| Latin hip hop | |
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| Stylistic origins | |
| Cultural origins | 1970s, The Bronx, New York City, U.S. |
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Latin hip hop (also known as Latin rap) is hip hop music that is recorded by artists in the United States of Hispanic and Latino descent, along with Spanish-speaking countries in the Caribbean, North America, Central America, South America, and Spain.
In the late 1980s and early 1990s, most Latin rap came from New York and the West Coast of the United States. Due to the heaviest Puerto Rican migration to New York City in the '50s, during the '70s, the birth of hip hop involved Latinos from the Caribbean islands. DJ Kool Herc was from Jamaica. Puerto Rico loved Hip Hop from America, and among the early rappers from the island were Ruben DJ, DJ Negro, and Vico-C. [1]
Mellow Man Ace, from Cuba, was the first Latino artist to have a major bilingual single, the 1989 track "Mentirosa". This song went platinum, leading Mellow Man Ace to be described as the "Godfather of Latin rap" and inducted into the Hip Hop Hall of Fame inductee. In 1990, fellow West Coast artist Kid Frost further brought Latinos to the rap forefront with his hit song "La Raza (song)." [2] In 1991, Kid Frost, Mellow Man, A.L.T. and several other Latin rappers formed the rap super group Latin Alliance and released a self-titled album which featured the hit "Lowrider (On the Boulevard)". The remake of the song Tequila was a A.L.T. hit later that year. Cypress Hill, of which Mellow Man Ace was a member before going solo, would become the first Latino rap group to reach platinum status in 1991. The group was also the first major hip-hop music group to include Spanish and Latin slang in their lyrics. Cypress Hill gained hit "Insane in the Brain"(1993) and Platinum record. [3] Ecuadorian-born American rapper Gerardo received heavy rotation on video and radio for his single Rico Suave. While commercially watered-down, his album enjoyed a status of being one of the first mainstream Spanglish CDs on the market. Johnny J was a multi-platinum songwriter, music producer, and rapper who was perhaps best known for his production on Tupac Shakur's albums All Eyez on Me and Me Against the World. [4] He also produced the 1990 single Knockin' Boots for his classmate Candyman's album Ain't No Shame in My Game , which eventually went platinum thanks to the single. [5] N2Deep, A Lighter Shade of Brown, Proper Dos, and Slow Pain were popular in latin rap scene.
In the mid-1990s, the success of LA's Cypress Hill led to additional Latin hip-hop artists finding label support. Delinquent Habits were a horn-sampling trio that found MTV support for their breakout bilingual single "Tres Delinquentes" in 1996. By the early 2000's, two Mexico-born, United States-raised Latin hip hop acts found success on major labels. LA's Akwid fused banda with hip-hop on hits like "No Hay Manera" while Milwaukee's Kinto Sol told tales of Mexican immigrant life over more minimalist beats. Mr.Criminal, Mr.Capone-E, Mr.Knightowl, Ms.Krazie, Charlie Row Campo and Mr.Sancho released latin and Chicano rap CDs. [6]
DJ Charlie Chase fused hip-hop with salsa and other music genres. Chase was the DJ for the New York hip-hop group the Cold Crush Brothers, from 1978 and through the '80s. [7] East Coast Latin artists such as the Beatnuts emerged in the early 1990s, with New Jersey native Chino XL earning recognition for his lyricism and equal controversy for his subject matter. In 1992, Mesanjarz of Funk, led by the Spanish/English flow of Mr. Pearl, became the first Spanish rap group signed to a major label (Atlantic Records). In 1994, Platinum Producer and DJ Frankie Cutlass used his own label, Hoody Records, to produce his single “Puerto Rico” which became a classic. In the late 1990s, Puerto Rican rapper Big Punisher became the first Latino solo artist to reach platinum sales for an LP with his debut album Capital Punishment , which included hit song "Still Not a Player". The genre even spawned a bicultural novelty, the Brooklyn-based crew Hip Hop Hoodíos, who fused their dual Jewish and Latino cultures on songs like "Havana Nagila" and "Raza Hoodía."
