Water drums are a category of membranophone characterized by the filling of the drum chamber with some amount of water to create a unique resonant sound. Water drums are used all over the world, but are found most prominently in a ceremonial as well as social role in the Indigenous music of North America, as well as in African music. The drums are most often made from a pot of clay, ceramic, wood or metal, with a small amount of liquid inside and topped with drum head consisting of a stretched membrane, usually of some type of animal hide.
Water drumming, the tambor de agua (Spanish: drum of water), bungo, or liquindi, of African origin, is water, such as a river, which is played by striking the surface directly with one's hands. It is performed by the Baka in Africa, and in South America by the descendants of formerly enslaved people, with strokes comparable to the culoepuya .
Historically, water drums have most often been made with a body of wood or clay, with a skin drum head. Wooden water drums are by made either hollowing out a solid section of a small soft wood log, or assembled using cedar slats and banded like a wooden keg. Clay drums are either handmade for this purpose, or an old crock is used. Wyandot, Seneca, and Cayuga people traditionally use groundhog skin (daˀyęh) for the drum head, though deer skin is also sometimes used. An Iroquoian or Wendat/Wyandot drum stick is carved from a piece of hardwood with a small rounded tip. The tone of the drum changes based on the amount of water in the vessel, as well as how tight or loose the head is. [1]
Modern Native American Church ceremonies often use a water drum made from iron, brass or copper kettle. These styles of water drum are now more common than the traditional woodland forms. [2] The distinctive sound of the drum characteristic of the Native American Church is created because: "The water inside is in constant motion and produces a special resonance. The player's thumb, pressed against the drum head, holds the tone at a constant pitch which then drops a fifth or more when the pressure is relaxed between songs." [3]
Water drums are common in Native American music, and are used ceremonially among Indigenous peoples of both North and South America. [4]
In North America, Iroquois, Navajo, Cherokee, Muscogee, and Apache peoples use water drums in music, [5] and they are used both ceremonially and in traditional Longhouse social dances among the Huron/Wendat/Wyandot and Iroquois/Haudenosaune peoples.[ citation needed ] The Ojibwa, Odawa and Pottawatomii traditionally call the drums midegwakikoon, [6] [7] with "Mide" referring to the Midewiwin medicine societies. Water drums are used in Yaqui deer dance music, representing the deer's heartbeat.[ citation needed ]
In South America, the cataquí is a water drum used by the Toba (aka Qom), Wichí, Pilagá, Chorote and Nivaclé cultures in the South American Gran Chaco region. [8] The cataquí is made from a hollowed out tree trunk or ceramic pot, into which water is poured. The mouth is closed with a leather skin, made from corzuela hide (Red brocket deer skin), which is hit with a single stick. [8] [9] The cataquí has been used in ceremonies, including the carob, and has also been used in calling songs at dances, for couples to form. [8]
In Central Africa, water drums are the major component of Baka music. [10] In some areas of the Congo and Cameroon its use is reserved for women, specifically women hunters, and used in the ceremonies they hold before they go on hunts. [10]
In Tuareg music, the askalabo [11] is a calabash "partly submerged in water, drummed to mimic camels' hooves". [12]
Since approximately 2006, the American heavy metal band, Mushroomhead have used nontraditional water drums in their live show - mainly for visual purposes. [13] [14]
The Wyandot people are an Indigenous peoples of the Northeastern Woodlands of the present-day United States and Canada. Their Wyandot language belongs to the Iroquoian language family.
A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification.
A hand drum is any type of drum that is typically played with the bare hand rather than a stick, mallet, hammer, or other type of beater.
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music.
Indigenous music of Canada encompasses a wide variety of musical genres created by Aboriginal Canadians. Before European settlers came to what is now Canada, the region was occupied by many First Nations, including the West Coast Salish and Haida, the centrally located Iroquois, Blackfoot and Huron, the Dene to the North, and the Innu and Mi'kmaq in the East and the Cree in the North. Each of the indigenous communities had their own unique musical traditions. Chanting – singing is widely popular and most use a variety of musical instruments.
Wyandot is the Iroquoian language traditionally spoken by the people known as Wyandot or Wyandotte, descended from the Tionontati. It is considered a sister to the Wendat language, spoken by descendants of the Huron-Wendat Confederacy. It was last spoken, before its revival, by members located primarily in Oklahoma, United States, and Quebec, Canada. Linguists have traditionally considered Wyandot as a dialect or modern form of Wendat.
Pygmy music refers to the sub-Saharan African music traditions of the Central African foragers, predominantly in the Congo, the Central African Republic and Cameroon.
Ceremonial drums are membranophones and idiophonic slit drums, which are played in a ritual context cult, religious or ceremonial social occasions by indigenous peoples around the world, often accompanied by singing or chanting.
