Kalfou Danjere

Last updated
Kalfou Danjere
Kalfou Danjere.jpg
Studio album by
Released1992
StudioAudiotek
Genre Misik rasin [1]
Label Mango [2]
Producer Eric Clermontet
Boukman Eksperyans chronology
Vodou Adjae
(1991)
Kalfou Danjere
(1992)
Libete (Pran Pou'l!)
(1995)

Kalfou Danjere is an album by the Haitian band Boukman Eksperyans, released in 1992. [3] [4] The title track, which translates to "Dangerous Crossroads", was banned in Haiti for its alleged subversive qualities. [5] [6] [7] "Nwel Inosan" was also banned. [8]

Contents

The album peaked at No. 1 on Billboard's World Albums chart, [9] spending 19 weeks on the chart. [10]

Production

The album was produced by Eric Clermontet. [11] It was recorded at Audiotek Studios, in Port-au-Prince, Haiti, with some work accomplished at Studio Center in the United States. [7] [12] Founder Lolo Beaubrun and his anthropologist wife traveled around Haiti to study the music of lakous, or hamlets; "Kalfou Danjere" incorporated four different rhythms picked up from lakous. [13]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar half.svg [14]
Robert Christgau Five Pointed Star Solid.svg Five Pointed Star Solid.svg [15]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [16]
MusicHound World: The Essential Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [11]

Entertainment Weekly wrote that the band "weds roots rhythms to fierce electric rock, and whose gentle, metaphorical lyrics have the power to make a dictator sweat bullets." [6] Robert Christgau praised "Zansèt Nou Yo". [15] The New York Times deemed the songs "vigorous pop with an undercurrent of voodoo drumming." [17]

Rolling Stone called the album "rich with traditional Afro-Haitian drumming, cross-stitched with edgy electric guitar and synthesizer patterns and ringing with the voice of defiance." [18] The Chicago Tribune stated: "Drawing on the traditional, percussive, festival music called rara and older vodoun forms, Boukman has fashioned a fresh new sound that celebrates Haiti's rich African rhythmic and cultural roots." [19] The Sun-Sentinel considered the album a "melodically compelling and lyrically rich effort." [20]

Track listing

No.TitleLength
1."Bay Bondyè Giwa" 
2."Tande M Tande" 
3."Jou Nou Revolte" 
4."Kouman Sa Ta Ye" 
5."Nanm Nan Boutey" 
6."Badè Zile" 
7."Zansèt Nou Yo" 
8."Nwel Inosan" 
9."Eve" 
10."Fèy" 
11."Vodou Adjae" 
12."Kalfou Danjere" 
13."Mayi A Gaye" 

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The music of Haiti combines a wide range of influences drawn from the diverse population that has settled on this Caribbean island. It often has hints of French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.

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References

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  3. "Boukman Eksperyans Biography, Songs, & Albums". AllMusic.
  4. Birnbaum, Larry (Mar 1993). "CD reviews — Kalfou Danjere by Boukman Eksperyans/Foula by Foula". DownBeat. Vol. 60, no. 3. p. 45.
  5. Browning, Barbara (June 17, 2013). Infectious Rhythm: Metaphors of Contagion and the Spread of African Culture. Routledge. ISBN   9781136051821.
  6. 1 2 "Boukman Eksperyans". Entertainment Weekly.
  7. 1 2 Moon, Tom (August 28, 2008). 1,000 Recordings to Hear Before You Die. Workman Publishing. ISBN   9780761153856.
  8. Smith, Jennie M. (May 31, 2018). When the Hands Are Many: Community Organization and Social Change in Rural Haiti. Cornell University Press. ISBN   9781501717970.
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  10. "Boukman Eksperyans return to South Florida for Big Night in Little Haiti". Miami Herald . 15 November 2012. Retrieved 24 February 2024.
  11. 1 2 MusicHound World: The Essential Album Guide. Visible Ink Press. 2000. p. 106.
  12. O'Connor, Anne-Marie (August 12, 1992). "Band Plays on Under Haiti's Guns". The Palm Beach Post. p. 1A.
  13. Gehr, Richard (18 Nov 1992). "Boukman Eksperyans Haiti's Most Political Party Music". Part II. Newsday. p. 50.
  14. "Kalfou Danjare". AllMusic.
  15. 1 2 "Boukman Eksperyans". Robert Christgau.
  16. Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 1. MUZE. p. 770.
  17. Pareles, Jon (19 Nov 1992). "Pop and Jazz in Review". The New York Times. p. C23.
  18. McLane, Daisann (Dec 10, 1992). "The Global Beat". Rolling Stone. No. 645–646. p. 187.
  19. Heim, Chris (30 Oct 1992). "Toots & the Maytals and Boukman Eksperyans, Friday at China Club". Friday. Chicago Tribune. p. N.
  20. Lannert, John (19 Nov 1992). "A Mix of Politics, Religion". Sun-Sentinel. p. 3E.