Religious music is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.
The music of Belize has a mix of Creole, Mestizo, Garìfuna, Mayan and European influences.
The traditional culture of Korea is the shared cultural and historical heritage of Korea before the division of Korea in 1945.
The Garifuna people are a people of mixed free African and Amerindian ancestry that originated in the Caribbean island of Saint Vincent and speak Garifuna, an Arawakan language, and Vincentian Creole.
Chumba is a traditional form of music and dance performed by the Garifuna people in several Central American countries. Like punta, chumba songs are highly polyrhythmic, but have a slower tempo.
The wealth of cultural expression in Honduras owes its origins primarily to being a part of Latin America but also to the multi-ethnic nature of the country. The population comprises 90% Mestizo, 7% Amerindian, 2% Black, and 1% Caucasian. This influences all facets of the culture: customs, practices, ways of dressing, religion, rituals, codes of behavior and belief systems.
Punta rock, or Belizean punta, is a form of Garifuna music originating in Belize and created by Pen Cayetano. Songs are usually sung in Belizean Kriol or Garifuna and rarely in Spanish or English. Many Garifuna American artists and bands perform the genre as well.
Punta is an Afro-indigenous dance and cultural music originating in the Caribbean Island of Saint Vincent And The Grenadines by the Garifuna people before being exiled from the island. Which is also known as Yurumei. It has African and Arawak elements which are also the characteristics of the Garifuna language. Punta is the best-known traditional dance belonging to the Garifuna community. It is also known as banguity or bunda, before the first arrival of the Garifuna people in Punta Gorda, Roatan, Honduras on April 12, 1797.
Andy Vivian Palacio was a Belizean punta musician and government official. He was also a leading activist for the Garifuna people and their culture.
Hunguhungu or fedu is a form of traditional swaying circular dance performed by the women of the Garifuna people of Belize, Honduras, Nicaragua and Guatemala. The music for the dance is composed of rhythmic themes performed by three drummers with alternating call-and-response chanting, and displays a clear African heritage. It is sometimes combined with punta.
Shamanic Music is ritualistic music used in religious and spiritual ceremonies associated with the practice of shamanism. Shamanic music makes use of various means of producing music, with an emphasis on voice and rhythm. It can vary based on cultural, geographic, and religious influences.
The Dugu is an ancient extended funerary ceremony practiced by the Garifuna people. The Garifuna is a small-to-medium-sized Central American ethnic group that has inhabited many Central American countries such as Guatemala Belize and Honduras since the 17th century. Their roots come from both the Caribbean and African coasts. The story goes that enslaved people being brought over to the Americas crashed into St. Vincent. The Indigenous Caribbean Indians and Africans soon formed a community and ethnic group called the Garifuna. They were identified as the "Black Caribs" to differentiate them from the native Caribbean population.
El espíritu de mi mamá is a Spanish language feature film by Ali Allie about Garifuna woman's journey home to Honduras to embrace her cultural roots. It premiered at SXSW in 1999 and later at Dawn Breakers International Film Festival. It was released on DVD in 2002 by Vanguard Cinema and was the first fictional movie featuring Garifuna actors in leading roles. It features an extended religious ritual segment with traditional Garifuna songs and traditional punta dance.
Afro-Hondurans or Black Hondurans are Hondurans of Sub-Saharan African descent. Research by Henry Louis Gates and other sources regards their population to be around 1-2%. They descended from: enslaved Africans by the Spanish, as well as those who were enslaved from the West Indies and identify as Creole peoples, and the Garifuna who descend from exiled zambo Maroons from Saint Vincent. The Creole people were originally from Jamaica and other Caribbean islands, while the Garifuna people were originally from Saint Vincent and the Grenadines. Garifunas arrived in the late seventeen hundreds and the Creole peoples arrived during the eighteen hundreds. About 600,000 Hondurans are of Garífuna descent that are a mix of African and indigenous as of Afro Latin Americans. Honduras has one of the largest African community in Latin America.
The cultrun is a percussion instrument used by the Mapuche in Chile.
Yup'ik dance or Yuraq, also Yuraqing is a traditional Inuit style dancing form usually performed to songs in Yup'ik, with dances choreographed for specific songs which the Yup'ik people of southwestern Alaska. Also known as Cup'ik dance for the Chevak Cup'ik dialect speaking Inuit of Chevak and Cup'ig dance for the Nunivak Cup'ig dialect speaking Inuit of Nunivak Island. Yup'ik dancing is set up in a very specific and cultural format. Typically, the men are in the front, kneeling and the women stand in the back. The drummers are in the very back of the dance group. Dance is the heart of Yup’ik spiritual and social life. Traditional dancing in the qasgiq is a communal activity in Yup’ik tradition. The mask (kegginaquq) was a central element in Yup'ik ceremonial dancing.
Paranda is both a Garifuna rhythm and music with Arawak and African elements which utilizes rhythmic ostinatos in duple meter. Similar to punta, the paranda is a slower rhythm than punta. Paranda mainly focuses on the struggles that occurs in the Garifuna community. and reflects Spanish influences. Traditionally, the guitar is played in paranda and not in punta. and its melodies are soulful lamentations.
The Drums of Our Fathers Monument, located at the entrance of Dangriga, Stann Creek, Belize, is a monument designed by the Nigerian sculptor Stephen Okeke, honoring Garifuna history, culture and its beliefs.
Shamanism is a religious practice present in various cultures and religions around the world. Shamanism takes on many different forms, which vary greatly by region and culture and are shaped by the distinct histories of its practitioners.
