vallenato and cumbia were added as a category in the Latin Grammy Awards. Colombia's traditional vallenato music is Intangible Cultural Heritage in Need of Urgent Safeguarding, according to UNESCO.
Culture of Nicaragua is a fusion of Mesoamerican, Chibcha and European influences. The western part was colonized by the Spanish and its culture is similar to western El Salvador in that western Nicaragua was dominated by the Nahua people, specifically the Nicarao, a branch of the Pipil people. Nahua heritage can still be seen in Nicaraguan culture especially in its cuisines, the etymologies of many of its place names, and even DNA analysis. While western Nicaragua is mostly mestizo of Nahua or Oto-mangue origin, eastern Nicaragua is mostly of Chibcha, Miskito, and African origin.
Nicaraguans are people inhabiting in, originating or having significant heritage from Nicaragua. Most Nicaraguans live in Nicaragua, although there is also a significant Nicaraguan diaspora, particularly in Costa Rica and the United States with smaller communities in other countries around the world. There are also people living in Nicaragua who are not Nicaraguans because they were not born or raised in Nicaragua nor have they gained citizenship.
Carlos Mejía Godoy is a Nicaraguan musician, composer and singer-songwriter and one of the main representatives of the testimonial song or new song of his country.
Latin American culture is the formal or informal expression of the people of Latin America and includes both high culture and popular culture, as well as religion and other customary practices. These are generally of Western origin, but have various degrees of Native American, African and Asian influence.
The following is an alphabetical list of topics related to Nicaragua.
Nicaraguan literature can be traced to pre-Columbian times with the myths and oral literature that formed the cosmogonic view of the world that indigenous people had. They told him that of these stories are still known in Nicaragua. Like many Latin American countries, the Spanish conquerors have had the most effect on both the culture and the literature. The literature of Nicaragua has had many important literary figures in the Spanish language with internationally prominent writers such as Rubén Darío, who is regarded as the most important literary figure in Nicaragua. He is referred to as the "Father of Modernism" for leading the modernismo literary movement at the end of the 19th century. Other important literary figures include Salomón de la Selva, Carlos Martínez Rivas, Pablo Antonio Cuadra, Alberto Cuadra Mejia, Manolo Cuadra Vega, Pablo Alberto Cuadra Arguello, Ernesto Cardenal, Sergio Ramírez Mercado, Gioconda Belli, José Coronel Urtecho, Alfonso Cortés, Julio Valle Castillo, and Claribel Alegría, among others.
Katia Cardenal is a Nicaraguan singer, songwriter, and part of the nueva trova movement. Katia and her brother Salvador Cardenal formed Duo Guardabarranco, one of the leading proponents of nueva trova, known for the songs "Guerrero del amor", "Guardabosques", "Casa Abierta". and "Colibri".
The Misa Campesina Nicaragüense is Spanish-language Mass with words and music by Carlos Mejía Godoy, incorporating a liberation theology and Nicaraguan folk music. It was composed in the artistic community of Solentiname and first performed in 1975, its liturgical use being prohibited within a few days. It has been praised by Dorothee Sölle for fully overcoming the "theological danger of docetism".
Salvador de Jesús Cardenal Barquero was a Nicaraguan singer-songwriter and was one of the most renowned songwriters in Nicaragua and Central America, also a poet, painter and ecologist. Father of two children, Salvador Joaquín & Guillermo Nicolas.
La Cuneta Son Machín is a Grammy-nominated musical group from Nicaragua. The group consists of Carlos Luis 'La Bujilla' Mejía and Augusto 'El Negro' Mejía and several others.
[CAMPOS FONSECA, Susan: "Historia compensatoria y Filosofía: Un caso centroamericano", en BABAB, Nº33, verano, España, 2008, ISSN · 1575-9385. Disponible en: http://www.babab.com/no33/susan_campos.php]