Latin rap (as well as its subgenre of Chicano rap) has thrived along the West Coast, Southwest and Midwestern states with little promotion due to the large Latino populations of those regions. Jonny Z is considered to be a pioneer of Latin hip-hop, due to him being one of the first Latinos combining Spanglish lyrics with freestyle, salsa, mambo, and regional Mexican banda. He scored four Billboard Hot Dance singles between 1993 and 1997, including one of the greatest Miami bass songs of all time, "Shake Shake (Shake That Culo)". Besides bass music, he also recorded the Chicano anthem "Orale". The Oxford Encyclopedia of Latinos and Latinas in the United States Volume 2, Page 301 states: "A new style of Latina and Latino hip-hop was created in Miami and Texas by the bass rappers DJ Laz and Jonny Z, who mixed Latin styles with bass music". [8]
Latin rap in Puerto Rico has had a substantial impact on the genres (rap, and Latin rap) and relate a certain message to their respective audiences. Puerto Rican rap emerged as a form of cultural and social protest within the Puerto Rican context. [9] This is similar to the way American and Jamaican youth used rap and reggae/dancehall as a means to communicate their feelings on social, cultural, and political issues. In essence, Puerto Rican rap became the voice of the Puerto Rican youth in which they use dancehall and rap music as methods of expression for the Jamaican and working-class American youth counterparts as they made it in France too since 2003 "1492 Army". [9]
In the late 1990s, hip-hop took hold in Mexico, especially with the platinum success of Mexican rap pioneers Control Machete. The genre also found prominence with Latin alternative artists who fused hip-hop rhymes with live instrumentation, including rap-rockers Molotov and cumbia-rockers El Gran Silencio.
There are many hip-hop scenes in Latin America, including a growing rap movement in Buenos Aires and Montevideo. [10]
Hip hop in Uruguay has had a significant presence since the late 1990s, with groups such as Sudacas en Guerra, Oeste Pro Funk, Plátano Macho and El Peyote Asesino. Starting in 2003, the genre began to develop progressively in the country, especially after latejapride* joined Bizarro Records. Since then, numerous groups and artists have emerged on the Uruguayan hip hop scene, including Beat Urbano, Arrajatabla Flow Club & The Warriors, Magia Negra Squad, Primate and Cubaguayo, among others. [11]
Introduction: Since the late 1990s, Uruguay has witnessed the development of a thriving hip hop scene, marked by the contributions of early pioneers and a variety of influential groups. 2003 Onwards: A significant turning point was latejapride*'s signing with Bizarro Records, which led to a progressive development of the genre. New Artists and Challenges: The emergence of acts like Beat Urbano, Arrajatabla Flow Club & The Warriors, and Magia Negra Squad, as well as the challenges faced, including the tragic murder of rapper Plef, illustrate the scene's evolution and resilience. Conclusion Each of these countries' hip-hop scenes reflects their unique cultural contexts and social issues. While facing distinct challenges, these communities continue to use hip-hop as a powerful tool for expression and social commentary. [12] Uruguayan Hip-Hop Development: New Rappers such as 44 Kid, Zanto, Davus, Mesita, and Rodridi recorded rap singles or albums.
A music scene, similar to the early underground gangsta rap scene, has emerged in northeastern Mexico (Nuevo León, Tamaulipas and Coahuila), where the musical phenomenon of hip-hop is being co-opted by the influence of organized crime and the drug war in the region.
