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Peyote songs are a form of Native American music, now most often performed as part of services in the Native American Church. They are typically accompanied by a rattle and water drum, and are used in a ceremonial aspect during the sacramental taking of peyote.
Peyote songs began with the blend of the Ute music style with Navajo singing. [1] Ed Tiendle Yeahquo composed over 120 peyote songs, many are still sung in NAC today. Vocal style, melodic contour, and rhythm in Peyote songs is closer to Apache than Plains, featuring only two durational values, predominating thirds and fifths of Apache music with the tile-type melodic contour, incomplete repetitions, and isorhythmic tendencies of Plains-Pueblo music. The cadential formula use is also probably of Apache origin. [2]
In recent years, modernized peyote songs have been popularized by Verdell Primeaux, a Sioux, and Johnny Mike, a Navajo. Jim Pepper, who came from a Kaw and Creek family, used a peyote song he learned from his grandfather as the basis for the 1969 popular song "Witchi Tai To", which has since gone on to become a jazz and pop standard.
Peyote music is often associated with the consumption of peyote cactus. [3] Its consumption can be used in religious sacrament among North American native peoples.
Peyote music is largely associated with healing rituals as well as major life events in the peyote community.
Religious music is a type of music that is performed or composed for religious use or through religious influence. It may overlap with ritual music, which is music, sacred or not, performed or composed for or as ritual. Religious songs have been described as a source of strength, as well as a means of easing pain, improving one's mood, and assisting in the discovery of meaning in one's suffering. While style and genre vary broadly across traditions, religious groups still share a variety of musical practices and techniques.
Entheogens are psychoactive substances, including psychedelic drugs, used in sacred contexts in religion for inducing spiritual development throughout history.
The Apache are several Southern Athabaskan language–speaking peoples of the Southwest, the Southern Plains and Northern Mexico. They are linguistically related to the Navajo. They migrated from the Athabascan homelands in the north into the Southwest between 1000 and 1500 CE.
Quanah Parker was a war leader of the Kwahadi ("Antelope") band of the Comanche Nation. He was likely born into the Nokoni ("Wanderers") band of Tabby-nocca and grew up among the Kwahadis, the son of Kwahadi Comanche chief Peta Nocona and Cynthia Ann Parker, an Anglo-American who had been abducted as an eight-year-old child during the Fort Parker massacre in 1836 and assimilated into the Nokoni tribe. Following the apprehension of several Kiowa chiefs in 1871, Quanah Parker emerged as a dominant figure in the Red River War, clashing repeatedly with Colonel Ranald S. Mackenzie. With European-Americans hunting American bison, the Comanches' primary sustenance, into near extinction, Quanah Parker eventually surrendered and peaceably led the Kwahadi to the reservation at Fort Sill, Oklahoma.
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music.
The Religious Freedom Restoration Act of 1993, Pub. L. No. 103-141, 107 Stat. 1488, codified at 42 U.S.C. § 2000bb through 42 U.S.C. § 2000bb-4, is a 1993 United States federal law that "ensures that interests in religious freedom are protected." The bill was introduced by Congressman Chuck Schumer (D–NY) on March 11, 1993. A companion bill was introduced in the Senate by Ted Kennedy (D-MA) the same day. A unanimous U.S. House and a nearly unanimous U.S. Senate—three senators voted against passage—passed the bill, and President Bill Clinton signed it into law.
Melodic motion is the quality of movement of a melody, including nearness or farness of successive pitches or notes in a melody. This may be described as conjunct or disjunct, stepwise, skipwise or no movement, respectively. See also contrapuntal motion. In a conjunct melodic motion, the melodic phrase moves in a stepwise fashion; that is the subsequent notes move up or down a semitone or tone, but no greater. In a disjunct melodic motion, the melodic phrase leaps upwards or downwards; this movement is greater than a whole tone. In popular Western music, a melodic leap of disjunct motion is often present in the chorus of a song, to distinguish it from the verses and captivate the audience.
Pueblo music includes the music of the Hopi, Zuni, Taos Pueblo, San Ildefonso, Santo Domingo, and many other Puebloan peoples, and according to Bruno Nettl features one of the most complex Native American musical styles on the continent. Characteristics include common use of hexatonic and heptatonic scales, variety of form, melodic contour, and percussive accompaniment, melodic range averaging between an octave and a twelfth, with rhythmic complexity equal to the Plains Indians musical sub-area.
The Arapaho are a tribe of Native Americans from the western Great Plains, in the area of eastern Colorado and Wyoming. Traditional Arapaho music, described by Bruno Nettl, includes sacred and secular songs. Traditional music uses terraced descent type melodic motion, with songs consisting of two sections, each with a range of more than an octave and scales of four to six tones.
