This article includes a list of general references, but it lacks sufficient corresponding inline citations .(August 2012) |
Boukman Eksperyans | |
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Background information | |
Origin | Port-au-Prince, Haiti |
Genres | Mizik rasin |
Years active | 1978–present |
Labels | Mango Records Island Records Tuff Gong International Converge Records Balenjo Music |
Members | Theodore "Lòlò" Beaubrun, Lead Singer Mimerose "Manzè" Beaubrun, Lead Singer Gary Seney, Percussionist Henry Pierre Joseph, Percussionist Hans "Bwa Gris" Dominique, Percussionist Maquel Jean Baptiste, Guitar Jean Lourdy Coiscou, Keyboards Willy Calixte, Bass Guitar Raymond "Samba Drol" Lexis, Percussionist Ted Gabriel Beaubrun, Tanbou/Artistic Director Gerald Alfred, Guitar Michel Melthon Lynch, Bass guitar Natacha Massillon, Backup vocals Louis "Toto" Eliphète, Percussionist Moliere "Moali"Calice, Percussion/Drums Johanne Dejean, "Dancer" Johanne Colas, "Dancer" |
Boukman Eksperyans (English: Boukman Experience) is a mizik rasin band from the city of Port-au-Prince, Haiti, Grammy nominated for their debut album Vodou Adjae . The band derives its name from Dutty Boukman, a vodou priest who led a religious ceremony in 1791 that is widely considered the start of the Haitian Revolution. The other half of the band's name, "Eksperyans", is the Haitian Creole word for "experience", and was inspired by the band's appreciation of the music of Jimi Hendrix. [1] The band was at the height of its popularity in 1991 when the presidency of Jean Bertrand Aristide was overthrown in a military coup d'etat. Like many other artists and performers, Boukman Eksperyans fled the country to live in exile. During their time abroad, the band performed and spoke out against the military dictatorship of Raoul Cédras. In 1994, after Aristide was restored to power, the band returned to Haiti, where they continued to play concerts, record albums, and perform at the Carnival celebrations.
Boukman Eksperyans was founded in 1978 [2] by Theodore Beaubrun Jr., nicknamed Lolo, Marjorie Beaubrun (Lolo's sister), Daniel Beaubrun, Mimerose Beaubrun (nicknamed Manze, Lolo's wife), and members of various other groups who launched the mizik rasin revolution in Haiti in the late 1970s. One of these groups was led by Fanfan Alexis, and included the future musicians of such groups as Group Sa, Foula, and Rara Machine. Lolo's father, Théodore Beaubrun (also known by his stage name Languichatte Debordus) was a comedian and was often referred to as the Bill Cosby of Haiti. While on tour in the United States, he brought back a James Brown LP which left a lasting impression on young Lolo. After his parents divorced, he followed his mother to Brooklyn, New York.[ citation needed ] He studied in the United States. [3]
Lolo returned to Haiti in 1978, where some bands were playing music known as minidjaz . To Lolo, they seemed to pay no attention to song lyrics that dealt with reality. They were even accused of aligning too closely to the Duvaliers. When Lolo and Mimerose began to seek their musical goals, they felt a strong desire to incorporate the African element in Haiti's culture into their music. They decided to combine roots music with vodou religious and musical traditions.[ citation needed ]
Lolo's grandfather was deeply involved in vodou, but his parents never made this available to him. Lolo and Mimerose entered their first vodou lakou-s, a Haitian spiritual community, where they met musicians and singers. They also got their first real glance at the African culture of Haiti in the form it was handed down from members of various tribes. They founded a group to study vodou music, giving it the name of Moun Ife ("People of the Abode of the Deities").[ citation needed ] Lolo stated that Bob Marley was another important musical inspiration. [3] When he heard the Jamaican legend in 1976, he thought he could create something similar in Haiti with vodou. Lolo and Mimerose began to perform as a live act in the 1980s.[ citation needed ]
