A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.
Cape Breton fiddling is a regional violin style which falls within the Celtic music idiom. Cape Breton Island's fiddle music was brought to North America by Scottish immigrants during the Highland Clearances. These Scottish immigrants were primarily from Gaelic-speaking regions in the Scottish Highlands and the Outer Hebrides. Although fiddling has changed considerably since this time in Scotland, it is widely held that the tradition of Scottish fiddle music has been better preserved in Cape Breton.
Charlie Higgins was an American old time fiddle player from Galax, Virginia. Higgins said that he was influenced by other old-time fiddlers including Emmett Lundy and Fiddlin' Arthur Smith. His style of playing was said to be very innovative and creative. Higgins played regularly with Wade Ward, Dale Poe and other old-time musicians in the Galax area. Recordings of Charlie Higgins are few, and limited to field recordings made between 1959 and 1961 by folklorists Alan Lomax, Peter Hoover and John Cohen. At the time of these recordings Higgins was over eighty years of age, and apparently was not recorded during his prime. However, he was still good enough at age 82 to win first place at the 1960 Galax Old Fiddler's Convention. Higgins died in 1967 and is buried with his wife Mallie at the Coal Creek Community Church in Galax, Virginia.
The fiddle is one of the most important instruments in the traditional repertoire of Irish traditional music. The fiddle itself is identical to the violin, however it is played differently in widely varying regional styles. In the era of sound recording some regional styles have been transmitted more widely while others have become more uncommon.
Kevin Burke is an Irish master fiddler considered one of the finest living Irish fiddlers. For nearly five decades he has been at the forefront of Irish traditional music and Celtic music, performing and recording with the groups The Bothy Band, Patrick Street, and the Celtic Fiddle Festival. He is a 2002 recipient of a National Heritage Fellowship from the National Endowment for the Arts.
Jean Carignan, was a Canadian fiddler from Quebec.
French Canadian music is music derived from that brought by the early French settlers to what is now Quebec and other areas throughout Canada, or any music performed by the French Canadian people. Since the arrival of French music in Canada, there has been much intermixing with the Celtic music of Anglo-Canada.
James or Jim Morrison, known as "The Professor", was a notable South Sligo-style Irish fiddler.
Genticorum is a popular traditional Québécois musical trio based in Montreal, Quebec, Canada. Members are Pascal Gemme, Yann Falquet, and Nicholas Williams, replacing Alexandre de Grosbois-Garand. Each member additionally provides percussion by clogging. The band formed in the autumn of 2000, and as of 2011, have released four albums all on Roues Et Archets, an independent record label.
Joseph Allard was a Canadian fiddler and composer. He occasionally recorded under the pseudonym Maxime Toupin. Allard made many popular recordings, including Reel de l'Aveugle, Reel de Chateauguay, Reel de Jacques Cartier, and Reel du voyageur. During most of his life he was rarely in the public eye, and worked much of his life as a fisherman. After his recordings became popular, he was known as The Prince of Fiddlers.
Cross tuning or cross-tuning is an alternative tuning used for the open strings of a string instrument. The term refers to the practice of retuning the strings; it also refers to the various tunings commonly used, or in some contexts it may refer to the AEAE fiddle tuning. In folk music traditions, cross-tunings are used to give the instrument a different sound by altering the pitch of string resonances and drones. It may be notated in the normal way, with notes written at the sounding pitch, or the written notes may represent the finger position as if played in regular tuning, while the sounded pitch is altered.
Jean Baptiste "John" Arcand, is a Canadian fiddler, composer, teacher, and luthier. Arcand has been composing and performing since childhood, having learned the traditional Métis tunes from his father Victor and his grandfather Jean-Baptiste. John Arcand has said, "I knew from childhood I would be a fiddler." "I love the constant challenge because you cannot ever master the fiddle." He is known for the impeccable sense of timing in his music, a skill that is necessary when guiding dancers.
Hugh Alexander “Sandy” MacIntyre (1935–2021) was one of the most respected artists in the tradition of Cape Breton fiddle music.
American fiddle-playing began with the early settlers who found that the small viol family instruments were portable and rugged. According to Ron Yule, "John Utie, a 1620 immigrant, settled in the North and is credited as being the first known fiddler on American soil". Early influences were Irish fiddle styles as well as Scottish and the more refined traditions of classical violin playing. Popular tunes included "Soldier's Joy", for which Robert Burns had written lyrics, and other such tunes as "Flowers of Edinburgh" and "Tamlin," which were claimed by both Scottish and Irish lineages.
Old time fiddle is a genre of American folk music. "Old time fiddle tunes" derived from European folk dance tunes such as Jig, Reel, Breakdown, Schottische, Waltz, Two Step and Polka. The fiddle may be accompanied by banjo or other instruments but are nevertheless called "fiddle tunes". The genre traces from the colonization of North America by immigrants from England, France, Germany, Ireland, and Scotland. It is separate and distinct from traditions which it has influenced or which may in part have evolved from it, such as bluegrass, country blues, variants of western swing and country rock.
Canadian fiddle is the aggregate body of tunes, styles and musicians engaging the traditional folk music of Canada on the fiddle. It is an integral extension of the Anglo-Celtic and Québécois French folk music tradition but has distinct features found only in the Western hemisphere.
Métis fiddle is the style that the Métis of Canada and Métis in the northern United States have developed to play the violin, solo and in folk ensembles. It is marked by the percussive use of the bow and percussive accompaniment. The Metis people are a poly-ethnic post-contact Indigenous peoples. Fiddles were "introduced in this area by Scottish and French-Canadian fur traders in the early 1800s", where the Metis community adopted the instrument into their culture.
Cajun fiddle music is a part of the American fiddle music canon. It is derived from the music of southwest Louisiana and southeast Texas, as well as sharing repertoire from the Quebec and Cape Breton Island traditions. It is one of the few extant North American folk music traditions rooted in French chanson. According to Ron Yule, "Louisiana fiddling had its birth roots in Europe, with fiddling being noted as early as the 1400s in Scotland". Zydeco music is a geographically, culturally, and musically related style.
Bluegrass fiddling is a distinctive style of American fiddle playing which is characterized by bold, bluesy improvisation, off-beat "chopping", and sophisticated use of both double-stops and old-time bowing patterns.
Graham Craig Townsend was a Canadian fiddler, mandolin player, pianist and composer active from the 1950s through the 1990s.
