House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground club culture that consisted of Black gay men and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
Trance is a genre of electronic dance music that emerged from EBM in Frankfurt, Germany, in the late 1980s and early 1990s, and quickly spread throughout Europe.
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Psychedelic trance, psytrance, or psy is a subgenre of trance music characterized by arrangements of rhythms and layered melodies created by high tempo riffs. The genre offers variety in terms of mood, tempo, and style. Some examples include full on, darkpsy, forest, minimal (Zenonesque), hitech psy, progressive, suomi, psy-chill, psycore, psybient, psybreaks, or "adapted" tracks from other music genres. Goa trance preceded psytrance; when digital media became more commonly used psytrance evolved. Goa continues to develop alongside the other genres.
Detroit techno is a type of techno music that generally includes the first techno productions by Detroit-based artists during the 1980s and early 1990s. Prominent Detroit techno artists include Juan Atkins, Eddie Fowlkes, Derrick May, Jeff Mills, Kevin Saunderson, Blake Baxter, Drexciya, Mike Banks, James Pennington and Robert Hood. Artists like Terrence Parker and his lead vocalist, Nicole Gregory, set the tone for Detroit's piano techno house sound.
Goa trance is an electronic dance music style that originated in the early 1990s in the Indian state of Goa. Goa trance often has drone-like basslines, similar to the techno minimalism of 21st century psychedelic trance (psytrance). Psychedelic trance developed from Goa trance. The typically long songs built on progressive beat changes are said to put the listener in a “trance”.
Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.
Earthcore was an Australian outdoor dance music festival and electronic music event. The outdoor events were generally held in forest environments around Victoria, Australia, with some events held in Queensland and overseas in New Caledonia. Earthcore has operated since 1992. After the Earthcore Carnival that ran from the 28th to 30 November 2008, Earthcore took a hiatus before returning for their 20-year anniversary celebration in November 2013.
Electronic dance music (EDM), also referred to as club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.
Helter Skelter was one of the longest running dance music promoters in the UK, which began organising megaraves in the early 1990s. Its largest-ever rave was "Energy 97 – The Carnival of Dance" in Northamptonshire which attracted 18,000 revellers. The electronic dance music featured at its events was characterised as "happy hardcore". By New Year's Eve 1999, its popularity had declined, as garage music clubs became more mainstream. It regularly held events at Sanctuary Music Arena in Milton Keynes until the venue closed in 2004.
Tribal Gathering is the original British electronic dance music festival that between 1993 and 2004 catered for different types of dance music cultures such as techno, house and drum & bass. After 18 years, Tribal Gathering returns in 2023 for a two-day event to celebrate its 30th anniversary.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
Every Picture Tells a Story were a series of all-night electronic dance music festivals held at different venues in Melbourne. In 1991 Heidi John and Richard John started a series of warehouse, rave parties. In 1993 they formed the Melbourne Underground Development (M.U.D.) crew with Phil Woodman. From 1993 to 1997 the parties were held at the Global Village in suburban, Footscray. Some 21 such parties were held until the year 2000. A one-off Every Picture Tells a Story event was held in April 2010.
Acid house is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986.
Techno is a genre of electronic dance music which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (BPM). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG, EBM and hip hop. It flourished in Western Europe during the late-1980s.
David Haberfeld is an Australian electronic dance music producer, performer, DJ and educator. Best known for his productions and live performances as Honeysmack, he is a proponent of acid house and techno music styles.
The Maitreya Festival is a large outdoor music festival held yearly in Melbourne, Australia. The festival generally plays a mixture of psytrance and techno, and has a large associated Alternative community. It has grown considerably in size over its 10-year history, with the event starting with 2000 people, building to attract 10,000 attendees in 2015, its 9th year of operation. In terms of outdoor electronic music events (commonly known as Doofs or Bush Doofs in Australia, this makes it the third biggest after Rainbow Serpent and Earthcore. It is the largest psytrance event in Australia. Maitraya has been said as some to be more “Ideaologically in tune” and less commercial.
Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.