Navajo music is music made by the Navajos, mostly hailing from the Four Corners region of the Southwestern United States and the territory of the Navajo Nation. While it traditionally takes the shape of ceremonial chants and echoes themes found in Diné Bahaneʼ, contemporary Navajo music includes a wide range of genres, ranging from country music to rock and rap, performed in both English and Navajo.
Employment Division, Department of Human Resources of Oregon v. Smith, 494 U.S. 872 (1990), is a United States Supreme Court case that held that the state could deny unemployment benefits to a person fired for violating a state prohibition on the use of peyote even though the use of the drug was part of a religious ritual. Although states have the power to accommodate otherwise illegal acts performed in pursuit of religious beliefs, they are not required to do so.
The eagle bone whistle is a religious object, used by some members of Native American spiritual societies in sacred ceremonies. They are made from bones of either the American bald eagle or the American golden eagle, and are considered powerful spiritual objects.
The American Indian Religious Freedom Act, Public Law No. 95–341, 92 Stat. 469, codified at 42 U.S.C. § 1996, is a United States federal law, enacted by joint resolution of the Congress in 1978. Prior to the act, many aspects of Native American religions and sacred ceremonies had been prohibited by law.
Water drums are a category of membranophone characterized by the filling of the drum chamber with some amount of water to create a unique resonant sound. Water drums are used all over the world, but are found most prominently in a ceremonial as well as social role in the Indigenous music of North America, as well as in African music. The drums are most often made from a pot of clay, ceramic, wood or metal, with a small amount of liquid inside and topped with drum head consisting of a stretched membrane, usually of some type of animal hide.
Native American religions, Native American faith or American Indian religions are the indigenous spiritual practices of the Indigenous peoples of the Americas. Ceremonial ways can vary widely and are based on the differing histories and beliefs of individual nations, tribes and bands. Early European explorers describe individual Native American tribes and even small bands as each having their own religious practices. Theology may be monotheistic, polytheistic, henotheistic, animistic, shamanistic, pantheistic or any combination thereof, among others. Traditional beliefs are usually passed down in the oral tradition forms of myths, oral histories, stories, allegories, and principles. Nowadays, as scholars note, many American Natives renew their interest in own tradition.
The Native American Church (NAC), also known as Peyotism and Peyote Religion, is a syncretic Native American religion that teaches a combination of traditional Native American beliefs and elements of Christianity, especially pertaining to the Ten Commandments, with sacramental use of the entheogen peyote. The religion originated in the Oklahoma Territory (1890–1907) in the late nineteenth century, after peyote was introduced to the southern Great Plains from Mexico. Today, it is the most widespread indigenous religion among Native Americans in the United States, Canada, and Mexico, with an estimated 300,000 adherents.
The peyote is a small, spineless cactus which contains psychoactive alkaloids, particularly mescaline. Peyote is a Spanish word derived from the Nahuatl peyōtl, meaning "caterpillar cocoon", from a root peyōni, "to glisten". Peyote is native to Mexico and southwestern Texas. It is found primarily in the Sierra Madre Occidental, the Chihuahuan Desert and in the states of Nayarit, Coahuila, Nuevo León, Tamaulipas, and San Luis Potosí among scrub. It flowers from March to May, and sometimes as late as September. The flowers are pink, with thigmotactic anthers.
Verdell Primeaux is an Oglala, Yankton/Ponca singer and songwriter in the Native American Church tradition of peyote songs, accompanied by rattle and water drum. He and Johnny Mike (Navajo) are known as the duo Primeaux and Mike.
Daniel C. Swan is an American cultural anthropologist and museum curator whose work has focused on documenting and interpreting the cultural history of the Americas. He has specialized particularly on the histories, social organizations, and cultures of Native North American peoples in Oklahoma, USA. His research on the history, significance, and artistic forms of the Native American Church has led to research and exhibition collaborations with artists and elders in a diversity of American Indian communities, both in Oklahoma and elsewhere in the Western United States. In addition to his work on American Indian topics, he has organized exhibitions and museum catalogs about cultural diversity in the American West and in the Western Hemisphere more broadly.
Native American jewelry refers to items of personal adornment, whether for personal use, sale or as art; examples of which include necklaces, earrings, bracelets, rings and pins, as well as ketohs, wampum, and labrets, made by one of the Indigenous peoples of the United States. Native American jewelry normally reflects the cultural diversity and history of its makers, but tribal groups have often borrowed and copied designs and methods from other, neighboring tribes or nations with which they had trade, and this practice continues today. Native American tribes continue to develop distinct aesthetics rooted in their personal artistic visions and cultural traditions. Artists may create jewelry for adornment, ceremonies, and display, or for sale or trade. Lois Sherr Dubin writes, "[i]n the absence of written languages, adornment became an important element of Indian communication, conveying many levels of information." Later, jewelry and personal adornment "...signaled resistance to assimilation. It remains a major statement of tribal and individual identity."