History
Rapso music is itself an evolution of the chantwell or griot tradition of African music in the diaspora. It is called "the poetry of Calypso" and "the Power of the Word in the rhythm of the Word". Rapso is the poetic "rap" form of Trinbagonian music—the next evolutionary step of Calypso and Soca music. It also has origins in the oral tradition elements of the performances of traditional masquerade characters in Trinidad Carnival.
Traditional masquerade characters, such as the Midnight Robber, Pierrot Grenade, and the Wild Indians, each have particular forms of poetic and musical speeches that echoed ancient African masking and poetic traditions. Rapso borrowed many of the rhythmic and performance elements of these forms.
The first wave of rapso music occurred in the late 1960s with the invention of rapso by its pioneer Lancelot Layne. The second wave occurred in the late 1970s with Cheryl Byron who was the first woman to perform this brand of music in calypso tents, and mushroomed in the early '80s with the work of Brother Resistance and the Network Rhythm Band, alongside other artists such as Brother Cetewayo and Brother Book. This wave mainstreamed rapso music in Trinidad and Tobago and World Music.
The third wave of rapso occurred with the advent of young groups including Kindred, Homefront and Boyz 'N The Road in the early 1990s. They were part of a musical movement entitled the "Kiskadee Karavan" that was led by businessman Robert Amar, who invested his money in the unleashing of the young musical genius of Trinidad and Tobago. The Karavan revolutionised Trinidad’s music by taking "traditional" forms such as the rapso and giving it modern production and promotional methods to take the music to stadiums in the native Trinidad and Tobago. This opportunity uncovered many talents on the ground, and created a series of anthemic musical singles. The song "This Trini Could Flow" by super-group Kindred took rapso into the 21st century and firmly entrenched the music as a form comparable to hip-hop and dancehall.
Modern Rapso music can be described today as the Trinbagonian equivalent of what is known as American rap music as groups like Boyz 'N The Road and Khay (from Boyz 'N The Road) produce and chant to beats and rhythms more heavily influenced by the modern American hip-hop music culture fused with R&B and Jazz, as opposed to the traditional or "Roots" rapso (with calypso and soca music). Nonetheless, traditional rapso continues to live on as super-group Kindred and 3 Canal maintain the balance with the calypso and soca music influences.
Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of calypso/kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
Ras Shorty I, born Garfield Blackman and also known as Lord Shorty, was a Trinidadian calypsonian and soca musician, known as the Father of Soca and The Love Man.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
Kaiso is a type of music popular in Trinidad and Tobago, and other countries, especially of the Caribbean, such as Grenada, Belize, Barbados, St. Lucia and Dominica, which originated in West Africa particularly among the Efik and Ibibio people of Nigeria, and later evolved into calypso music.
Lancelot Layne was a rapso artist from Trinidad and Tobago.
As early as the 1780s, the word kaiso was used to describe a French creole song and, in Trinidad, kaiso seems to have been perfected by the chantwells during the first half of the 19th century. The chantwells, assisted by alternating in call-and-response style with a chorus, were a central component of the practice called Calinda (stick-fighting).
In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal.
Denyse Burnadette Kirline Plummer was a Trinidadian calypsonian and gospel singer. The child of a white father and a black mother, she initially faced significant prejudice in a genre traditionally seen as Afro-Caribbean, but was eventually recognised as a leading calypso performer. In 2001, she won the Calypso Monarch title with her songs "Heroes" and "Nah Leaving".
Music of the African diaspora is a sound created, produced, or inspired by black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music.
Lutalo Masimba, born Roy Lewis and known professionally as Brother Resistance, was a rhythm poet and musician from Trinidad and Tobago. He died on 13 July 2021, after being diagnosed with cancer.
The following outline is provided as an overview of and topical guide to Trinidad and Tobago:
Mark Antonio Jiminez, better known by his stage name Ataklan is a Trinidadian singer-songwriter and performer primarily of the modern rapso tradition. Ataklan has been referred to as "Trinidad's answer to Beck" and a "fiercely independent songwriter and singer and arguably the most original artist to have emerged on the island since David Rudder". Since his emergence in 1993, Ataklan has released tracks including "Flambo", "Naked Walk", "Flood on the Main Road", "Shadow in de Dark", "Soca Girl" and "Caribbean Swagga", among numerous others.
Everard Romany aka Brother Shortman, also known as Rapso Rebel, is a rhythm poet and musician from Trinidad and Tobago.
Erphaan Alves is a Trinidadian soca recording artist and songwriter. He initially gained full recognition in the soca world 2012 when he qualified as a finalist in both Groovy and International Power Soca Monarch Finals with the songs "In your Eyes" and "Terrible". His transition to soca megastar proved complete when he cued the HD band into his 2018 monster hit ‘Overdue’.
3 Canal is a Trinidadian band and leading proponent of rapso, a musical style which combines elements of calypso, soca and rap. The group was formed in 1994 by Visual Artist Steve Ouditt and Performing Artists Wendell Manwarren and Roger Roberts. For the next 3 years they created and led their own Jouvay Band in the Trinidad Carnival. Jouvay is the pre-dawn ritual street procession which marks the opening of the Trinidad Carnival. In 1997 3canal expanded to include Stanton Kewley and John Isaacs, they recorded their first song Blue, the theme song for their Jouvay Band that year. Since then 3 Canal has released numerous albums from the late 1990s to the present, including a greatest hits collection that includes songs from 1997 to 2004. 3 Canal celebrated its 25th anniversary as a musical entity 2022.
