Kalfou Danjere | ||||
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Studio album by | ||||
Released | 1992 | |||
Studio | Audiotek | |||
Genre | Misik rasin [1] | |||
Label | Mango [2] | |||
Producer | Eric Clermontet | |||
Boukman Eksperyans chronology | ||||
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Kalfou Danjere is an album by the Haitian band Boukman Eksperyans, released in 1992. [3] [4] The title track, which translates to "Dangerous Crossroads", was banned in Haiti for its alleged subversive qualities. [5] [6] [7] "Nwel Inosan" was also banned. [8]
The album peaked at No. 1 on Billboard's World Albums chart, [9] spending 19 weeks on the chart. [10]
The album was produced by Eric Clermontet. [11] It was recorded at Audiotek Studios, in Port-au-Prince, Haiti, with some work accomplished at Studio Center in the United States. [7] [12] Founder Lolo Beaubrun and his anthropologist wife traveled around Haiti to study the music of lakous, or hamlets; "Kalfou Danjere" incorporated four different rhythms picked up from lakous. [13]
Review scores | |
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Source | Rating |
AllMusic | [14] |
Robert Christgau | [15] |
The Encyclopedia of Popular Music | [16] |
MusicHound World: The Essential Album Guide | [11] |
Entertainment Weekly wrote that the band "weds roots rhythms to fierce electric rock, and whose gentle, metaphorical lyrics have the power to make a dictator sweat bullets." [6] Robert Christgau praised "Zansèt Nou Yo". [15] The New York Times deemed the songs "vigorous pop with an undercurrent of voodoo drumming." [17]
Rolling Stone called the album "rich with traditional Afro-Haitian drumming, cross-stitched with edgy electric guitar and synthesizer patterns and ringing with the voice of defiance." [18] The Chicago Tribune stated: "Drawing on the traditional, percussive, festival music called rara and older vodoun forms, Boukman has fashioned a fresh new sound that celebrates Haiti's rich African rhythmic and cultural roots." [19] The Sun-Sentinel considered the album a "melodically compelling and lyrically rich effort." [20]
No. | Title | Length |
---|---|---|
1. | "Bay Bondyè Giwa" | |
2. | "Tande M Tande" | |
3. | "Jou Nou Revolte" | |
4. | "Kouman Sa Ta Ye" | |
5. | "Nanm Nan Boutey" | |
6. | "Badè Zile" | |
7. | "Zansèt Nou Yo" | |
8. | "Nwel Inosan" | |
9. | "Eve" | |
10. | "Fèy" | |
11. | "Vodou Adjae" | |
12. | "Kalfou Danjere" | |
13. | "Mayi A Gaye" |
The music of Haiti combines a wide range of influences drawn from the diverse population that has settled on this Caribbean island. It often has hints of French, African rhythms, Spanish elements and others who have inhabited the island of Hispaniola and minor native Taino influences. Styles of music unique to the nation of Haiti include music derived from rara parading music, twoubadou ballads, mini-jazz rock bands, rasin movement, hip hop Creòle, the wildly popular compas, and méringue as its basic rhythm. Haitian music is influenced mostly by European colonial ties and African migration. In the case of European colonization, musical influence has derived primarily from the French.
Bitches Brew is a studio album by American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded from August 19 to 21, 1969, at Columbia's Studio B in New York City and released on March 30, 1970, by Columbia Records. It marked his continuing experimentation with electric instruments that he had featured on his previous record, the critically acclaimed In a Silent Way (1969). With these instruments, such as the electric piano and guitar, Davis departed from traditional jazz rhythms in favor of loose, rock-influenced arrangements based on improvisation. The final tracks were edited and pieced together by producer Teo Macero.
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Boukman Eksperyans is a mizik rasin band from the city of Port-au-Prince, Haiti, Grammy nominated for their debut album Vodou Adjae. The band derives its name from Dutty Boukman, a vodou priest who led a religious ceremony in 1791 that is widely considered the start of the Haitian Revolution. The other half of the band's name, "Eksperyans", is the Haitian Creole word for "experience", and was inspired by the band's appreciation of the music of Jimi Hendrix. The band was at the height of its popularity in 1991 when the presidency of Jean Bertrand Aristide was overthrown in a military coup d'etat. Like many other artists and performers, Boukman Eksperyans fled the country to live in exile. During their time abroad, the band performed and spoke out against the military dictatorship of Raoul Cédras. In 1994, after Aristide was restored to power, the band returned to Haiti, where they continued to play concerts, record albums, and perform at the Carnival celebrations.
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