Hipster hop | |
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Stylistic origins | |
Cultural origins | Early to mid-2000s, United States |
Typical instruments |
Hipster hop (also known as hipster rap) is a term that was used by music bloggers and critics in the 2000s and early 2010s to describe hip hop music that was perceived to be influenced by the hipster subculture. The term has been applied to artists such as The Cool Kids and Kid Cudi, though it has not been embraced by such artists.
Hipster hop is generally characterized as having a lighthearted mood. Miles Raymer of the Chicago Reader stated that "hipster rap embodies the same sort of utopian, big-tent ideal that old-school hip-hop did, treating the music as a force for bringing people together". [1] Hipster hop artists have also been described as having lyrical content ranging from the "emotionally vulnerable" to the "ironic [or] comedic". [2] A Miami New Times article characterized Spank Rock as hipster hop for having lyrical content that focused "almost exclusively on partying". [3]
Musically, the "hipster hop" label has been used to describe a wide variety of styles, ranging from "a sonic explorer like Kanye... [to] retro revivalists like the Cool Kids". [1] However, some authors have identified highly electronic production that verged on dance music as a trademark of the hipster hop scene. [1] [3] Pharrell Williams has also been described as a sonic influence on hipster hop. [3]
In addition to its musical characteristics, hipster hop has been defined by hipster-inspired fashion. Clothing choices such as skinny jeans and brightly-colored apparel have been identified as prominent markers of hipster hop artists. [1] [3] Kanye West has been described as a model for hipster hop fashion, due to his "sleekly fashionable, high concept" image. [3]
The term "hipster hop" is often viewed as pejorative; while it became popular among critics, few artists have used the "hipster hop" label to describe themselves. [2] [4] [5]
Artists such as Kanye West, Pharrell Williams, and Lupe Fiasco have been identified as forerunners of hipster hop. Sir Michael Rocks of the Cool Kids has stated that those three artists popularized the idea of being "an eclectic black guy", thus creating a niche for other artists to expand the aesthetic boundaries of hip-hop. [4]
The terms "hipster hop" and "hipster rap" declined sharply in the 2010s, although they have occasionally been used to describe post-2010s artists such as Razzlekhan. [6] [7]
Japanese hip hop is hip hop music from Japan. It is said to have begun when Hiroshi Fujiwara returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop tends to be most directly influenced by old school hip hop, taking from the era's catchy beats, dance culture and overall fun and carefree nature and incorporating it into their music. As a result, hip hop stands as one of the most commercially viable mainstream music genres in Japan and the line between it and pop music is frequently blurred.
East Coast hip-hop is a regional subgenre of hip-hop music that originated in New York City during the 1970s. Hip-hop is recognized to have originated and evolved first in The Bronx, New York City.
Hip-hop fashion refers to the various styles of dress that originated from Urban Black America and inner city youth in cities like New York City, Atlanta, and Los Angeles. Being a major part of hip hop culture, it further developed in other cities across the United States, with each contributing different elements to the overall style that is now recognized worldwide.
Wasalu Muhammad Jaco, better known by his stage name Lupe Fiasco, is an American rapper and record producer. He rose to fame in 2006 following the success of his debut album, Lupe Fiasco's Food & Liquor. He also performs as the frontman of rock band Japanese Cartoon under his real name. As an entrepreneur, Fiasco was the chief executive officer of 1st and 15th Entertainment.
Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop.
Pop rap is a genre of music fusing the rhythm-based lyricism of hip hop with pop's preference for melodic vocals, catchy hooks, and positive lyrics on pop-like productions and structure. This genre gained mainstream popularity during the 1990s, though the influences and roots of pop rap can trace back to late-1980s hip-hop artists such as Run-DMC, LL Cool J, and Beastie Boys.
The Cool Kids are an American hip hop duo composed of rappers Sir Michael Rocks and Chuck Inglish. The Cool Kids' music had been released primarily to the independent Chocolate Industries via their own label C.A.K.E. Recordings. Reed and Ingersoll have made appearances in numerous forms of media, as well as in collaborations with other artists such as Freddie Gibbs, The Alchemist, Mac Miller, Boldy James, The Neptunes, Curren$y, Dom Kennedy, Larry June, Pac Div, Travis Barker, Lil Wayne, King Chip, Asher Roth, Ab-Soul, and Chance The Rapper. The Cool Kids are also members of the hip hop collectives All City Chess Club and P.O.C. founded in 2010–2011.
"Us Placers" is the debut song by American supergroup Child Rebel Soldier, a musical collaboration consisting of American hip-hop artists Lupe Fiasco, Kanye West, and Pharrell Williams. It was released as the third song on the track-listing of West's 2007 mixtape Can't Tell Me Nothing. The song was produced by Fiasco and samples the 2006 song "The Eraser" by Thom Yorke. In "Us Placers," the trio speaks on the entrapments of fame. Having been released on a free mixtape, the song did not enter the charts but became an online hit and received strong reviews from music critics.