Sainte-Marie among the Hurons was a French Jesuit settlement in Huronia or Wendake, the land of the Wendat, near modern Midland, Ontario, from 1639 to 1649. It was the first European settlement in what is now the province of Ontario. Eight missionaries from Sainte-Marie were martyred, and were canonized by the Catholic Church in 1930. Sainte-Marie Among the Hurons was designated a National Historic Site of Canada in 1920. A reconstruction of the mission now operates as a living museum.
The Huron-Wendat Nation is an Iroquoian-speaking nation that was established in the 17th century. In the French language, used by most members of the First Nation, they are known as the Nation Huronne-Wendat. The French gave the nickname “Huron” to the Wendat, from the French word "hure" meaning “boar's head” because of the hairstyle of Huron men, who had their hair standing in bristles on their heads. Wendat (Quendat) was their confederacy name, meaning “people of the island” or "dwellers on a peninsula."
The Wyandotte Nation is a federally recognized Native American tribe headquartered in northeastern Oklahoma. They are descendants of the Wendat Confederacy and Native Americans with territory near Georgian Bay and Lake Huron. Under pressure from Haudenosaunee and other tribes, then from European settlers and the United States government, the tribe gradually moved south and west to Michigan, Ohio, Kansas, and finally Oklahoma in the United States.
The "Huron Carol" is a Canadian Christmas hymn, written probably in 1642 by Jean de Brébeuf, a Jesuit missionary at Sainte-Marie among the Hurons in Canada. Brébeuf wrote the lyrics in the native language of the Huron/Wendat people; the song's original Huron title is "Jesous Ahatonhia". The song's melody is based on a traditional French folk song, "Une Jeune Pucelle". The well-known English lyrics were written in 1926 by Jesse Edgar Middleton and the copyright to these lyrics was held by The Frederick Harris Music Co., Limited, but entered the public domain in 2011.
Navajo music is music made by the Navajos, mostly hailing from the Four Corners region of the Southwestern United States and the territory of the Navajo Nation. While it traditionally takes the shape of ceremonial chants and echoes themes found in Diné Bahaneʼ, contemporary Navajo music includes a wide range of genres, ranging from country music to rock and rap, performed in both English and Navajo.
The Batá drum is a double-headed hourglass drum with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land.
The Midewiwin or the Grand Medicine Society is a religion of some of the Indigenous peoples of the Maritimes, New England and Great Lakes regions in North America. Its practitioners are called Midew, and the practices of Midewiwin are referred to as Mide. Occasionally, male Midew is called Midewinini, which is sometimes translated into English as "medicine man".
Leatherlips was a Wyandot Native American leader of the late 18th and early 19th century.
Leatherlips had three Wyandot names. The one most often used was SHA‑TE‑YAH‑RON‑YA but he was sometimes referred to as THA‑TEY‑YAN‑A‑YOH. In later years he was called SOU‑CHA‑ET‑ESS, which means "Long Gray Hair". He was of the Porcupine Clan as was his great friend, Chief Tarhe, and he was related to Roundhead, Splitlog and Battise, noted Wyandot warriors of that period.
The music of the ancient Mayan courts is described throughout native and Spanish 16th-century texts and is depicted in the art of the Classic Period. The Maya played instruments such as trumpets, flutes, whistles, and drums, and used music to accompany funerals, celebrations, and other rituals. Although no written music has survived, archaeologists have excavated musical instruments and painted and carved depictions of the ancient Maya that show how music was a complex element of societal and religious structure. Most of the music itself disappeared after the dissolution of the Maya courts following the Spanish Conquest. Some Mayan music has prevailed, however, and has been fused with Spanish influences.
The Petun, also known as the Tobacco people or Tionontati, were an indigenous Iroquoian people of the woodlands of eastern North America. Their last known traditional homeland was south of Lake Huron's Georgian Bay, in what is today's Canadian province of Ontario.
The North American fur trade is the (typically) historical commercial trade of furs and other goods in North America, predominantly in the eastern provinces of Canada and the northeastern American colonies. The trade was initiated mainly through French, Dutch and English settlers and explorers in collaboration with various First Nations tribes of the region, such as the Wyandot-Huron and the Iroquois; ultimately, the fur trade's financial and cultural benefits would see the operation quickly expanding coast-to-coast and into more of the continental United States and Alaska.
The Huron Feast of the Dead was a mortuary custom of the Wyandot people of what is today central Ontario, Canada, which involved the disinterment of deceased relatives from their initial individual graves followed by their reburial in a final communal grave. A time for both mourning and celebration, the custom became spiritually and culturally significant.
[Picture of a clay-bodied cataquí drum with leather head]