The dholak is a two-headed hand drum, a folk percussion instrument. The dholak is most commonly recognised in countries such as India, Pakistan, Bangladesh, Nepal and Sri Lanka, but can also be found amongst the Indo-Diaspora in countries such as Guyana, Suriname, Fiji, Trinidad and Tobago, South Africa and Mauritius. The dholak can be anywhere about 16" to 24" in length. It is widely used in qawwali, kirtan, bhajan, bhangra, chutney, baithak gana, Bollywood film songs, lokgeet and various classical styles such as Hindustani, Carnatic and Trinidadian local classical / Guyanese taan. The drum has two different sized drumheads. There is a smaller drumhead that can be from 5.5 to 8 inches in diameter and is made for sharp notes while the bigger drumhead, which can be from 7.5 to 10 inches in diametre, is made for low pitch. The two drumheads allow a combination of bass and treble with rhythmic high and low pitches. The body or shell of the Dholak can made of sheesham or mango wood. The larger drum head has a compound of tar, clay and sand, called "masala" which is applied to lower the pitch and produce the sound. The smaller drumhead is played with the person's dominant hand, while the larger is played by the person's weaker hand. A dholak can either be fitted with a nuts and bolts or a rope and steel rings for tuning. Commonly in the Indian subcontinent, there are only one set of rings for tuning the treble side of the dholak, while in the Caribbean, hook screws are placed into the sides of the dholak to allow tuning of both the treble and the bass. Dholak can be played in three ways — on the player’s lap, while standing, or pressed down with one knee while sitting on the floor.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
Bhojpuri is an Indo-Aryan language native to the Bhojpur-Purvanchal region of India and the Terai region of Nepal and it is chiefly spoken in eastern Uttar Pradesh, western Bihar, and northwestern Jharkhand in India, as well as western Madhesh, eastern Lumbini, southeastern Gandaki, and southwestern Bagmati in Nepal. Bhojpuri is also widely spoken by the diaspora of Indians descended from those who left as indentured laborers during the colonial era. It is an eastern Indo Aryan language and as of 2000 it is spoken by about 5% of India's population. Bhojpuri is a descendant of Magadhi Prakrit and is related to Maithili, Magahi, Bangla, Odia, Assamese, and other eastern Indo-Aryan languages.
Chutney music is a fusion genre of Indian folk music, specifically Bhojpuri folk music, with Caribbean calypso and soca music, and later with Bollywood music. This genre of music that developed in Trinidad and Tobago is popular in Trinidad and Tobago, Guyana, Suriname, Jamaica, other parts of the Caribbean, Fiji, Mauritius, and South Africa. Chutney music emerged mid-20th century and reached a peak of popularity during the 1980s. Several sub-genres have developed.
The music of Suriname is known for kaseko music, and for having an Indo-Caribbean tradition.
The music of Guyana encompasses a range of musical styles and genres that draw from various influences including: Indian, Latino-Hispanic, European, African, Chinese, and Amerindian music. Popular Guyanese performers include: Terry Gajraj, Eddy Grant, Dave Martins & the Tradewinds, Aubrey Cummings, Colleˊ Kharis and Nicky Porter. Eddie Hooper The Guyana Music Festival has proven to be influential on the Guyana music scene.
Indo-Caribbean people or Indian-Caribbean people are people in the Caribbean who trace their ancestry to the Indian subcontinent. They are descendants of the Jahaji indentured laborers from British India, who were brought by the British, Dutch, and French during the colonial era from the mid-19th century to the early 20th century. A minority of them are descendants from people who immigrated as entrepreneurs, businesspeople, merchants, engineers, doctors, religious leaders, students, and other professional occupations beginning in the mid-20th century.
Indo-Guyanese or Indian-Guyanese, are Guyanese nationals of Indian origin who trace their ancestry to India and the wider subcontinent. They are the descendants of indentured servants and settlers who migrated from India beginning in 1838, and continuing during the British Raj.
