The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
The music of Cuba, including its instruments, performance, and dance, comprises a large set of unique traditions influenced mostly by west African and European music. Due to the syncretic nature of most of its genres, Cuban music is often considered one of the richest and most influential regional music in the world. For instance, the son cubano merges an adapted Spanish guitar (tres), melody, harmony, and lyrical traditions with Afro-Cuban percussion and rhythms. Almost nothing remains of the original native traditions, since the native population was exterminated in the 16th century.
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Indigenous, and European influences, although many aspects of Puerto Rican music reflect origins elsewhere in the Caribbean. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Merengue is a style of Dominican music and dance. Merengue is the national dance of the Dominican Republic and is also important to national identity in the country. It is a type of danced walk and is accessible to a large variety of people with or without dance experience. The music of merengue draws influence from European and Afro-Cuban styles and mainly uses instruments like guitars, drums, and a charrasca or metal scraper. The dance originated as a rural dance and later became a ballroom dance. Merengue has three distinct sections: the paseo, the merengue proper, and the closing jaleo which includes improvisation.
Danzón is the official musical genre and dance of Cuba. It is also an active musical form in Mexico and Puerto Rico. Written in 2
4 time, the danzón is a slow, formal partner dance, requiring set footwork around syncopated beats, and incorporating elegant pauses while the couples stand listening to virtuoso instrumental passages, as characteristically played by a charanga or típica ensemble.
Manuel Gregorio Tavárez Ropero, was Puerto Rico's classical and danza composer. He has been called "The Chopin of America".
Juan Morel Campos, sometimes erroneously spelled Juan Morell Campos, was a Puerto Rican composer, considered by many to be responsible for taking the genre of danza to its highest level. He composed over 550 musical works before he died unexpectedly at age 38.
Julita Ross was a singer of Puerto Rican danzas, also known as "The Great Lady of the Danzas".
Ángel Mislan was a composer of Puerto Rican Danzas.
Arturo Somohano Portela was a musical composer and director of the San Juan Symphony Orchestra, which is now named after him.
Rafael Alers was a musician, composer, bandleader and the first Puerto Rican to compose the music score for a Hollywood feature film.
The guaracha is a genre of music that originated in Cuba, of rapid tempo and comic or picaresque lyrics. The word has been used in this sense at least since the late 18th and early 19th century. Guarachas were played and sung in musical theatres and in working-class dance salons. They became an integral part of bufo comic theatre in the mid-19th century. During the later 19th and the early 20th century the guaracha was a favourite musical form in the brothels of Havana. The guaracha survives today in the repertoires of some trova musicians, conjuntos and Cuban-style big bands.
Contradanza is the Spanish and Spanish-American version of the contradanse, which was an internationally popular style of music and dance in the 18th century, derived from the English country dance and adopted at the court of France. Contradanza was brought to America and there took on folkloric forms that still exist in Bolivia, Mexico, Venezuela, Colombia, Peru, Panama and Ecuador.
The Luis A. Ferré Performing Arts Center is a multi-use performance centre located in the barrio of Santurce in San Juan, Puerto Rico. It features three main concert and theater halls for plays, ballet, operas and concerts. It was renamed in 1994 after the late Puerto Rican philanthropist, politician and Governor of Puerto Rico, Luis A. Ferré.
The performing arts on Puerto Rico have been an important form of cultural expression throughout the history of the island, particularly dance and music. Theatre has also played an integral role in shaping the culture of this Caribbean commonwealth. Puerto Rico's dance and music has emerged from the ritualized celebrations of the island's indigenous people to a diverse range of blended genres adapted from all over the world.
Tropical music is a term in the Latin music industry that refers to music genres deriving from or influenced by the Spanish-speaking areas of the Caribbean. It includes the islands of Cuba, Puerto Rico, the Dominican Republic, and the Caribbean coastal regions of Colombia and Venezuela.
Miguel Faílde Pérez was a Cuban musician and bandleader. He was the official originator of the danzón, composer of the first danzón, Las alturas de Simpson, and the founder of the Orquesta Faílde.
Cuban culture encompasses a wide range of dance forms. The island's indigenous people performed rituals known as areíto, which included dancing, although little information is known about such ceremonies. After the colonization of Cuba by the Spanish Kingdom, European dance forms were introduced such as the French contredanse, which gave rise to the Cuban contradanza. Contradanza itself spawned a series of ballroom dances between the 19th and 20th centuries, including the danzón, mambo and cha-cha-cha. Rural dances of European origin, such as the zapateo and styles associated with punto guajiro also became established by the 19th century, and in the 20th century son became very popular. In addition, numerous dance traditions were brought by black slaves from West Africa and the Congo basin, giving rise to religious dances such as Santería, yuka and abakuá, as well as secular forms such as rumba. Many of these dance elements from European dance and religious dances were fused together to form the basis of la técnica cubana. Cuban music also contributed to the emergence of Latin dance styles in the United States, namely rhumba and salsa.
The Fiesta Nacional de la Danza, also known as Semana de la Danza Puertorriqueña, is a cultural celebration that takes place every year in Ponce, Puerto Rico. The festival centers on the danza, a musical genre native from the city of Ponce and oftentimes called "Puerto Rico's classical music" with rhythm, tune, and cadence that are similar to the waltz. The celebration lasts a week and takes place in mid-May. It is sponsored by the Ponce Municipal Government and the Institute of Puerto Rican Culture.
Mercedes Arias was a Puerto Rican musician and composer from Ponce, Puerto Rico. Among her compositions are "Renacimiento" (Renaissance), and "Flores y Perlas".
