Tejano music, also known as Tex-Mex music, is a popular music style fusing Mexican influences. Its evolution began in northern Mexico.
The term conjunto refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as norteño and tejano, Cuban conjuntos specialize in the son, as well as its derivations such as salsa.
The music of Mexico is highly diverse, featuring a wide range of musical genres and performance styles. It has been influenced by a variety of cultures, primarily deriving from Europeans, Indigenous, and Africans. Music became an expression of Mexican nationalism starting in the nineteenth century.
Mariachi is an ensemble of musicians that typically play ranchera, the regional Mexican music dating back to at least the 18th century, evolving over time in the countryside of various regions of western Mexico. The usual mariachi group today consists of as many as eight violins, two trumpets and at least one guitar, including a high-pitched vihuela and an acoustic bass guitar called a guitarrón, and all players taking turns singing lead and doing backup vocals.
Indigenous music of North America, which includes American Indian music or Native American music, is the music that is used, created or performed by Indigenous peoples of North America, including Native Americans in the United States and Aboriginal peoples in Canada, Indigenous peoples of Mexico, and other North American countries—especially traditional tribal music, such as Pueblo music and Inuit music. In addition to the traditional music of the Native American groups, there now exist pan-Indianism and intertribal genres as well as distinct Native American subgenres of popular music including: rock, blues, hip hop, classical, film music, and reggae, as well as unique popular styles like chicken scratch and New Mexico music.
Mariachi Vargas De Tecalitlán is a Mexican folk ensemble of mariachi music founded in 1897 by Gaspar Vargas. Beginning in 1950 it was under the artistic guidance of the late Rubén Fuentes. The group's musical direction had been the responsibility of Don Jose "Pepe" Martínez from 1975 to around 2013-14. Now the ensemble is under the direction of Carlos Martínez.
Norteño or Norteña, also música norteña, is a subgenre of regional Mexican music. The music is most often based on duple and triple metre and its lyrics often deal with socially relevant topics, although there are also many norteño love songs. The accordion and the bajo sexto are traditional norteño's most characteristic instruments.
The Bajo sexto is a Mexican string instrument from the guitar family with 12 strings in six double courses.
Mexican cumbia is a type of cumbia, a music which originated in Colombia but was later reinvented and adapted in Mexico.
Regional styles of Mexican music vary greatly from state to state. Norteño, banda, duranguense, Son mexicano and other Mexican country music genres are often known as regional Mexican music because each state produces different musical sounds and lyrics.
Son jarocho is a regional folk musical style of Mexican Son from Veracruz, a Mexican state along the Gulf of Mexico. It evolved over the last two and a half centuries along the coastal portions of southern Tamaulipas state and Veracruz state, hence the term jarocho, a colloquial term for people or things from the port city of Veracruz.
Son huasteco is one of eight Mexican song styles and is a traditional Mexican musical style originating in the six state area of Northeastern Mexico called La Huasteca. It dates back to the end of the 19th century and is influenced by Spanish and indigenous cultures. Usually it is played by a Trio Huasteco composed of a guitarra quinta huapanguera a Jarana huasteca and a violin. Singers will often use the falsetto register. The son huasteco is particularly noteworthy for its flamboyant and virtuoso violin parts, although the style varies from state to state. Footwork often danced to son huasteco is the Zapateado. Improvisation plays a strong role in the style, with musicians creating their own lyrics and arrangements to a standard repertoire. Typical sones huastecos are "Cielito Lindo", "La huazanga", "La sirena", "El querreque" and "La cigarra".
La Huasteca is a geographical and cultural region located partially along the Gulf of Mexico and including parts of the states of Tamaulipas, Veracruz, Puebla, Hidalgo, San Luis Potosí, Querétaro and Guanajuato. It is roughly defined as the area in which the Huastec people had influence when their civilization was at its height during the Mesoamerican period. Today, the Huastecs occupy only a fraction of this region with the Nahua people now the most numerous indigenous group. However, those who live in the region share a number of cultural traits such as a style of music and dance, along with religious festivals such as Xantolo.
"Cielito Lindo" is a Mexican folk song or copla popularized in 1882 by Mexican author Quirino Mendoza y Cortés. It is roughly translated as "Lovely Sweet One". Although the word cielo means "sky" or "heaven", it is also a term of endearment comparable to "sweetheart" or "honey". Cielito, the diminutive, can be translated as "sweetie"; lindo means "cute", "lovely" or "pretty". The song is commonly known by words from the refrain, "Canta y no llores", or simply as the "Ay, Ay, Ay, Ay song".
The huapanguera, guitarra quinta huapanguera or guitarra huapanguera is a Mexican guitar-like instrument that usually forms part of a conjunto huasteco ensemble, along with the jarana huasteca and violin. Because of its large body and deeper structure, the huapanguera is able provide a much deeper sound compared to a regular acoustic guitar. Here it takes on the role of the bass instrument using a rhythmical strumming technique. Its physical construction features a large resonating body with a short neck. It normally has around 10 frets which stop at the point where the fingerboard meets the top.
Malagueña Salerosa — also known as La Malagueña — is a well-known Son Huasteco or Huapango song from Mexico, which has been covered more than 200 times by recording artists.
The jarana huasteca, jarana de son huasteco or jaranita is a string instrument. It is most often called simply jarana. It is a guitar-like chordophone with 5 strings, tuned in thirds : G, B, D, F# and A. It has a range similar to the mandolin, and a scale length of around 40 cm.
Traditional mariachi is a string ensemble from western México. Unlike the popular mariachi, this ensemble generally does not include trumpets. It consists of violins, guitarra de golpe, vihuelas, harp and guitarrón or double bass, and in some zones a bass drum is used. This mariachi developed from the beginning of 19th century and from this ensemble derived the mariachi with trumpets. Its repertoire generally covered sones abajeños, sones arribeños, sones costeños and jarabes, and a wood box for dancing was widely used. Some groups have been caught performing popular music as well. This ensemble of strings is related with other ensembles of the region, like conjunto calentano, conjunto de arpa grande, conjunto de jaraberos and conjunto de son de tarima of the so-called Mexican son.
Son de Montón is a Mexican band founded in 2004 in Guanajuato, which fuses Mexican traditional music, especially son music and other musical styles with a purpose of bringing traditional music to younger audiences. The members are Ignacio Piñón Pérez, who plays violin, a guitar called a jarana and quijada, Anatolij Tkatschinski Pérez who plays jarana and quijada, Eduardo Vallejo Torres who plays percussion, Antonio López Cardons who plays jarana and harmonica, Fernanda Aldonza López Cardona, Primo Lara Stephens, Luis Jesús Cibrian García, José Abraham Morales Salazar and sound technician Jacob Sinuee Segoviano Alonzo. Its members come from Veracruz, Sinaloa, Chihuahua and Guanajuato, but the band is based in Guanajuato.
Son mexicano is a style of Mexican folk music and dance that encompasses various regional genres, all of which are called son. The term son literally means "sound" in Spanish, and is also applied to other unrelated genres, most notably son cubano.
