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Indian folk music is diverse because of India's enormous cultural diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration.
Tamang Selo is a musical genre of the Tamang people and widely popular amongst the Nepali speaking community in India and around the world. It is usually accompanied by Tamang instruments, the Damphu, Madal and Tungna. although modern instruments have found their way into the compositions these days [1] A Selo could be very catchy, attractive and lively or slow and melodious and is usually sung to express love, sorrow and stories of day-to-day life.
Hira Devi Waiba is hailed as the pioneer of Nepali Folk songs and Tamang Selo. Her song 'Chura ta Hoina Astura' (चुरा त होइन अस्तुरा) is said to be the first Tamang Selo ever recorded. Waiba has sung nearly 300 songs in a career spanning 40 years. [2] [3] After Waiba's death in 2011, her son Satya Aditya Waiba (producer) and Navneet Aditya Waiba (singer) collaborated and re-recorded her most iconic songs and released an album titled Ama Lai Shraddhanjali (आमालाई श्रद्धाञ्जली-Tribute to Mother). [4] [5] [6]
Bhavageethe (literally 'emotion poetry') is a form of expressionist poetry and light music. When an emotional poem having excellent poetic components becomes a song, it is known as a "Bhaavageeth". Most of the poetry sung in this genre pertain to subjects like love, nature, and philosophy, and the genre itself is not much different from Ghazals, though Ghazals are bound to a peculiar metre. This genre is quite popular in many parts of India, notably in Karnataka and Maharashtra. Bhavageethe may be called by different names in other languages.
Kannada Bhavageethe draws from the poetry of modern, including Kuvempu, D.R. Bendre, Gopalakrishna Adiga, K.S. Narasimhaswamy, G.S. Shivarudrappa, K. S. Nissar Ahmed, and N S Lakshminarayana Bhatta. Notable Bhavageethe performers include P. Kalinga Rao, Mysore Ananthaswamy, C. Aswath, Shimoga Subbanna, Archana Udupa, and Raju Ananthaswamy.
C. N. Joshi is one of the foremost Bhaavageet singers in Marathi. Gajanan Watave is known for making the Bhaavageet tradition flourish in homes of Maharashtra.
Bhaavageete in Marathi draws from the works of Shanta Shelke, Vinda Karandikar, Jagdish Khebudkar, Ga Di Madgulkar, Raja Badhe and Mangesh Padgaonkar. Bhaavgeete composers include Sudhir Phadke, Shrinivas Khale and Yashwant Deo. Singers include Suresh Wadkar, Arun Date, Suman Kalyanpur, Lata Mangeshkar, Asha Bhosle and Bhimsen Joshi. Many books containing compilations of Bhaavageete in Marathi are available. [7]
Bhangra (Punjabi: ਭੰਗੜਾ) is a form of dance-oriented folk music of Punjab. The present musical style is derived from non traditional musical accompaniment to the riffs of Punjab called by the same name. The female dance of Punjab region is known as Giddha (Punjabi: ਗਿੱਧਾ).
Lavani is a popular folk form of Maharashtra. Traditionally, the songs are sung by female artists, but male artists may occasionally sing Lavanis. The dance format associated with Lavani is known as Tamasha.This dance format contains the dancer (Tamasha Bai), the helping dancer - Maavshi, The Drummer - Dholki vaala & The Flute Boy - Baasuri Vaala.
Sufi folk rock contains elements of modern hard rock and traditional folk music with Sufi poetry. While it was pioneered by bands like Junoon in Pakistan, it became very popular especially in north India. In 2005, Rabbi Shergill released a Sufi rock song called "Bulla Ki Jaana", which became a chart-topper in India and Pakistan. More recently, the Sufi folk rock song "Bulleya" from the 2016 film Ae Dil Hai Mushkil became a mammoth hit.[ citation needed ]
Dandiya is a dance-oriented folk music that has also been adapted for pop music worldwide, popular in Western India, especially during Navaratri. The present musical style is derived from the traditional musical accompaniment to the folk dance of Dandiya called by the same name.
Jhumair and Domkach are Nagpuri folk music. The musical instruments used in folk music and dance are Dhol, Mandar, Bansi, Nagara, Dhak, Shehnai, Khartal, Narsinga etc. [8] [9]
Pandavani is a folk singing style of musical narration of tales from ancient epic Mahabharata with musical accompaniment and Bhima as hero. This form of folk theatre is popular in the state of Chhattisgarh and in the neighbouring tribal areas of Orissa and Andhra Pradesh.