Some of the main exponents of the genre are Cano y Blunt, DemenT and Big Los. [13] [14] [15] [16] [17] [18] [19]
In the mid-1980s, freestyle music was initially called "Latin hip hop". This dance music genre, not to be confused with improvised freestyle rapping, was dominated, at the time, by electro funk beats and electronic Latin melodic and percussion elements, over which Latino vocalists sang melodramatic pop vocals, usually in English even though it was started by Nuyorican natives and African-Americans primarily. [20] [21] Freestyle has been primarily popular among Latinos in the New York City, Miami, Chicago and California club scenes, but achieved national mainstream pop success with hits by Lisa Lisa, the Cover Girls, George Lamond, Stevie B, TKA and Exposé, among others. [20] [21]
In 2015, a new movement of trap music referred to as "Latin trap" began to emerge. [22] Also known as Spanish-language trap, Latin trap similar to mainstream trap which details "'la calle,' or the streets — hustling, sex, and drugs". [23] Prominent artists of Latin trap include Messiah, Fuego, Anuel AA and Bad Bunny. [24] In July 2017, The Fader wrote "Rappers and reggaetoneros from Puerto Rico to Colombia have taken elements of trap — the lurching bass lines, jittering 808s and the eyes-half-closed vibe — and infused them into banger after banger." [24] In an August 2017 article for Billboard's series, "A Brief History Of," they enlisted some of the key artists of Latin trap—including Ozuna, De La Ghetto, Bad Bunny, Farruko and Messiah—to narrate a brief history on the genre. [22] [25] Elias Leight of Rolling Stone noted "[Jorge] Fonseca featured Puerto Rican artists like Anuel AA, Bryant Myers and Noriel on the compilation Trap Capos: Season 1, which became the first "Latin trap" LP to reach Number One on Billboard's Latin Rhythm Albums chart." [26] A remixed version of Cardi B's hit single "Bodak Yellow" (which reached number one on the US Billboard Hot 100 chart), dubbed the "Latin Trap Remix", was officially released on August 18, 2017 and features Cardi B rapping in the Spanish language with Dominican hip hop recording artist Messiah contributing a guest verse. [27] [28] [29] In November 2017, Rolling Stone wrote that "a surging Latin trap sound is responding to more recent developments in American rap, embracing the slow-rolling rhythms and gooey vocal delivery popularized by Southern hip-hop." [26] In addition, Venezuelan hiphop has emerged in an explosive way with very talented artists such as Neutro shorty and big soto
The music of Latin America refers to music originating from Latin America, namely the Spanish and Portuguese-speaking regions of the Americas south of the United States. Latin American music also incorporate the indigenous music of Latin America. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.
Luis Armando Lozada Cruz, known by his stage name Vico C, is an American rapper, singer and record producer. Regarded as the founding father of reggaeton, Vico C has played an influential role in the development of Latin American hip hop and urban music.
The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself.
Reggaeton is a modern style of popular and electronic music that originated in Panama during the late 1980s, and which rose to prominence in the late 1990s and early 2000s through a plethora of Puerto Rican musicians. It has evolved from dancehall, with elements of hip hop, Latin American, and Caribbean music. Vocals include toasting/rapping and singing, typically in Spanish.
Tegui Calderón Rosario is a Puerto Rican rapper, singer and actor. He began his musical career in 1996 and was supported by the famous Puerto Rican rapper Eddie Dee, who invited him on his second studio album, El Terrorista de la Lírica, released in 2000. Calderón reached international success in 2003 with his first album, El Abayarde, which sold 300,000 copies worldwide and was nominated for a Latin Grammy Award. His importance in reggaeton music led him to participate in Eddie Dee's 12 Discípulos album in 2004. He released three more studio albums between 2006 and 2015, varying in styles, focusing more in hip hop and African music rather than reggaeton in The Underdog/El Subestimado (2006) and El Abayarde Contraataca (2007). His fourth studio album, El Que Sabe, Sabe, released in 2015, won a Latin Grammy Award for Best Urban Music Album. In the same year, he announced that he is planning a studio album alongside the Puerto Rican singer Yandel titled El Blanco y el Negro.
Chicano rap is a subgenre of hip hop that embodies aspects of the Mexican American or Chicano culture.
Martha Ivelisse Pesante Rodríguez, known professionally as Ivy Queen, is a Puerto Rican singer, rapper, songwriter, and actress. She is considered one of the pioneers of the reggaeton genre, commonly referred to as the Queen of Reggaeton.
Bachatón is a fusion genre of reggaeton from Panama and Puerto Rico as well as bachata from the Dominican Republic. Bachaton combines bachata melodies and reggaeton style beats, lyrics, rapping, and disc jockeying. The word "bachatón" is a portmanteau of "bachata" and "reggaeton". "Bachatón" was coined and widely accepted in 2005. It is a subgenre of reggaeton and bachata.
