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Extempo (also extempo calypso) is a lyrically improvised form of calypso and is most notably practiced in Grenada and Trinidad and Tobago. It consists of performers improvising in song or in rhythmic speech on a given theme before an audience, which take turns to perform. It is inherently competitive, and success is judged by the wit and the ingenuity of the performance.
It is similar in form to what has been defined as traditional African song: "a recitative or chants with a short chorus. The soloist gives the melody while a chorus sings a refrain. As the melody is given out, they turn to one another, each improvising in turn. Extempo tends to comprise topics from current events treated with mockery, ridicule and sarcasm, or with flattery or praise.”[ This quote needs a citation ]
It is characterised either by the “single tone”, consisting of four-line stanzas or the “double tone”, which has eight-line stanzas. There are four basic melodies common to extempo: “Sans Humanite”, “Matilda”, “Miss Mary Ann”, and “Big Bamboo”. The most widely used is "Sans Humanite". Another characteristic of extempo is that the performer must be able to think quickly since the subjects are handed out on the spot and the lyrics are then improvised.
The competitive nature of extempo is reflected in the annual Trinidad Carnival with a formal competition for the title of National Extempo Monarch. Extempo War, or warring, is the practice of competitors attacking each other's efforts at extemporizing in the course of their own performance. It is not an essential part of competition, but is a regular feature, and an entertaining one. The acknowledged "Grandmaster of Extempo" was Lord Pretender, who was twice honored by the Trinidad & Tobago government for his services to calypso. [1]
Extempo war may also be called simply Calypso War.
Not all extempo performance is competitive. Away from competition, formal roles for extempo performers are typically as emcees or hosts at private functions.
Extempo is similar to the African-American tradition of "the Dozens" in its competitive aspect, but may be distinguished in that the aim is not to improvise humorous abuse to an opponent, incorporating a given form of words, but to entertain an audience of one's competitors while extemporizing on a given theme. The abuse or sarcasm may be directed either at one's competitors or at subjects relevant to that theme, ideally both.
It is also similar to the United States tradition of freestyle rap.
Soca music is a genre of music defined by Lord Shorty, its inventor, as the "Soul of Calypso", which has influences of African and East Indian rhythms. It was originally spelled "sokah" by its inventor but through an error in a local newspaper when reporting on the new music it was erroneously spelled "soca"; Lord Shorty confirmed the error but chose to leave it that way to avoid confusion. It is a genre of music that originated in Trinidad and Tobago in the early 1970s and developed into a range of styles during the 1980s and after. Soca was initially developed by Lord Shorty in an effort to revive traditional calypso, the popularity of which had been flagging amongst younger generations in Trinidad due to the rise in popularity of reggae from Jamaica and soul and funk from the United States. Soca is an offshoot of calypso/kaiso, with influences from East Indian rhythms and hooks.
Calypso is a style of Caribbean music that originated in Trinidad and Tobago during the early to mid-19th century and spread to the rest of the Caribbean Antilles by the mid-20th century. Its rhythms can be traced back to West African Kaiso and the arrival of French planters and their slaves from the French Antilles in the 18th century.
Aldwyn Roberts HBM DA, better known by the stage name Lord Kitchener, was a Trinidadian calypsonian. He has been described as "the grand master of calypso" and "the greatest calypsonian of the post-war age".
Slinger Francisco ORTT CM OBE, better known as Mighty Sparrow, is a Trinidadian calypso vocalist, songwriter, and guitarist. Known as the "Calypso King of the World", he is one of the best-known and most successful calypsonians. He has won Trinidad's Carnival Road March competition eight times, Calypso King/Monarch eight times, and has twice won the Calypso King of Kings title.
The music of Trinidad and Tobago is best known for its calypso music, soca music, chutney music, and steelpan. Calypso's internationally noted performances in the 1950s from native artists such as Lord Melody, Lord Kitchener and Mighty Sparrow. The art form was most popularised at that time by Harry Belafonte. Along with folk songs and African- and Indian-based classical forms, cross-cultural interactions have produced other indigenous forms of music including soca, rapso, parang, chutney, and other derivative and fusion styles. There are also local communities which practice and experiment with international classical and pop music, often fusing them with local steelpan instruments.
A calypsonian, originally known as a chantwell, is a musician from the anglophone Caribbean who sings songs of the calypso genre.
The music of Saint Kitts and Nevis is known for a number of musical celebrations including Carnival. The last week in June features the St Kitts Music Festival, while the week-long Culturama on Nevis lasts from the end of July into early August.
The culture of Trinidad and Tobago reflects the influence of Indian-South Asian, African, Indigenous, European, Chinese, North American, Latino, and Arab cultures. The histories of Trinidad and Tobago are different. There are differences in the cultural influences which have shaped each island. Trinidad and Tobago is an English-speaking country with strong links to the United Kingdom.
War is a calypso form that has existed since at least the turn of the twentieth century. Originally it was sung in patois or French creole. The classic War form is an eight-line stanza, the first four lines in a minor key, then modulating into the major, and returning to the minor with the refrain "santimanite".
In Trinidad and Tobago, Guyana, and Suriname, chutney soca music is a crossover style of music incorporating soca and calypso elements and English, Hindustani, and Hinglish lyrics, chutney music, with Western instruments such as the guitar, piano, drum set, and Indian instruments such as the dholak, harmonium, tabla, and dhantal.
Extempo Monarch is the title awarded to the winner of an annual extempo competition held at the Trinidad Carnival.
The Calypso Monarch contest is one of the two major annual calypso competitions held in Trinidad and all English speaking Caribbean islands, as part of the annual carnival celebrations.
Fay-Ann Lyons-Alvarez is a Trinidadian soca recording artist and songwriter. She is also known by the stage names Lyon Empress, Mane the Matriarch, and the Silver Surfer, a nickname which she claimed during her performance at the 2008 International Soca Monarch. Personally she's married to Bunji Garlin.
Lord Pretender was the stage name of Aldric Farrell, M.O.M., H.B.M. a calypsonian vocalist born on the island of Tobago widely acknowledged to be a "master" of extempo, a lyrically improvised form of calypso music. Starting with an impromptu performance at the age of 12, his career spanned nearly seven decades until cancer of the larynx forced him to retire in the mid-1990s.
Kade Simon, better known as Lord Brynner, was a Trinidadian calypsonian who won the Trinidad and Tobago Independence Calypso Contest in 1962. He also had a number of Ska hits in Jamaica during the mid-1960s.
Percival Oblington, better known as Mighty Striker, or simply Striker, was a Trinidadian calypsonian who twice won the Calypso King title.
Lord Executor was a Trinidadian calypsonian. He belonged to the first generation of calypso pioneers that included Julian Whiterose, Norman le Blanc, Henry Forbes the Inventor and Black Prince. Unlike those other early figures, however, Executor recorded extensively during the golden age of calypso of the 1930s and early 1940s, producing 28 record sides (78-rpm) and directly exerting influence on the second generation of calypsonians he worked alongside. According to the Roaring Lion, Executor "helped raise the general standard of the Calypso genre, gaining it more respect and acceptability in the public eye".
Clifton Ryan, better known as the Mighty Bomber, was a Grenadian-born calypsonian from Trinidad and Tobago.