Tambor is a coastal Afro-Venezuelan music and dance. It is a cultural manifestation originating in the slaves from Africa. The drums are of Kongo origin, as are most musical genres of Afro-Venezuelan origin. The Tambores are done with the playing of a cumaco which is a long cylinder-shaped drum played on the ground while the player (known as a cumaquero) sits on it and plays. It also consists of drums known as campanas which are played by sitting down in a chair and playing them with the hands. These drums are often used for religious ceremonies. In the Afro-Catholic community, it is used to honour and invoke San Juan or some other Saint. In the Maria Lionza context, the drums are used to invoke the spirits to possess the materia or medium as well as to animate the spirit and give it force.
The main public ritual of the African diasporic religion, Santería, the toque de santo drumming ceremony, is also known as tambor. [1]
Lwa, also called loa, are spirits in the African diasporic religion of Haitian Vodou and Dominican Vudú. They have also been incorporated into some revivalist forms of Louisiana Voodoo. Many of the lwa derive their identities in part from deities venerated in the traditional religions of West Africa, especially those of the Fon and Yoruba.
Rastafari is an Abrahamic religion that developed in Jamaica during the 1930s. It is classified as both a new religious movement and a social movement by scholars of religion. There is no central authority in control of the movement and much diversity exists among practitioners, who are known as Rastafari, Rastafarians, or Rastas.
Ifá is a divination system originating from Yorubaland in West Africa. It originates within the traditional religion of the Yoruba people although is also practised by followers of West African Vodun and in African diasporic religions like Cuban Santería.
Obeah, also spelled Obiya or Obia, is a broad term for African diasporic religious, spell-casting, and healing traditions found primarily in the former British colonies of the Caribbean. These practices derive much from West African traditions but also incorporate elements of European and South Asian origin. Many of those who practice these traditions avoid the term Obeah due to the word's pejorative connotations in many Caribbean societies.
Palo, also known as Las Reglas de Congo, is an African diasporic religion that developed in Cuba during the late 19th or early 20th century. It draws heavily upon the traditional Kongo religion of Central Africa, with additional influences taken from Roman Catholicism and from Spiritism. An initiatory religion practised by paleros (male) and paleras (female), Palo is organised through small autonomous groups called munanso congo, each led by a tata (father) or yayi (mother).
Kumina is an Afro-Jamaican religion. Kumina has practices that include secular ceremonies, dance and music that developed from the beliefs and traditions brought to the island by Kongo enslaved people and indentured labourers, from the Congo region of West Central Africa, during the post-emancipation era. It is mostly associated with the parish of St. Thomas in the east of the island. However, the practice spread to the parishes of Portland, St. Mary and St. Catherine, and the city of Kingston.
Abakuá, also sometimes known as Ñañiguismo, is a Cuban initiatory religious fraternity founded in 1836. The society is open only to men and those initiated take oaths to not reveal the secret teachings and practices of the order. Members are typically known as Abanékues and are divided amongst lodges or chapters called juegos. Abakuá derives largely from the Ékpè society of West Africa, but displays adaptations like the inclusion of Roman Catholic symbolism.
The Batá drum is a double-headed hourglass drum with one end larger than the other. The percussion instrument is still used for its original purpose as it is one of the most important drums in the Yoruba land and used for traditional and religious activities among the Yoruba of western Nigeria. Batá drums have been used in the religion known as Santería in Cuba since the 1800s, and in Puerto Rico and the United States since the 1950s. Today, they are also used for semi-religious musical entertainment in Nigeria and in secular, popular music. The early function of the batá was as a drum of different gods, of royalty, of ancestors and a drum of politicians, impacting all spheres of life in Yoruba land.
Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs.
Espiritismo is a term used in Latin America and the Caribbean to refer to the popular belief that evolved and less evolved spirits can affect health, luck and other aspects of human life.
Vodou drumming and associated ceremonies are folk ritual faith system of henotheistic religion of Haitian Vodou originated and inextricable part of Haitian culture.
Santería, also known as Regla de Ocha, Regla Lucumí, or Lucumí, is an Afro-Caribbean religion that developed in Cuba during the late 19th century. It arose amid a process of syncretism between the traditional Yoruba religion of West Africa, the Roman Catholic form of Christianity, and Spiritism. There is no central authority in control of Santería and much diversity exists among practitioners, who are known as creyentes ("believers").
The religion of Haitian Vodou has been present in Cuba since at least the 18th century. It was transmitted to the island by Haitian migrants, the numbers of whom grew rapidly in the early 20th century, and is primarily practised by their descendants. It is distributed primarily in eastern parts of the island, especially in Oriente. In Cuba, some practitioners of Haitian Vodou have also become involved in the related Afro-Cuban religion of Santería.
Myal is an Afro-Jamaican spirituality. It developed via the creolization of African religions during the slave era in Jamaica. It incorporates ritualistic magic, spiritual possession and dancing. Unlike Obeah, its practices focus more on the connection of spirits with humans. Over time, Myal began to meld with Christian practices and created the religious tradition known as Revivalism.
Lizabeth Paravisini-Gebert is a Puerto Rican academic who specializes in research of the Caribbean. She holds the Sarah Tod Fitz Randolph Distinguished Professor Chair at Vassar College.
In the Cuban religion of Santería, omiero, also known as purificacíon de santo, is a liquid used in various ritual acts.
In the Caribbean religion of Santería, individuals are required to go through an initiation process to become a full practitioner, known as a santero (male) or santera (female).
Santería is an Afro-Cuban religion that arose in the 19th century.
Bondye, also known Gran Maître, is the supreme creator god in the African diasporic religion of Haitian Vodou. Vodouists believe Bondye was responsible for creating the universe and everything in it, and that he maintains the universal order. They nevertheless deem him to be transcendent and thus inaccessible to humans, who must instead interact with spirits called lwas.
The Bizango are secret societies active in Haiti. Many of their practices are associated with Haitian Vodou.