Nightclub two step is a partner dance initially developed by Buddy Schwimmer in the mid-1960s. The dance is also known as "Two Step" and was "one of the most popular forms of contemporary social dance" as a Disco Couples Dance in 1978. It is frequently danced to mid-tempo ballads in 4
4 time that have a characteristic quick-quick-slow beat. A classic example is the song "The Lady In Red".
Dance moves or dance steps are usually isolated, defined, and organized so that beginning dancers can learn and use them independently of each other. However, more complex movements are influenced by musicality and lyrical relevance to express emotions or refer to a message. Dance moves tend to emphasize the concepts of lead and follow and connection.
A cèilidh or céilí is a traditional Scottish and Irish social gathering. In its most basic form, it simply means a social visit. In contemporary usage, it usually involves dancing and playing Gaelic folk music, either at a home or a larger concert at a social hall or other community gathering place.
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music.
Indigenous music of Canada encompasses a wide variety of musical genres created by Aboriginal Canadians. Before European settlers came to what is now Canada, the region was occupied by many First Nations, including the West Coast Salish and Haida, the centrally located Iroquois, Blackfoot and Huron, the Dene to the North, and the Innu and Mi'kmaq in the East and the Cree in the North. Each of the indigenous communities had their own unique musical traditions. Chanting – singing is widely popular and most use a variety of musical instruments.
The Onondaga people are one of the five original nations of the Haudenosaunee (Iroquois) Confederacy in the Northeastern Woodlands. Their historical homelands are in and around present-day Onondaga County, New York, south of Lake Ontario.
The cha-cha-cha, is a dance of Cuban origin. It is danced to the music of the same name introduced by the Cuban composer and violinist Enrique Jorrin in the early 1950s. This rhythm was developed from the danzón-mambo. The name of the dance is an onomatopoeia derived from the shuffling sound of the dancers' feet when they dance two consecutive quick steps that characterize the dance.
William N. Fenton was an American scholar and writer known for his extensive studies of Iroquois history and culture. He started his studies of the Iroquois in the 1930s and published a number of significant works over the following decades. His final work was published in 2002. During his career, Fenton was director of the New York State Museum and a professor of anthropology at the State University of New York.
Dabke is a Levantine folk dance. Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and the leader of the dabke heads the line, alternating between facing the audience and the other dancers. In English, it can be transcribed as dabka, dabki, dabkeh.
Arunachal Pradesh is a state of India. It is known for dance music, which comes in many different styles. Dances from the region are often ritual in nature, but are also celebratory. They are mostly group dances, though others are restricted to men. Dances include popir, ponung and pasi kongki, rekham pada, aji lhamu and hiirii khaniing.
The country/western two-step, often called the Texas two-step or simply the two-step, is a country/western dance usually danced to country music in common time. "Traditional [Texas] two-step developed, my theory goes, because it is suited to fiddle and guitar music played two-four time with a firm beat [found in country music]. One-two, one-two, slide-shuffle. The two-step is related to the polka, the Texas waltz, and the jitterbug.
The Texas two-step is the same step known to ballroom dancers as the international fox-trot. Except for the one-step, which is just that, most Texas dances are variations of a two-step, also called a half-step, which is simply a step-close-step. The Texas two-step is generally done with two long steps and a step-close-step to two-four time. Speeded up, it's a shuffle or double shuffle, but still a two-step.
The stomp dance is performed by various Eastern Woodland tribes and Native American communities in the United States, including the Muscogee, Yuchi, Cherokee, Chickasaw, Choctaw, Delaware, Miami, Caddo, Tuscarora, Ottawa, Quapaw, Peoria, Shawnee, Seminole, Natchez, and Seneca-Cayuga tribes. Stomp dance communities are active in Georgia, North Carolina, Oklahoma, Alabama, Mississippi, and Florida.
Ethnochoreology is the study of dance through the application of a number of disciplines such as anthropology, musicology, ethnomusicology, and ethnography. The word itself is relatively recent and etymologically means "the study of ethnic dance", though this is not exclusive of research on more formalized dance forms, such as classical ballet, for example. Thus, ethnochoreology reflects the relatively recent attempt to apply academic thought to why people dance and what it means.
Jesse J. Cornplanter was an actor, artist, author, craftsman, Seneca Faithkeeper and decorated veteran of World War I. The last male descendant of Cornplanter, an important 18th-century Haudenosaunee leader and war chief, his Seneca name was Hayonhwonhish. He illustrated several books about Seneca and Iroquois life. Jesse Cornplanter wrote and illustrated Legends of the Longhouse (1938), which records many Iroquois traditional stories. Cornplanter was also the first Native American to play a lead in a feature film titled Hiawatha, which was released in 1913 and a year before the notable Western The Squaw Man.
Dances centered around drums are performed in many cultures. Anthropologists sometimes refer to these as "drum dances". Drum dances may have various kinds of spiritual or social significance.
Gertrude Prokosch Kurath (1903–1992) was an American dancer, researcher, author, and ethnomusicologist. She researched and wrote extensively on the study of dance, co-authoring several books and writing hundreds of articles. Her main areas of interest were ethnomusicology and dance ethnology, with some of her best known works being "Panorama of Dance Ethnology" in Current Anthropology (1960), the book Music and dance of the Tewa Pueblos co-written with Antonio Garcia (1970), and Iroquois Music and Dance: ceremonial arts of two Seneca Longhouses (1964), in the Smithsonian Institution Bureau of American Ethnology bulletin. She made substantial contributions to the study of Amerindian dance, and to dance theory. From 1958 to January 1972 she was dance editor for the journal Ethnomusicology.
Suyá music is the music of the Suyá people, a tribe of about 150 people who live on the Suyá-Miçu River and are native to Mato Grosso, Brazil. Their houses are set up in a circle around the village square, where the majority of their ceremonies take place. Other buildings include a men's meeting house where there is almost always singing. Speech and hearing are highly valued in the social behavior of the tribe. The Suyá Indians symbolize their importance with body decorations that include ear and lip disks. In 1980, ethnomusicologist Anthony Seeger interpreted this body ornamentation as an emphasis on orality and listening as a principal means of perception, transmission, comprehension, and expression of fundamental values.
'Kwakwaka'wakw music is a sacred and ancient art of the Kwakwaka'wakw peoples that has been practiced for thousands of years. The Kwakwaka'wakw are a collective of twenty-five nations of the Wakashan language family who altogether form part of a larger identity comprising the Indigenous Peoples of the Pacific Northwest Coast, located in what is known today as British Columbia, Canada.
Métis fiddle is the style that the Métis of Canada and Métis in the northern United States have developed to play the violin, solo and in folk ensembles. It is marked by the percussive use of the bow and percussive accompaniment. The Metis people are a poly-ethnic post-contact Indigenous peoples. Fiddles were "introduced in this area by Scottish and French-Canadian fur traders in the early 1800s", where the Metis community adopted the instrument into their culture.
The Collegiate Shag is a partner dance done primarily to uptempo swing and pre-swing jazz music. It belongs to the swing family of American vernacular dances that arose in the 1920s and 30s. It is believed that the dance originated within the African American community of the Carolinas in the 1920s, later spreading across the United States during the 1930s. The shag is still danced today by swing dance enthusiasts worldwide.