In Trinidad and Tobago, Guyana, Suriname, Jamaica, and other parts of the Caribbean, the term tassa refers to a drumming ensemble drawn from an amalgamation of various North Indian folk drumming traditions, most importantly dhol-tasha, a style that remains popular today in many parts of India and Pakistan. Beginning in the 1830s and lasting until 1918, dhol-tasha was taken around the world by Indian workers, mostly from present-day Bihar and Uttar Pradesh, enmeshed in a global scheme of indentured labor in British, French, and Dutch territories.
Laxmichand "Babla" Virji Shah and Kumari Kanchan Dinkarrao Mali-Shah were an Indian husband-wife musical group best known for work in the chutney music and Desi Folk music genres. They performed together for forty years until Kanchan died in 2004. Babla Shah is the younger brother of famous music director duo Kalyanji Anandji.
Caribbean Hindustani is an Indo-Aryan language spoken by Indo-Caribbean people and the Indo-Caribbean diaspora. It is a koiné language mainly based on the Bhojpuri and Awadhi dialects. These Hindustani dialects were the most spoken dialects by the Indians who came as immigrants to the Caribbean from Colonial India as indentured laborers. It is closely related to Fiji Hindi and the Bhojpuri-Hindustani spoken in Mauritius and South Africa.
Indo-Caribbean music is the musical traditions of the Indo-Caribbean people of the Caribbean music area. Indo-Caribbean music is most common in Trinidad and Tobago, Guyana, Jamaica, Martinique and Suriname.
The Punjabi diaspora consists of the descendants of ethnic Punjabis who emigrated out of the Punjab region in the northern part of the South Asia to the rest of the world. Punjabis are one of the largest ethnic groups in both the Pakistani and Indian diasporas. The Punjabi diaspora numbers around the world has been given between 3-5 million, mainly concentrated in Britain, Canada, United States, Western Europe, Southeast Asia, the Middle East, Australia and New Zealand.
Hindi dance music encompasses a wide range of songs predominantly featured in the Hindi cinema with a growing worldwide attraction. The music became popular among overseas Indians in places such as South Africa, Mauritius, Fiji, the Caribbean, Canada, the United Kingdom, the Netherlands and the United States of America and eventually developed a global fan base.
Baithak Gana is a form of music originating in Suriname by the Indian community. Baithak is a social gathering. It is a mix of Bhojpuri folk songs with other Caribbean influences. It is similar to Chutney music that originated in Trinidad and Tobago. The most popular exponent in Surinam of the genre were Ramdew Chaitoe and Dropati.
The Bhojpuri people, also known as Bhojpuriya-sawb are an Indo-Aryan ethnic group from the Indian subcontinent who speak the Bhojpuri-language and inhabit the Bhojpur-Purvanchal region. This area is now divided between the western part of the Indian state of Bihar, the eastern part of the Indian state of Uttar Pradesh, western Jharkhand, along with some neighbouring districts in the Madhya Pradesh and Madhesh and Lumbini of Nepal. A significant diaspora population of Bhojpuris can be found in Trinidad and Tobago, Guyana, Jamaica, Suriname, other parts of the Caribbean, Fiji, South Africa, Mauritius, United States, Canada, Netherlands, United Kingdom, Australia, and New Zealand.
Rampersad, also spelt Ramprasad or Rampersaud, is a surname common in Trinidad and Tobago, Guyana, Suriname, the Caribbean, Fiji, South Africa, and Mauritius. The name is common among Caribbean Hindus, but also among others as a result of ethnic mixing. It is also common among many Christians as well. Many people of this surname have migrated to the United States and Canada as well. Sundar Popo wrote a song called Rampersad.
Bhojpuri music is a form of Hindustani Classical Music and includes a broad array of Bhojpuri language performances in distinct style, both traditional and modern. This form of music is mostly created in Indian states of Bihar, Uttar Pradesh and other countries like Nepal, Trinidad and Tobago, Suriname, Guyana, Netherlands, Mauritius and other Caribbean Islands.
Kaise Bani or Phulauri Bina chutney kaise bani is a traditional Bhojpuri Folksong. It was first modified and released by Trinidadian singer Sundar Popo in his album Nana and Nani (1969). This song got immense popularity after that and remade by many different artists and used in albums and films like Ghar ki Izzat (1994), Dabangg 2 (2012). Its popularity led to the formation of a new Music genre named Chutney music, which is the fusion of Bhojpuri and Caribbean music.
