The most distinctive music of Uruguay is to be found in the tango and candombe; both genres have been recognized by UNESCO as an Intangible Cultural Heritage of Humanity. Uruguayan music includes a number of local musical forms such as murga, a form of musical theatre, and milonga, a folk guitar and song form deriving from Spanish and italian traditions and related to similar forms found in many American countries.
Buenos Aires, officially the Buenos Aires Province, is the largest and most populous Argentine province. It takes its name from the city of Buenos Aires, the capital of the country, which used to be part of the province and the province's capital until it was federalized in 1880. Since then, in spite of bearing the same name, the province does not include Buenos Aires city, though it does include all other parts of the Greater Buenos Aires metropolitan area. The capital of the province is the city of La Plata, founded in 1882.
Tango is a partner dance and social dance that originated in the 1880s along the Río de la Plata, the natural border between Argentina and Uruguay. The tango was born in the impoverished port areas of these countries from a combination of Uruguayan Candombe celebrations, Spanish-Cuban Habanera, and Rioplatense Milonga. It was frequently practiced in the brothels and bars of ports, where business owners employed bands to entertain their patrons. It then spread to the rest of the world. Many variations of this dance currently exist around the world.
Peruvian music is an amalgamation of sounds and styles drawing on Peru's Andean, Spanish, and African roots. Andean influences can perhaps be best heard in wind instruments and the shape of the melodies, while the African influences can be heard in the rhythm and percussion instruments, and European influences can be heard in the harmonies and stringed instruments. Pre-Columbian Andean music was played on drums and string instruments, like the European pipe and tabor tradition. Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.
The coat of arms of the Argentine Republic or Argentine shield was established in its current form in 1944, but has its origins in the seal of the General Constituent Assembly of 1813. It is supposed that it was chosen quickly because of the existence of a decree signed on February 22 sealed with the symbol. The first mention of it in a public document dates to March 12 of that same year, in which it is stated that the seal had to be used by the executive power, that is, the second triumvirate. On April 13 the National Assembly coined the new silver and gold coins, each with the seal of the assembly on the reverse, and on April 27 the coat of arms became a national emblem. Although the coat of arms is not currently shown on flags, the Buenos Aires-born military leader Manuel Belgrano ordered to paint it over the flag he gave to the city of San Salvador de Jujuy, and during the Argentine War of Independence most flags had the coat of arms.
Cueca is a family of musical styles and associated dances from Chile, Argentina, and Bolivia. In Chile, the cueca holds the status of national dance, where it was officially declared as such by the Pinochet dictatorship on September 18, 1979.
Música criolla or canción criolla is a varied genre of Peruvian music that exhibits influences from European, African and Andean music. The genre's name reflects the coastal culture of Peru, and the local evolution of the term criollo, a word originally denoting high-status people of full Spanish ancestry, into a more socially inclusive element of the nation.
The Chacarera is a dance and music that originated in Santiago del Estero, Argentina. It is a genre of folk music that, for many Argentines, serves as a rural counterpart to the cosmopolitan imagery of the Tango. A dance form played by contemporary musicians as soloists or in small ensembles of voice, guitar, violin and bombo drum, the Chacarera is often legitimized by its “origin” in the remote province of Santiago del Estero.
Marinera is a partner dance that originated along the coastal regions of Peru, using handkerchiefs as props. The dance is a mix of Spanish contradanza and Andean zamacueca, and is a stylized reenactment of a courtship, showing a blend of the different cultures of Peru. The dance has gained recognition throughout South America and is known as the most prominent traditional dance of Peru. The city of Trujillo has been recognized as the national birthplace of the marinera since 1986. The Marinera Festival, a cultural event dedicated to marinera held in Trujillo, has held annual competitions of the dance since 1960. In 2012, the Congress of Peru observed nationally October 7 as a commemorative day for the marinera.
Tondero is a dance and guitar rhythm from Peru that developed in the country's northern coastal region (Piura–Lambayeque).
Dance in Peru is an art form primarily of native origin. There are also dances that are related to agricultural work, hunting and war. In Peru dancing bears an important cultural significance. Some choreographies show certain Christian influence.
The Zamacueca is an ancient colonial dance and music that originated in the Viceroyalty of Peru, taking its roots from Spanish, and Andean rhythms. Although currently the dance is not widely popular, several dance institutions in places such as Peru still dedicate part of their time to teaching Zamacueca.
The bombo criollo, or simply bombo, is a family of Latin American drums derived from the European bass drum and native Latin American drum traditions. These drums are of smaller dimensions than the orchestral bass drum, and their frame can be made of wood or steel. They can be held vertically or diagonally on the body or a stand. The specific make of the instrument depends on the regional tradition. In Argentina, the bombo criollo is called bombo legüero and played in many folkloric styles. In Cuba, bombos are the largest drums played by the street comparsas in Santiago. In other countries, the term tambora is commonly used.
Afro-Chileans are Chilean people of African descent. They may be descendants of slaves who were brought to Chile via the trans-Atlantic slave trade, or recent migrants from other parts of Latin America, the Caribbean or Africa.
Luis Pereyra is a dancer and choreographer of Tango Argentino and Argentine folk dances.
European Argentines belong to several communities which trace their origins to various migrations from Europe and which have contributed to the country's cultural and demographic variety. They are the descendants of colonists from Spain during the colonial period prior to 1810, or in the majority of cases, of Spanish, Italians, French, Russians and other Europeans who arrived in the great immigration wave from the mid 19th to the mid 20th centuries, and who largely intermarried among their many nationalities during and after this wave. No recent Argentine census has included comprehensive questions on ethnicity, although numerous studies have determined that European Argentinians have been a majority in the country since 1914.
Córdoba is a province of Argentina, located in the center of the country. Its neighboring provinces are Santiago del Estero, Santa Fe, Buenos Aires, La Pampa, San Luis, La Rioja, and Catamarca. Together with Santa Fe and Entre Ríos, the province is part of the economic and political association known as the Center Region.
Más Allá del Sur is Argentine electrotango band Tanghetto's third studio album. The album was released in November 2009.
The Labour Gathering Party was a political party in Argentina, led by José Penelon. It emerged from a dissident wing of the Communist Party of Argentina in the late 1920s. The party would exist for decades, mainly based in Buenos Aires, but its influence waned over the years.
The folkloric music of Argentina traces its roots to the multiplicity of native indigenous cultures. It was shaped by four major historical-cultural events: Spanish colonization and forced African immigration caused by the slave trade during the Spanish domination ; the large wave of European immigration (1880–1950) and the large-scale internal migration (1930–1980).
