French-Canadian music

Last updated
Quebecois lumberjacks playing the fiddle, with sticks for percussion, in a lumber camp in 1943. Lumbermen violin and sticks 1943.jpg
Québécois lumberjacks playing the fiddle, with sticks for percussion, in a lumber camp in 1943.

French Canadian music is music derived from that brought by the early French settlers to what is now Quebec and other areas throughout Canada, or any music performed by the French Canadian people. Since the arrival of French music in Canada, there has been much intermixing with the Celtic music of Anglo-Canada.

French-Canadian folk music is generally performed to accompany dances such as the jig, jeux dansé, ronde, cotillion, and quadrille. The fiddle is perhaps the most common instrument utilized and is used by virtuosos such as Jean Carignan, Jos Bouchard, and Joseph Allard. Also common is the diatonic button accordion, played by the likes of Philippe Bruneau and Alfred Montmarquette. Spoons, bones, and jaw harps are also played in this music. A distinctive part of the French Canadian sound is podorythmie ("foot rhythm"), which involves using the feet to tap out complex rhythmic patterns, it is quite similar to tap dancing but is done from a seated position, and can be done simultaneously while playing the violin or other small instruments.

French settlers in New France established their musical forms in the nascent colonies of Canada (New France) and (New France) before the British conquest, completed in 1759. Already diverging from the music of France, Canadian and Acadian music were becoming distinct from each other, reinforced by the different experience of the regions under British rule, with Acadians experiencing a mass expulsion and partial return. The French (Quebecois) tradition continued to spread westward, however, in the form of the camp songs and rowing songs of the voyageurs, professional canoemen in the employ of the fur trading companies. In the west this tradition intermingled with others to give birth to Metis music.

There was no scholarly study of French Canadian song until Ernest Gagnon's 1865 collection of 100 folk songs. In 1967, Radio-Canada released The Centennial Collection of Canadian Folk Songs (much of which was focused on French-Canadian music), which helped launch a revival of Quebec folk. Singers like Yves Albert, Edith Butler, and, especially, Félix Leclerc and Gilles Vigneault, helped lead the way. The 1970s saw purists like Le Rêve du Diable and La Bottine Souriante continue the trend. As Quebec folk continued to gain in popularity, artists like Harmonium, Kate & Anna McGarrigle, Jim Corcoran, Bertrand Gosselin, and Paul Piché found a mainstream audience.

Since 1979, Quebec music artists have been recognized with the Felix Award.

In 2017, Universal Music Canada launched Canada 150: A Celebration of Music, a six-disc album to celebrate the 150th anniversary of Canada. It was criticised for not including any French-language song. [1] [2]

See also

Related Research Articles

<span class="mw-page-title-main">Celtic music</span> Grouping of folk music genres

Celtic music is a broad grouping of music genres that evolved out of the folk music traditions of the Celtic people of Northwestern Europe. It refers to both orally-transmitted traditional music and recorded music and the styles vary considerably to include everything from traditional music to a wide range of hybrids.

<span class="mw-page-title-main">Contra dance</span> Social folk dance with mixed European origins

Contra dance is a form of folk dancing made up of long lines of couples. It has mixed origins from English country dance, Scottish country dance, and French dance styles in the 17th century. Sometimes described as New England folk dance or Appalachian folk dance, contra dances can be found around the world, but are most common in the United States, Canada, and other Anglophone countries.

<span class="mw-page-title-main">Fiddle</span> Bowed string instrument

A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.

<span class="mw-page-title-main">Folk music</span> Music genre

Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations, music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that.

<span class="mw-page-title-main">Reel (dance)</span> Form of Scottish folk dance and music

The reel is a folk dance type as well as the accompanying dance tune type. Of Scottish origin, reels are also an important part of the repertoire of the fiddle traditions of Britain, Ireland and North America. In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz, and is also the name of a dance figure.

<span class="mw-page-title-main">Cajuns</span> Ethnic group of Louisiana

The Cajuns, also known as Louisiana Acadians, are a Louisiana French ethnicity mainly found in the US state of Louisiana and surrounding Gulf Coast states.

A roots revival is a trend which includes young performers popularizing the traditional musical styles of their ancestors. Often, roots revivals include an addition of newly composed songs with socially and politically aware lyrics, as well as a general modernization of the folk sound.

In France, music reflects a diverse array of styles. In the field of classical music, France has produced several prominent romantic composers, while folk and popular music have seen the rise of the chanson and cabaret style. The oldest playable musical recordings were made in France using the earlist known sound recording device in the world, the phonautograph, which was patented by Édouard-Léon Scott de Martinville in 1857. France is also the 5th largest market by value in the world, and its music industry has produced many internationally renowned artists, especially in the nouvelle chanson and electronic music.