The traditional roots instruments were replaced by electric instruments, like the bass guitar and two guitars played by members Eddy François and Daniel Beaubrun, Lolo's brother and the band's chief arranger.[ citation needed ] Fanfan Alexis, the group's first guitarist, suggested the name "Boukman", which Lolo and Manze liked. [4] The name was a tribute to the Jamaican slave leader Boukman Dutty, who launched the Haitian slave rebellion in August 1791. "Eksperyans" was chosen in honor of Jimi Hendrix and his band the Jimi Hendrix Experience. [3]
Boukman Eksperyans first became famous in 1990 when they presented their song "Ké-M Pa Sote" at the Carnival celebration in Port-au-Prince. [5] The song included the refrain "My heart doesn't leap, you don't scare me". [2] This song was a protest against the post-Duvalier interim military government of General Prosper Avril. [5] Armed soldiers appeared, trying to prevent the band from performing "Ké-M Pa Sote" and other censored songs. [2] After a young girl was shot dead by a soldier, this song became an out-and-out battle hymn admonishing the government. The band continued to write and perform rebellious songs. The band members were never directly threatened, but were advised 'never go out at night'. When the military junta overthrew president Jean-Bertrand Aristide in 1991, the band decided to leave the country for their own safety.
The band achieved international fame in the early 1990s. [3] Their first album Vodou Adjae was nominated for a Grammy Award in 1991. [2]
Just before the second coup d'état against Aristide in 2004, Lolo joined with many others in protesting the abuses at the very least condoned by the President. In the years following, Boukman Eksperyans was not associated with any political party. Their songs depicted the reality of Haiti as they saw it.
In 2022, Boukman Eksperyans went on a US/Europe arena tour in support of Arcade Fire. [6]
Year | Album | Label | Notes | |
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1991 | Vodou Adjae [7] | Mango Records | First album | |
1992 | Kalfou Danjere [7] | Mango Records | ||
1995 | Libete (Pran Pou'l!) [7] | Mango Records | ||
1998 | Revolutíon [7] | Tuff Gong International | ||
1998 | Revolisyon | Tuff Gong International | Second release of Revolutíon | |
1999 | Live at Red Rocks [7] | Tuff Gong International | Live concert recording, August, 1998 | |
2000 | Kanaval Rasin - Vodou Adjae [7] | Converge Records or Conversa-phone Institute (possibly) | Greatest hits album of songs performed at Carnival | |
2009 | La Révolte des zombies [8] [9] | Balenjo Music | ||
2011 | Live at New Orleans Jazz & Heritage Festival | MunckMix | 2012 NAACP Image Award Nominee - Outstanding World Music Album | |
2018 | Isit e Kounyea La [10] | Balenjo Music | ||
The music of Haiti combines a wide range of influences drawn from the diverse population that has settled on this Caribbean island. It often has hints of French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.
The Tonton Macoute or simply the Macoute, was a Haitian paramilitary and secret police force created in 1959 by dictator François "Papa Doc" Duvalier. Haitians named this force after the Haitian mythological bogeyman, Tonton Macoute, who kidnaps and punishes unruly children by snaring them in a gunny sack before carrying them off to be consumed for breakfast. The Macoute were known for their brutality, state terrorism, and assassinations. In 1970, the militia was renamed the Volontaires de la Sécurité Nationale. Though formally disbanded in 1986, its members continued to terrorize the country.
Dutty Boukman was an early leader of the Haitian Revolution. Born in Senegambia, he was enslaved to Jamaica. He eventually ended up in Haiti, where he became a leader of the Maroons and a vodou houngan (priest).
Oungan is the term for a male priest in Haitian Vodou. The term is derived from Gbe languages. The word hounnongan means chief priest. Hounnongan or oungans are also known as makandals.
Bois Caïman was the site of the first major meeting of enslaved blacks during which the first major slave insurrection of the Haitian Revolution was planned.
Vodou Adjae is the first album of the Haitian music group Boukman Eksperyans. It is distributed in the United States and Canada by Mango, a division of Island Records. All of the songs are in Haitian Creole.