Rajasthani music has a diverse collection of musician castes, including langas, sapera, bhopa, jogi and Manganiar. [10]
The Bauls of Bengal were an order of musicians in 18th, 19th and early 20th century India who played a form of music using a khamak, ektara and dotara. The word Baul comes from Sanskrit batul meaning divinely inspired insanity. They are a group of Hindu mystic minstrels. They are thought to have been influenced greatly by the Hindu tantric sect of the Kartabhajas as well as by Sufi sects. Bauls travel in search of the internal ideal, Maner Manush (Man of the Heart).
This type of music was cultured mainly by the oarsmen and fishermen of erstwhile Bengal. There are many opinions regarding the origin of the term "Bhatiali". Most popular of them are:
One of the most eminent singers is Nirmalendu Chowdhury.
Bihu songs are the most famous among music lovers in Assam and are based on themes like Assamese new year, farmers' daily life, love and more. Bihu music is played with instruments like dhol, mohor singor pepa, cymbal, a bamboo instrument called gogona and a clapper made from bamboo known as toka. Bihu music is reflective of the Oriental influence on Assam's folk music. It is an absolute delight to sit and listen to heart-touching Bihu songs during the Bihu festival when the entire state is in a celebratory mood. The talented musicians of the state have been following this traditional form of music since generations and listening to them sing in joy is an unmatched experience for every tourist.
Garba ("song") is sung in honor of Hindu goddesses and gods during Navratri. They are sung in the honor of god Krishna, Hanuman, Ram, etc.
This is a group dance that is named after the Dollu — the percussion instrument used in the dance. It is performed by the menfolk of the Kuruba community of the North Karnataka area. The group consists of 16 dancers who wear the drum and beat it to rhythms while dancing. The beat is controlled and directed by a leader with cymbals who is positioned in the center. Slow and fast rhythms alternate and group weaves varied patterns.
Kolata/Kolattam is a traditional folk dance of the states of Andhra Pradesh, Karnataka and Tamil Nadu. [11] Similar to its North Indian counterpart Dandiya Ras, it is performed with coloured sticks and usually involves both men and women dancing together.
Telangana had its own unique song and dance, and there were many folk singers and artistes who took part in the Telangana movement. Some of the prominent names who took active part in the Telangana movement are Gaddar, Belli Lalitha, Sai Chand, Vimalakka and singers like Deshapati Srinivas and Rasamayi Balakishan.
Uttarakhandi folk music had its roots in the lap of nature. The pure and blessed music have the feel and the touch of nature and subjects related to nature. The folk music primarily is related to the festivals, religious traditions, folk stories and simple life of the people of Uttarakhand. Thus the songs of Uttarakhand are a true reflection of the cultural heritage and the way people live their lives in the Himalayas. Musical instruments used in Uttarakhand music include the dhol, damoun, turri, ransingha, dholki, daur, thali , bhankora and masak baja. Tabla and harmonium are also used but to a lesser extent. The main languages are Kumaoni and Garhwali.
Veeragase is a dance folk form prevalent in the state of Karnataka. It is a vigorous dance based on Hindu mythology and involves very intense energy-sapping dance movements. Veeragase is one of the dances demonstrated [12] in the Dasara procession held in Mysore.
Naatupura Paatu is Tamil folk music. It consists of Gramathisai (village folk music) and Gana (city folk music). It is also sung in Rajasthan. It is the oldest folk song in India.
Owing to India's vastness and diversity, Indian music encompasses numerous genres in multiple varieties and forms which include classical music, folk, rock, and pop. It has a history spanning several millennia and developed over several geo-locations spanning the sub-continent. Music in India began as an integral part of socio-religious life.
The music of Bangladesh spans a wide variety of styles. Bangladesh claims some of the most renowned singers, composers and producers in Asia. Music has served the purpose of documenting the lives of the people and was widely patronized by the rulers. It comprises a long tradition of religious and regular song-writing over a period of almost a millennium.
Dhol can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.
Music of Nepal refers to the various musical genres played and listened to in Nepal. With more than fifty ethnic groups in Nepal, the country's music is highly diverse. Genres like Tamang Selo, Chyabrung, Dohori, Adhunik Geet, Bhajan, Filmi music, Ghazal, Classical music, songs and Ratna music are widely played and popular, but many other less common genres are yet to be cataloged. Western musical genres like Rock, Metal, Hip-Hop, Rap, R&B also regularly feature on the Nepalese music charts. Most of the country's musical bands are based in the Kathmandu valley. Musical genres from Tibet and India have greatly influenced Nepalese music.
Music of Punjab reflects the traditions of the Punjab region of the Indian subcontinent, associated with Punjabi language. Punjab is currently divided into two parts: East Punjab, in India, and West Punjab, the most populous province of Pakistan. The Punjab has diverse styles of music, ranging from folk and Sufi to classical, notably the Patiala gharana. Contemporary Punjabi music has tended to include more modern hip-hop and R&B sounds. While this style of music is obviously most popular in Punjab, it has seen popularity across the subcontinent and areas with large Punjabi diaspora populations, such as Canada, the United Kingdom, and the United States.
