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Indigenous music of North America |
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Music of indigenous tribes and peoples |
Types of music |
Instruments |
Awards ceremonies and awards |
Sioux music prominently features the human voice, with songs accompanied by drumming. [1]
The Sioux are a large group of Native Americans generally divided into three subgroups: Lakota, Dakota and Nakota.
Among the Dakota, traditional dance songs generally begin in a high pitch, led by a single vocalist (solo) who sings a phrase that is then repeated by a group. This phrase then cascades to a lower pitch until there is a brief pause. Then, the song's second half, which echoes the first, is sung (incomplete repetition). The second part of the song often includes "honor beats," usually in the form of four beats representing cannon fire in battle. The entire song may be repeated several times, at the discretion of the lead singer.
Many songs use only vocables, syllabic utterances with no lexical meaning. Sometimes, only the second half of the song has any lyrics. Other times, it is a Lakota lullaby, which is usually a calming hum.
In some traditional songs, women sing one octave above the men, though they do not sing the first time the song is sung or the lead line at any time.
Percussion among the Dakota use drums, sometimes with syncopation. In competition songs, beats start off as an irregular ruffle and are then followed by a swift regular beat.
The Dakota Flag Song begins special events, such as powwows, and is not accompanied by a dance. Other kinds of songs honor veterans, warriors or others.
Non-Powwow types of Dakota songs include Sun dance, Yuwipi, Inipi, courtship, flute, lullaby, peyote, and Christian hymns.
The Sioux or Oceti Sakowin are groups of Native American tribes and First Nations people from the Great Plains of North America. The Sioux have two major linguistic divisions: the Dakota and Lakota peoples. Collectively, they are the Očhéthi Šakówiŋ, or "Seven Council Fires". The term "Sioux", an exonym from a French transcription of the Ojibwe term Nadowessi, can refer to any ethnic group within the Great Sioux Nation or to any of the nation's many language dialects.
Carnatic music or Karnataka Sangita is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu and portions of east and south Telangana and southern Odisha.
The Ghost Dance is a ceremony incorporated into numerous Native American belief systems. According to the millenarian teachings of the Northern Paiute spiritual leader Wovoka, proper practice of the dance would reunite the living with spirits of the dead, bring the spirits to fight on their behalf, end American Westward expansion, and bring peace, prosperity, and unity to Native American peoples throughout the region.
The Wounded Knee Massacre, also known as the Battle of Wounded Knee, involved nearly three hundred Lakota people killed by soldiers of the United States Army. The massacre, part of what the U.S. military called the Pine Ridge Campaign, occurred on December 29, 1890, near Wounded Knee Creek on the Lakota Pine Ridge Indian Reservation in South Dakota, following a botched attempt to disarm the Lakota camp. The previous day, a detachment of the U.S. 7th Cavalry Regiment commanded by Major Samuel M. Whitside approached Spotted Elk's band of Miniconjou Lakota and 38 Hunkpapa Lakota near Porcupine Butte and escorted them five miles westward to Wounded Knee Creek, where they made camp. The remainder of the 7th Cavalry Regiment, led by Colonel James W. Forsyth, arrived and surrounded the encampment. The regiment was supported by a battery of four Hotchkiss mountain guns. The Army was catering to the anxiety of settlers who called the conflict the Messiah War and were worried the ceremonial Ghost Dance signified a potentially dangerous Sioux resurgence. Historian Jeffrey Ostler wrote in 2004, "Wounded Knee was not made up of a series of discrete unconnected events. Instead, from the disarming to the burial of the dead, it consisted of a series of acts held together by an underlying logic of racist domination."
A powwow is a gathering with dances held by many Native American and First Nations communities. Inaugurated in 1923, powwows today are an opportunity for Indigenous people to socialize, dance, sing, and honor their cultures. Powwows may be private or public, indoors or outdoors. Dancing events can be competitive with monetary prizes. Powwows vary in length from single-day to weeklong events.
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music.
Traditional Inuit music, the music of the Inuit, Yupik, and Iñupiat, has been based on drums used in dance music as far back as can be known, and a vocal style called katajjaq has become of interest in Canada and abroad.
Varṇam is a type of composition in the Carnatic music system that encapsulates the key features of a raga, and considered as a foundational element in the learning path. Varnams capture the essence of the ragam in terms of typical swara patterns used, vishesha prayogas, highlighting the main notes, etc. This forms the basis for creative presentation (manodharma) of the raga in the form of raga aalapana, kalpana swarams and neraval.
Crazy Horse was a Lakota war leader of the Oglala band in the 19th century. He took up arms against the United States federal government to fight against encroachment by White American settlers on Native American territory and to preserve the traditional way of life of the Lakota people. His participation in several famous battles of the Black Hills War on the northern Great Plains, among them the Fetterman Fight in 1866, in which he acted as a decoy, and the Battle of the Little Bighorn in 1876, in which he led a war party to victory, earned him great respect from both his enemies and his own people.
Blackfoot music is the music of the Blackfoot people. Singing predominates and was accompanied only by percussion.
The music of Tokelau occurs in the atolls of Atafu, Nukunonu, and Fakaofo. It is dominated by communal choral activity in harmony, with percussive accompaniment including log drums (pate), pokihi and apa. Nukunonu is notable for traditional song and dance.
Capoeira music is the traditional musical accompaniment used in Afro-Brazilian art capoeira, featuring instruments like berimbau, pandeiro, atabaque, agogô, and reco-reco. The music plays a crucial role in capoeira roda, setting the style the energy of a game.
Ewe drumming refers to the drumming ensembles of the Ewe people of Ghana, Togo, and Benin. The Ewe are known for their experience in drumming throughout West Africa. The sophisticated cross rhythms and polyrhythms in Ewe drumming are similar to those in Afro-Caribbean music and late jazz. The original purpose of Ewe drumming were sung or performed by warriors. Now the songs and performed to celebrate or for recreational use. For example, Agbadza was originally used as a warrior dance but is now used to celebrate events.
The Gourd Dance is a Kiowa dance and song tradition that has become popular at modern powwows in southwestern Oklahoma.
The tautoga is considered the most formal and restrained style of Rotuman dance, usually seen performed in large festivities or ceremonies, or in public opportunities to showcase Rotuman culture. The tautoga style can be seen as comparable to the Tuvaluan fatele or Tongan lakalaka, and the "toga" sound to the word alludes to such an origin.
Michael Spears is an Indigenous American actor. He is a member of the Kul Wičaša Lakota from the Lower Brulé Sioux Tribe of South Dakota.
The "AIM Song" is the name given to a Native American intertribal song. Although the song originally did not have a name, it gained its current alias through association with the American Indian Movement. During the takeover of Wounded Knee, it was used as the anthem of the "Independent Oglala Nation."
Carnatic music terms are briefly described in this page. Major terms have their own separate article pages, while minor terms are defined / described here.
'Kwakwaka'wakw music is a sacred and ancient art of the Kwakwaka'wakw peoples that has been practiced for thousands of years. The Kwakwaka'wakw are a collective of twenty-five nations of the Wakashan language family who altogether form part of a larger identity comprising the Indigenous Peoples of the Pacific Northwest Coast, located in what is known today as British Columbia, Canada.
The quinto is the smallest and highest pitched type of conga drum. It is used as the lead drum in Cuban rumba styles such as guaguancó, yambú, columbia and guarapachangueo, and it is also present in congas de comparsa. Quinto phrases are played in both triple-pulse and duple-pulse structures. In columbia, triple pulse is the primary structure and duple pulse is secondary. In yambú and guaguancó duple-pulse is primary and triple-pulse is secondary.