Mary Lisa (Marlisa) Marrero Vázquez better known by her stage name Lisa M, is a Puerto Rican rapper, singer, composer, dancer, record producer, and global DJ. She is known as the first female rapper artist to debut in Latin America. In 2019, Billboard identified her as one of the leading women performers in the Latin urban genre, along with Glory, Ivy Queen, Natti Natasha, and Karol G.
Luis Raúl Marrero, also known by his stage name Funky, is a Puerto Rican rapper and songwriter. With seven solo albums and multiple jobs as a producer, Marrero is internationally recognized as a hip hop and reggaeton Christian artist. He has collaborated with Christian music musicians, including Marcos Witt, Jesus Adrian Romero, and KJ-52. Marrero has been nominated for two Latin Grammy awards.
Trap is a subgenre of hip hop music pioneered by Atlanta rappers T.I., Jeezy, and Gucci Mane, which originated in the Southern United States, with lyrical references to trap starting in 1991 but the modern sound of trap appearing in 1999. The genre gets its name from the Atlanta slang term "trap house", a house used exclusively to sell drugs. Trap music is known for its simple, rhythmic, minimalistic productions that uses synthesized drums, and is characterized by complex hi-hat patterns, snare drums, bass drums, some tuned with a long decay to emit a bass frequency, and lyrical content that often focuses on drug use and urban violence.
"Bodak Yellow" (alternatively titled "Bodak Yellow (Money Moves)") is the major-label debut single by American rapper Cardi B. It was written alongside Pardison Fontaine, Klenord Raphael, and producers J. White Did It and Laquan Green, with an additional writing credit going to Kodak Black for the interpolation of his song "No Flockin". It was released on June 16, 2017, by Atlantic Records as the lead single from her debut studio album Invasion of Privacy (2018).
Juan Carlos Ozuna Rosado , known simply by his surname Ozuna, is a Puerto Rican singer, born and raised in San Juan, Puerto Rico to a Dominican father and a Puerto Rican mother. Five of his studio albums have topped the Billboard Top Latin Albums chart, with Aura (2018) charting at number seven on the Billboard 200. His musical style is primarily defined as reggaeton and Latin trap, although he has collaborated with several artists from different genres and his music takes influences from a wide variety of genres, including pop, rock, hip hop, R&B, reggae, bachata, dembow, and electronic, amongst others.
TrapXFicante is the fifth studio album by Puerto Rican singer Farruko, released on September 15, 2017, through Sony Music Latin. It was produced by Ez el Ezeta, Prida Beats, Christian Adorno, Rvssian, Sharo Towers, Andy Clay, Luis Salazar, Jhon Paul Villasana, Ezequiel Garcia, Jan Paul Pérez, José Carlos Cruz, Fredy Neo, Noah Assad, Rafael Jiménez, George Ladkani, Elijah Sarraga, J Melodiez, Juan Francisco Méndez, Luismer José Pena, Wadiz Ricardo Pena, Tainy and Nítido en el Nintendo, and features collaborations with Bad Bunny, Rvssian, Arcángel, Jacob Forever, Ñengo Flow, Darell, Fetty Wap, Anuel AA and Químico Ultramega.
Latin trap is a subgenre of Latin hip hop music that originated in Puerto Rico. A direct descendant of southern hip hop, and influenced by reggaeton, it gained popularity after 2007, and has since spread throughout Latin America. The trap is slang for a place where drugs are sold. Latin trap is similar to mainstream trap with lyrics about life on la calle, drugs, sex and violence.
Urbano music or Latin urban is a transnational umbrella category including many different genres and styles. As an umbrella term it includes a wide and diverse set of genres and styles such as dancehall, dembow, urban champeta, funk carioca, Latin hip hop and reggaeton. The commercial breakthrough of this music took place in 2017 with artists from Colombia, Cuba, the Dominican Republic, Panama, Puerto Rico, the United States, Venezuela and even non-Spanish-speaking nations, such as Brazil, where Portuguese is spoken.
Benito Emmanuel Garcia, better known as Messiah, is a Dominican rapper and singer raised in Harlem, New York City. He is known for being a bilingual artist, singing in both Spanish and English.
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