The music of Martinique has a heritage which is intertwined with that of its sister island, Guadeloupe. Despite their small size, the islands have created a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Martinique and Guadeloupe. Zouk's origins are in the folk music of Martinique and Guadeloupe, especially Martinican chouval bwa, and Guadeloupan gwo ka. There's also notable influence of the pan-Caribbean calypso tradition and Haitian kompa.
The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique. Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso tradition.
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called bouyon, which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include WCK, Native musicians in various forms, such as reggae, kadans (Ophelia Marie, and calypso, have also become stars at home and abroad.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
Webert Sicot was a Haitian saxophone player, composer and band leader. He is recognized as one of the creators of compas also known as compas direct, a style of Haitian music born in the 1950s that he named cadence rampa after he left Nemours' band to differentiate himself in 1962 in the spirit of competition.
The culture of Haiti is a creolized blend of African, European and Taino elements due to the French colonization of Amerindian land, in conjunction with the large diverse enslaved African population whom had later freed themselves by a successful revolt. These attributions have largely influenced the art, cuisine, literature, music, religion as well as the languages of Haiti.
Kassav', also alternatively spelled Kassav, is a French Caribbean band that originated from Guadeloupe in 1979. The band's musical style is rooted in the Guadeloupean gwoka rhythm, as well as the Martinican tibwa and Mendé rhythms. Regarded as one of the most influential bands in 20th-century French West Indies music, Kassav is often credited with pioneering the zouk musical genre. Their musical evolution is a synthesis of cadence-lypso and compas traditions.
Compas, also known as compas direct in French, konpa dirèk in Haitian Creole, or simply konpa but most commonly as Kompa, is a modern méringue dance music genre of Haiti. The genre was popularized by Nemours Jean-Baptiste following the creation of Ensemble Aux Callebasses in 1955, which became Ensemble Nemours Jean-Baptiste in 1957. The frequent tours of the many Haitian bands have cemented the style in all the Caribbean. Therefore, compas is the main music of several countries such as Dominica and the French Antilles. Whether it is called zouk, where French Antilles artists of Martinique and Guadeloupe have taken it, or konpa in places where Haitian artists have toured, this méringue style is influential in part of the Caribbean, Portugal, Cape Verde, France, part of Canada, and South and North America.
The culture of Dominica is formed by the inhabitants of the Commonwealth of Dominica. Dominica is home to a wide range of people. Although it was historically occupied by several native tribes, it was the Taíno and Island Caribs (Kalinago) tribes that remained by the time European settlers reached the island. "Massacre" is a name of a river dedicated to the murders of the native villagers by both French and British settlers, because the river "ran red with blood for days." Each claimed the island and imported slaves from Africa. The remaining Caribs now live on a 3,700-acre (15 km2) Carib Territory on the east coast of the island. They elect their own chief.
Cadence rampa, or simply kadans, is a dance music and modern méringue popularized in the Caribbean by the virtuoso Haitian sax player Webert Sicot in the early 1960s. Cadence rampa was one of the sources of cadence-lypso. Cadence and compas are two names for the same Haitian modern méringue.
Cadence-lypso is a fusion of cadence rampa from Haiti and calypso from Trinidad and Tobago that has also spread to other English speaking countries of the Caribbean. Originated in the 1970s by the Dominican band Exile One, it spread and became popular in the dance clubs around the Creole world and Africa as well as the French Antilles.
Mini-jazz is a reduced méringue-compas band format of the mid-1960s characterized by the rock band formula of two guitars, one bass, and drum-conga-cowbell; some use an alto sax or a full horn section, while others use a keyboard, accordion or lead guitar.
RAM is a mizik rasin band based in the city of Port-au-Prince, Haiti. The band derives its name from the initials of its founder, songwriter, and lead male vocalist, Richard A. Morse. The band's music has been described by Morse as "Vodou rock 'n' roots", and has been one of the prominent bands in the mizik rasin musical movement in Haiti. RAM began performing together in 1990, and recorded their first album in 1996. The band's music incorporates traditional Vodou lyrics and instruments, such as rara horns and petro drums, into modern rock and roll. The band's songs include lyrics in Haitian Creole, French, and English.
Rasin, also known as Haitian roots music, is a musical style that began in Haiti in the 1970s when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with various musical styles. The late 20th century style of this music links to the roots of Vodou tradition, where it came to be known as mizik rasin later in Haitian Creole. Modern-day, the movement is often referred to simply as "rasin" or "racine".
Méringue, also called méringue lente or méringue de salon, is a dance music and national symbol in Haiti. It is a string-based style played on the guitar, horn section, piano, and other string instruments unlike the accordion-based merengue, and is generally sung in Haitian Creole and French, as well as in English and Spanish.
As an overseas department of France, Martinique's culture is French and Caribbean. Its former capital, Saint-Pierre, was often referred to as the Paris of the Lesser Antilles. The official language is French, although many Martinicans speak a Creole patois. Based in French, Martinique's Creole also incorporates elements of English, Spanish, Portuguese, and African languages. Originally passed down through oral storytelling traditions, it continues to be used more often in speech than in writing.
Haitians are the citizens of Haiti and the descendants in the diaspora through direct parentage. An ethnonational group, Haitians generally comprise the modern descendants of self-liberated Africans in the Caribbean territory historically referred to as Saint-Domingue. This includes the mulatto minority who denote corresponding European ancestry, notably from French settlers. By virtue of historical distinction, the vast majority of Haitians share and identify with this common African lineage, though a small number are descendants of contemporary immigrants from the Levant who sought refuge in the island nation during World War I and World War II.
Haitian Carnival is a celebration held over several weeks each year leading up to Mardi Gras. Haitian Defile Kanaval is the Haitian Creole name of the main annual Mardi Gras carnival held in Port-au-Prince, Haiti.
Haitian rock, or rock kreyòl, started as rock n roll in Haiti in the early 1960s. It was played by rock bands called yeye bands. The name yeye derives from the Beatles lyrical verse, "yeah, yeah, yeah", which took off in the United States and was listened to by upper class Haitian families who had access to the radio. Young Haitians formed small electric guitar-based bands. These yeye rock bands were short-lived, as the addition of compas to their repertoires resulted in a sound was called mini-jazz, or mini-djaz in Haitian Creole.