<span class="mw-page-title-main">Cajun music</span> Style of music

Cajun music, an emblematic music of Louisiana played by the Cajuns, is rooted in the ballads of the French-speaking Acadians of Canada. Although they are two separate genres, Cajun music is often mentioned in tandem with the Creole-based zydeco music. Both are from southwest Louisiana and share French and African origins. These French Louisiana sounds have influenced American popular music for many decades, especially country music, and have influenced pop culture through mass media, such as television commercials.

<span class="mw-page-title-main">Culture of Quebec</span> Culture of Canadas Quebec province

The culture of Quebec emerged over the last few hundred years, resulting predominantly from the shared history of the French-speaking North American majority in Quebec. Québécois culture, as a whole, constitutes all distinctive traits – spiritual, material, intellectual and affective – that characterize Québécois society. This term encompasses the arts, literature, institutions and traditions created by Québécois, as well as the collective beliefs, values and lifestyle of Québécois. It is a culture of the Western World.

The music of Canada's Maritime provinces has included many artists from both the traditional and pop genres, and is mostly European in origin. The traditional genre is dominated by the music brought to the region by the European settlers, the most well known of which are the Scots & Irish celtic and Acadian traditions. Successful pop acts from all genres have had degrees of national and international success since the beginning of recorded music period. Performers as diverse as Hank Snow, Stan Rogers, Anne Murray, the Rankin Family, Barachois, The Men of the Deeps and April Wine have all experienced tremendous success as popular music acts with considerable national and international tours and record sales.

<span class="mw-page-title-main">Indigenous music of Canada</span> Music genre

Indigenous music of Canada encompasses a wide variety of musical genres created by Aboriginal Canadians. Before European settlers came to what is now Canada, the region was occupied by many First Nations, including the West Coast Salish and Haida, the centrally located Iroquois, Blackfoot and Huron, the Dene to the North, and the Innu and Mi'kmaq in the East and the Cree in the North. Each of the indigenous communities had their own unique musical traditions. Chanting – singing is widely popular and most use a variety of musical instruments.

As a cosmopolitan province, Quebec is a home to varied genres of music, ranging from folk to hip hop. Music has played an important role in Quebecer culture. In the 1920's and 30's, singer/songwriter Madam Bolduc performed comedic songs in a folk style with Irish influences. Quebec's popular artists of the last century include Félix Leclerc (1950's), Gilles Vigneault (1960's–present), Kate and Anna McGarrigle (1970's–present) and Céline Dion (1980's–present).'

<span class="mw-page-title-main">Step dance</span> Term for dance styles in which footwork is the most important

Step dance is a generic term for dance styles in which footwork is considered to be the most important part of the dance and limb movements and styling are either restricted or considered irrelevant.

<span class="mw-page-title-main">Celtic music in Canada</span>

Celtic music is primarily associated with the folk traditions of Ireland, Scotland, Brittany and Wales, as well as the popular styles derived from folk culture. In addition, a number of other areas of the world are known for the use of Celtic musical styles and techniques, including Newfoundland, and much of the folk music of Canada's Maritimes, especially on Cape Breton Island and Prince Edward Island.

Claude Gauthier is a Quebec singer-songwriter and actor.

<span class="mw-page-title-main">Franco-Newfoundlander</span> Ethnic group

Franco-Newfoundlanders, also known as Franco-Terreneuvians in English or Franco-Terreneuviens in French, are francophone and/or French Canadian residents of the Canadian province of Newfoundland and Labrador. The name Franco-Terreneuvian derives from Terre-Neuve, the French name of Newfoundland.

Music of Canadian Cultures is a wide and diverse accumulation of music from many different individual communities all across Canada. With Canada being vast in size, the country throughout its history has had regional music scenes. The music of Canada has reflected the multi-cultural influences that have shaped the country. First Nations people, the French, the British, the United States and many others nationalities have all made unique contributions to the musical heritage of Canada

<span class="mw-page-title-main">Les Charbonniers de l'enfer</span> Canadian a cappella folk music group

Les Charbonniers de l'Enfer are an a cappella folk music group formed in Quebec, Canada, in 1994.

<span class="mw-page-title-main">Canadian folklore</span>

Canadian folklore is the traditional material that Canadians pass down from generation to generation, either as oral literature or "by custom or practice". It includes songs, legends, jokes, rhymes, proverbs, weather lore, superstitions, and practices such as traditional food-making and craft-making. The largest bodies of folklore in Canada belong to the aboriginal and French-Canadian cultures. English-Canadian folklore and the folklore of recent immigrant groups have added to the country's folk.

References

  1. Universal Music's Canada 150 compilation has some Quebecers crying foul - 17 July 2017
  2. Compilation du 150e en anglais: Joly condamne Universal- Le Soleil, 19 July 2017