A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional (folk) styles, which are typically aural traditions—taught "by ear" rather than via written music.
The viol, viola da gamba, or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain and Italy in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic rebab and the medieval European vielle, but later, more direct possible ancestors include the Venetian viole and the 15th- and 16th-century Spanish vihuela, a six-course plucked instrument tuned like a lute that looked like but was quite distinct from the four-course guitar.
The term conjunto refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as norteño and tejano, Cuban conjuntos specialize in the son, as well as its derivations such as salsa.
A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players, the viola, the cello, and usually, but not always, the double bass.
The vihuela is a 15th-century fretted plucked Spanish string instrument, shaped like a guitar but tuned like a lute. It was used in 15th- and 16th-century Spain as the equivalent of the lute in Italy and has a large resultant repertory. There were usually five or six doubled strings.
Huapango is a family of Mexican music styles. The word likely derives from the Nahuatl word cuauhpanco that literally means 'on top of the wood', alluding to a wooden platform on which dancers perform zapateado dance steps. It is interpreted in different forms, the most common being the classic huapango interpreted by a trio of musicians ; the huapango norteño interpreted by a group ; and the huapango de mariachi, which can be performed by a large group of musicians.
The jarana jarocha is a guitar-shaped fretted stringed instrument from the southern region of the state of Veracruz, Mexico. Typically strung with 8 strings in 5 courses, usually arranged in two single outer strings with three double-courses in between. The strings are usually nylon, although they were gut in the past. The body is somewhat narrower than a guitar because of its direct lineage from the Spanish baroque guitar of the sixteenth century. Sometimes mistaken for a ukulele, the jarana jarocha comes in at least five sizes, the smallest being the chaquiste, somewhat smaller than a soprano ukulele; then the mosquito, about the size of a soprano ukulele; the 'primera', about the size of a concert ukulele; the 'segunda', in length between a tenor and a baritone ukulele; and the 'tercera', somewhat longer than the baritone ukulele. Some luthiers are building jaranas of a size they label "tercerola" or "jarana cuarta", but there is some discussion as to whether these represent a distinct size or are merely particularly large variations of the standard tercera.
Regional styles of Mexican music vary greatly from state to state. Norteño, banda, duranguense, Son mexicano and other Mexican country music genres are often known as regional Mexican music because each state produces different musical sounds and lyrics.
Son jarocho is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico. It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term jarocho, a colloquial term for people or things from the port city of Veracruz.
La Huasteca is a geographical and cultural region located partially along the Gulf of Mexico and including parts of the states of Tamaulipas, Veracruz, Puebla, Hidalgo, San Luis Potosí, Querétaro and Guanajuato. It is roughly defined as the area in which the Huastec people had influence when their civilization was at its height during the Mesoamerican period. Today, the Huastecs occupy only a fraction of this region with the Nahua people now the most numerous indigenous group. However, those who live in the region share a number of cultural traits such as a style of music and dance, along with religious festivals such as Xantolo.
The huapanguera, guitarra quinta huapanguera or guitarra huapanguera is a Mexican guitar-like instrument that usually forms part of a conjunto huasteco ensemble, along with the jarana huasteca and violin. Because of its large body and deeper structure, the huapanguera is able provide a much deeper sound compared to a regular acoustic guitar. Here it takes on the role of the bass instrument using a rhythmical strumming technique. Its physical construction features a large resonating body with a short neck. It normally has around 10 frets which stop at the point where the fingerboard meets the top.
Malagueña Salerosa — also known as La Malagueña — is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times by recording artists.
A jarana is a guitar-like string instrument from Mexico. There are different regional versions of the jarana, notably:
The jarana huasteca, jarana de son huasteco or jaranita is a string instrument. It is most often called simply jarana. It is a guitar-like chordophone with 5 strings, tuned in thirds : G, B, D, F# and A. It has a range similar to the mandolin, and a scale length of around 40 cm.
Son de Montón is a Mexican band founded in 2004 in Guanajuato, which fuses Mexican traditional music, especially son music and other musical styles with a purpose of bringing traditional music to younger audiences. The members are Ignacio Piñón Pérez, who plays violin, a guitar called a jarana and quijada, Anatolij Tkatschinski Pérez who plays jarana and quijada, Eduardo Vallejo Torres who plays percussion, Antonio López Cardons who plays jarana and harmonica, Fernanda Aldonza López Cardona, Primo Lara Stephens, Luis Jesús Cibrian García, José Abraham Morales Salazar and sound technician Jacob Sinuee Segoviano Alonzo. Its members come from Veracruz, Sinaloa, Chihuahua and Guanajuato, but the band is based in Guanajuato.
Los Soneritos is a group dedicated to Mexican folk music and dance, founded in 2005 in Colima by Omar Alejandro Rojas Ramos. Rojas Ramos formed the group while working at a primary school, giving classes in music and dance. It was formed with the express intention of preserving and promoting folk music and dance to youths and children. The group mostly performs music and dance from its home state of Veracruz such as son, fandango and zapateado, but other similar music such as son from the west of Mexico and the “mitote folkorico” is also in the repertoire. Members of the group have done research about traditional music and dance as well as composed their own original pieces.
Son mexicano is a style of Mexican folk music and dance that encompasses various regional genres, all of which are called son. The term son literally means "sound" in Spanish, and is also applied to other unrelated genres, most notably son cubano.
The Plácido Otilia family is a Mexican family which specializes in the making of traditional musical instruments for the Huapango music of the La Huasteca region.(grandes) The family lives in Texquitote, Matlapa, San Luis Potosí and headed by patriarch Eustacio Plácido Otilia, an ethnic Nahua.
Pasatono Orquesta (Orchestra) is an eight-member ensemble of ethnomusicologists dedicated to rescuing and performing traditional Oaxacan music, especially that of the Mixtec region, and to promote it by adding more modern arrangements and influences. It was founded by three Oaxacan students at the Escuela Nacional de Música in Mexico City, who found that their traditional music was not taught at the school. They have been promoted by Lila Downs, have released four albums, and have toured the United States, playing in venues such as Lincoln Center in New York and Kennedy Center in Washington D.C. In Mexico, they have played in venues in Mexico City and Oaxaca, as well as the Festival Internacional Cervantino.