RAM is a mizik rasin band based in the city of Port-au-Prince, Haiti. The band derives its name from the initials of its founder, songwriter, and lead male vocalist, Richard A. Morse. The band's music has been described by Morse as "Vodou rock 'n' roots", and has been one of the prominent bands in the mizik rasin musical movement in Haiti. RAM began performing together in 1990, and recorded their first album in 1996. The band's music incorporates traditional Vodou lyrics and instruments, such as rara horns and petro drums, into modern rock and roll. The band's songs include lyrics in Haitian Creole, French, and English.
"Fèy" is a traditional Vodou folk song in Haiti. In Haitian Creole, "fèy" means "leaf", and the lyrics of the song describe a leaf falling from a tree. Like many traditional songs in Vodou folklore, the lyrics of "Fèy" can hold many meanings, both religious and political. At least two mizik rasin bands in the 1990s sang adaptations of the traditional song. A version first performed by RAM in 1992 was banned throughout Haiti during the remaining years of the Raoul Cédras military junta.
Rasin, also known as Haitian roots music, is a musical style that began in Haiti in the 1970s when musicians began combining elements of traditional Haitian Vodou ceremonial and folkloric music with various musical styles. The late 20th century style of this music links to the roots of Vodou tradition, where it came to be known as mizik rasin later in Haitian Creole. Modern-day, the movement is often referred to simply as "rasin" or "racine".
Simbi is a mizik rasin band formed in 1987. The name of the band comes from the name for a family of vodouloa, or gods, called the simbi.
In traditional Bakongo spirituality, a simbi is a water spirit that can travel between the physical world and the spiritual world, but may also refer to:
Richard Auguste Morse is a Puerto-Rican-born Haitian-American musician and hotel manager currently residing in Port-au-Prince, Haiti. Morse manages the Hotel Oloffson, and is the founder of a mizik rasin band, RAM, named after his initials. Morse is married to the band's lead female vocalist, Lunise Morse, and has two children. Morse and his band are famous in Haiti for their political songs and performances critical of the Raoul Cédras military junta from 1991 to 1994. In the early 2000s, Morse has also criticized Jean-Bertrand Aristide and Fanmi Lavalas through his music. Morse is a United States citizen. His cousin Michel Martelly is a musician, right-wing Haitian politician and former President of Haiti. Richard Morse repeatedly expressed support for Martelly in the 2010 presidential elections in Haiti. By the end of 2012, he had distanced himself from the Martelly government.
John Steve Brunache is a famous Haitian musician who came to prominence during the 80's and 90's. He is an influential figure who spoke on the issues of the times with such songs as "La Relev", "Chimen Limye", and "timoun yo".
Haitian Carnival is a celebration held over several weeks each year leading up to Mardi Gras. Haitian Defile Kanaval is the Haitian Creole name of the main annual Mardi Gras carnival held in Port-au-Prince, Haiti.
Twoubadou music is a popular genre of guitar-based music from Haiti that has a long and important place in Haitian culture. The word comes from troubadour, a medieval poet-musician who wrote and sang songs about courtly love. Like the troubadours of old, the Haitian twoubadou is a singer-composer who accompanies himself on songs that tell about the bitterness and humor of love, often using risqué or suggestive lyrics.
Eddy François is a Haitian musician,
Mimerose P. "Manzè" Beaubrun is a Haitian musician and writer.
Kalfou Danjere is an album by the Haitian band Boukman Eksperyans, released in 1992. The title track, which translates to "Dangerous Crossroads", was banned in Haiti for its alleged subversive qualities. "Nwel Inosan" was also banned.
Jou a Rive is the debut album by the Haitian band Boukan Ginen, released in 1995. It was originally released in Haiti in 1993. Most of the lyrics were sung in Creole. "Pale Pale W" had been voted Best Carnival Song at Haitian Carnival. The band supported the album with a North American tour.