Music festivals of South Korea | |
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General Information | |
Related genres | K-pop, rock music, classical music, etc. |
Location | South Korea (primarily Seoul) |
The following is a list of music festivals in South Korea. This list may have overlap with list of music festivals and festivals of Korea. Music festivals in South Korea may focus on Korean musicians or international musicians, and may be either in a concert or music competition format, or both. South Korea has folk festivals incorporating Korean traditional music, which includes combinations of the folk, vocal, religious and Korean ritual music styles of the Korean people, practiced since prehistoric times. [1] Music of South Korea in contemporary times incorporates diverse genres, and South Korea has many ongoing rock festivals dedicated to pop music, Korean rock, and K-pop.
Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe. It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide range of hybrids.
"World music" is an English phrase for styles of music from non-English speaking countries, including quasi-traditional, intercultural, and traditional music. World music's broad nature and elasticity as a musical category pose obstacles to a universal definition, but its ethic of interest in the culturally exotic is encapsulated in Roots magazine's description of the genre as "local music from out there".
In Japan, music includes a wide array of distinct genres, both traditional and modern. The word for "music" in Japanese is 音楽 (ongaku), combining the kanji 音 on (sound) with the kanji 楽 gaku. Japan is the world's largest market for music on physical media and the second-largest overall music market, with a retail value of US$2.7 billion in 2017.
A roots revival is a trend which includes young performers popularizing the traditional musical styles of their ancestors. Often, roots revivals include an addition of newly composed songs with socially and politically aware lyrics, as well as a general modernization of the folk sound.
Much has been learned about early music in Norway from physical artifacts found during archaeological digs. These include instruments such as the lur. Viking and medieval sagas also describe musical activity, as do the accounts of priests and pilgrims from all over Europe coming to visit St Olav's grave in Trondheim.
The music of Finland can be roughly divided into folk music, classical and contemporary art music, and contemporary popular music.
Romania has a multicultural music environment which includes active ethnic music scenes. Traditional Romanian folk music remains popular, and some folk musicians have come to national fame.
Music of Kazakhstan refers to a wide range of musical styles and genres deriving from Kazakhstan. Kazakhstan is home to the Kazakh State Kurmangazy Orchestra of Folk Instruments, the Kazakh State Philharmonic Orchestra, the Kazakh National Opera and the Kazakh State Chamber Orchestra. The folk instrument orchestra was named after Kurmangazy Sagyrbayuly, a well-known composer and dombra player from the 19th century.
The music of South Korea has evolved over the course of the decades since the end of the Korean War, and has its roots in the music of the Korean people, who have inhabited the Korean peninsula for over a millennium. Contemporary South Korean music can be divided into three different main categories: Traditional Korean folk music, popular music, or K-pop, and Western-influenced non-popular music.
The Music of Pakistan is a fusion of Turko-Persian, Arab, Hindustani, and contemporary Western influences, creating a distinct musical tradition often referred to as "Pakistani Music." The genre has adapted and evolved over time in response to shifting cultural norms and global influences. It has also been deeply shaped by Pakistan's tumultuous political and geopolitical landscape. The Islamization policies of the 1980s, which sought to align Pakistani culture with conservative ideals of Wahhabism, imposed strict censorship on music and musical expression. This period of repression was further fueled by the ongoing Soviet occupation of Afghanistan, during which Wahhabism was aggressively promoted with backing from the United States and Saudi Arabia as part of efforts to counter Soviet influence.
Anatolian rock, or Turkish psychedelic rock, is a fusion of Turkish folk music and rock. It emerged during the mid-1960s, soon after rock groups became popular in Turkey. Most known members of this genre includes Turkish musicians such as Barış Manço, Cem Karaca, Erkin Koray, Selda Bağcan, Fikret Kızılok alongside bands such as Moğollar, Kurtalan Ekspres, 3 Hürel, and Barış Akarsu.
The Macedonian music refers to all forms of music associated with ethnic Macedonians. It shares similarities with the music of neighbouring Balkan countries, yet it remains overall distinctive in its rhythm and sound.
K-pop, short for Korean popular music, is a form of popular music originating in South Korea. It includes styles and genres from around the world, such as pop, hip hop, R&B, rock, jazz, gospel, reggae, electronic dance, folk, country, disco, and classical on top of its traditional Korean music roots. The term "K-pop" became popular in the 2000s, especially in the international context. The Korean term for domestic pop music is gayo, which is still widely used within South Korea. While "K-pop" can refer to all popular music or pop music from South Korea, the term is often used when referring to artists associated with the entertainment and idol industry in the country, regardless of the genre of music output.
A music festival is a community event with performances of singing and instrument playing that is often presented with a theme such as musical genre, nationality, locality of musicians, or holiday. Music festivals are generally organized by individuals or organizations within networks of music production, typically music scenes, the music industries, or institutions of music education.
Korean rock is rock music from South Korea. It has roots in American rock, which was imported to South Korea by U.S. soldiers fighting in the Korean War and stationing in U.S. military bases in South Korea after the war. Around the U.S. military bases, local musicians could have opportunities to learn American rock music and perform it on stage for U.S. soldiers. As a result, many Korean rock bands, called Vocal Bands or Group Sound, started their musical careers in the 1960s. Under the military administration in the 1970s, rock music and its subculture were classified as a depraved youth culture and restricted. After the Korean Fifth Republic, the censorship policies under the military government were abolished and rock music became a mainstream genre in South Korea until the end of the 1980s. Today, rock music is not the main genre in the music market in South Korea, but it still occupies a big portion of music consumption in the nation.
Music of Canadian Cultures is a wide and diverse accumulation of music from many different individual communities all across Canada. With Canada being vast in size, the country throughout its history has had regional music scenes. The music of Canada has reflected the multi-cultural influences that have shaped the country. First Nations people, the French, the British, the United States and many others nationalities have all made unique contributions to the musical heritage of Canada
This is a list of lists of musicians.
Seoulsonic (SEOULSONIC), is an annual concert tour in the United States and Canada, organized by the DFSB Kollective with support from the Korea Creative Content Agency (KOCCA), which began in 2011 in an effort to introduce South Korea's indie music culture to the West. The tour includes annual stops at SXSW in Austin, Texas and the Canadian Music Week in Toronto, Canada.
Korean indie, referring to independent music in South Korea, developed in the 1990s in Hongdae, an area of Northwestern Seoul. It is widely regarded as the counterpart to K-pop; whereas K-pop is characterized by a commercialized image targeting a specific audience, Korean indie emphasizes the authentic messages of musicians.