Hip-hop or hip hop, formerly known as disco rap, is a genre of popular music, that emerged in the late 1960s and early 1970s primarily from African American, Afro-Latin, and Afro-Caribbean musical aesthetics practiced by youth in the South Bronx. Hip-hop music originated as an anti-drug and anti-violence social movement led by the Afrika Bambaataa and the Universal Zulu Nation. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art or writing. Knowledge is sometimes described as a fifth element, underscoring its role in shaping the values and promoting empowerment and consciousness-raising through music. In 1999, emcee KRS-One, often referred to as "The Teacher," elaborated on this framework in a Harvard lecture, identifying additional elements that extend beyond the basic four. These include self-expression, street fashion, street language, street knowledge, and street entrepreneurialism, which remain integral to hip-hop's musical expression, entertainment business, and sound production. Girls’ double-dutch was also recognized as a key stylistic component of breakdancing, according to KRS. While often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Alternative hip hop is a subgenre of hip hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk."
This article is an overview of the major events and trends in popular music in the 2010s.
"Mercy" is a song by American rapper Kanye West featuring fellow American rappers Big Sean, Pusha T, and 2 Chainz. The song was released April 10, 2012 through GOOD Music and Def Jam as the lead single from the compilation album Cruel Summer (2012). The song's production was handled by Lifted, with additional production from West, Mike Dean, and Mike Will Made It, and additional instrumentation from Hudson Mohawke. The song heavily samples the dancehall song "Dust a Sound Boy" by Super Beagle. The song received mostly positive reviews from music critics who praised the bombastic production, the varying quality of the verses, and the wordplay of the individual rappers. The song was featured on the soundtrack for NBA 2K13.
Seapunk is a subculture that originated on Tumblr in 2011. It is associated with an aquatic-themed style of fashion, 3D net art, iconography, and allusions to popular culture of the 1990s. The advent of seapunk also spawned its own electronic music microgenre, featuring elements of Southern hip hop and pop music and R&B music of the 1990s. Seapunk gained limited popularity as it spread through the Internet, although it was said to have developed a Chicago club scene.
Drill is a subgenre of hip hop music that originated in Chicago in the early 2010s. It is sonically similar to the trap music subgenre and lyrically similar to the gangsta rap subgenre. Early drill artists are noted for their explicit, confrontational style of lyricism and association with crime in Chicago, especially the Black Disciples and Gangster Disciples. The genre progressed into the American mainstream in 2012 following the success of pioneering rappers like Chief Keef, Lil Reese, Lil Durk, Fredo Santana, G Herbo, Lil Bibby and King Louie, who had many local fans and a significant internet presence alongside producer Young Chop. Other rappers, such as Lil JoJo, FBG Duck, S. Dot, Edai, L'A Capone, RondoNumbaNine, SD and producer Leek-E-Leek also contributed to the early drill scene. Chief Keef, in particular, is considered the primary progenitor and popularizer of drill music, responsible for bringing it to the mainstream. The growing fanbase sparked major label interest, leading to deal negotiations and signings.
Antoine Amari Reed is an American rapper better known by his stage name Sir Michael Rocks. He started his music career in 2005 as a member of the hip hop duo The Cool Kids, and later joined the groups All City Chess Club, the "super group" P.O.C., and The Toothpick Clique. The Cool Kids released their debut album When Fish Ride Bicycles in 2011, which features production by The Neptunes and artists such as Ghostface Killah. The album peaked at No. 76 on the Billboard 200, and No. 9 on Top Rap Albums.
Mumble rap is a loosely defined microgenre of hip hop music that largely spread via the online audio distribution platform SoundCloud in the 2010s. The term implies mumbling, or unclear vocal delivery, used by artists, and it has been used to describe rappers who do not share the rap genre's traditional emphasis on meaningful lyricism, choosing instead to emphasize other aspects of delivery like melody, mood and tone.
Emo rap is a subgenre of hip hop with influence from emo. Originating from the SoundCloud rap scene in the mid-2010s, the genre fuses characteristics of hip hop music, such as trap-style beats with vocals that are usually sung. The most prominent artists in the genre were Lil Peep, XXXTentacion, and Juice Wrld.
Cole Bennett is an American music video director and record executive. He is also the founder of Lyrical Lemonade.
Hip hop music can incorporate elements of classical music, either using live instruments or with recorded samples. Early examples of classical music instrumentation in hip hop date to the 1990s. In the 2000s, artists such as Nas, Kendrick Lamar, The Black Violin, and DJ Premier began to prominently use classical music elements.