Gujarat, a western state of India, is known for music traditions of both folk and classical music.
Madhya Pradesh is a state of India. Music from the area includes rural folk and tribal music, ceremonial and ritual music and Indian classical music. Unlike in many parts of India, the people of Madhya Pradesh place few restrictions on who can sing which songs. With the exception of some ritualistic works, people sing songs from across ethnic and racial boundaries.
Music of Sikkim ranges from traditional Nepali folk music to Westernized pop music. The ethnic communities, Lepcha, Limbu, Bhutia, Kiratis and Nepalis constitute the music which is an ingrained part of Sikkimese culture.
Arunachal Pradesh is a state of India. It is known for dance music, which comes in many different styles. Dances from the region are often ritual in nature, but are also celebratory. They are mostly group dances, though others are restricted to men. Dances include popir, ponung and pasi kongki, rekham pada, aji lhamu and hiirii khaniing.
Lavani is a genre of music popular in Maharashtra, India. Lavani is a combination of traditional song and dance, which particularly performed to the beats of Dholki, a percussion instrument. Lavani is noted for its powerful rhythm. Lavani has contributed substantially to the development of Marathi folk theatre. In Maharashtra and southern Madhya Pradesh it is performed by the female performers wearing nine-yard long sarees. The songs are sung in a quick tempo.
A damphu, or damfoo, is a percussion instrument similar to a large tambourine. This instrument is used by the Tamang people of Nepal to play the melodious Tamang Selo. According to folklore Damphu was invented by Peng Dorje, a Tamang King and named it after Nepal's national bird the Daphne bird.
Maharashtra is the third largest state of India in terms of land area and second largest in terms of population in India. It has a long history of Marathi saints of Varakari religious movement, such as Dnyaneshwar, Namdev, Chokhamela, Eknath and Tukaram which forms the one of bases of the culture of Maharashtra or Marathi culture. Maharashtrian culture had large influence over neighbouring regions under the Maratha Empire.
Ajay-Atul is an Indian music composer duo comprising brothers Ajay Ashok Gogavale and Atul Ashok Gogavale. They won the Best Music Direction award at the 56th National Film Awards from the Government of India for their music in the Marathi film Jogwa in 2008. They made their debut in the 2015 Forbes India Celebrity 100 List securing a position of 82 and were placed 22nd in 2019. They have composed music for many hit Marathi & Hindi films.
Hira Devi Waiba was an Indian folk singer in the Nepali-language and is hailed as the pioneer of Nepali folk songs.
The taal, manjira, jalra, karatala, kartal or gini is a pair of clash cymbals, originating in the Indian subcontinent, which make high-pitched percussion sounds. In its simplest form, it consists of a pair of small hand cymbals. The word taal comes from the Sanskrit word Tālà, which literally means a clap. It is a part of Indian music and culture, used in various traditional customs e.g. Bihu music, Harinaam etc. It is a type of Ghana vadya.
Folk dances of Assam include the Bihu and the Bagurumba, the Bhortal, the Ojapali dance. Assam is home to many groups: Muslim, Indo-Aryan, Rabha, Bodo, Dimasa, Karbi, Mising, Sonowal Kacharis, Mishmi and Tiwa (Lalung) etc. These cultures come together to create an Assamese culture. Residents of the state of Assam are known as "Axomiya" (Assamese). Most tribes have their own language, although Assamese is the primary language of the state.
Kutumba is an instrumental folk Nepalese band. It only uses Nepalese traditional musical instruments such as bamboo flutes, sarangi, madal, tungna, dhol, jhyamta, arbajoo, dhime, dhyangro, damphu, khin, and singing bowl. The band recorded a single for season 6 of Coke Studio Pakistan, which aired in late 2013. They have collaborated with other Nepali artists such as Navneet Aditya Waiba, Satya Aditya Waiba, Albatross, Hari Maharjan, 1974 AD and Astha Tamang Maskey. They competed in the AI Song Contest 2021 alongside Diwas, Chepang, and Hari Maharjan with the song "Dreaming of Nepal", placing 17th with 15 points.
Tamang Selo is a genre of Nepali folk song sung by the Tamang people of Nepal and is widely popular among the Nepali-speaking community in Nepal, in India, and around the world. It is usually accompanied by the Tamang instruments: Damphu, Madal and Tungna. A Selo could be very catchy and lively or slow and melodious and is usually sung to express love, sorrow and stories of day to day life.