Yemeni hip hop is a Yemeni music style and cultural movement related to rap and hip hop culture. It has influences from American hip hop and also from traditional music from the region. It is usually considered to have emerged from mid-2000s and reached its consolidation by 2009 when the first public concert was held in the French Cultural Institute. Although it has a variety of themes, there was an intense production of political songs by the Yemeni Revolution.
The Yemeni population is one of the poorest of the Arab world and is estimated to have a median age of 18 years. Around 60% of the population are under the age of 25. [1] The Yemeni youth has constantly been related to issues regarding violence, unemployment, the controversial use of khat, participation in radical political groups, and other social problems. [2] [3] On the other hand, it has been a major actor in the latest political transformations [4] and also on the development of a vivid hip hop scenery, facts that aren't coincidentally associated. The hip hop expressions often contemplates social-political issues and played an important role on the Yemeni Revolution. Thus, the dynamicity of the Yemeni youth has been both the spontaneous generator and the vessel of a large hip hop scene in the country, even though facing lack of institutional support. [5]
The hip hop major outbreak in Yemen is often associated to the influence of the king of rap in Yemen Hagage "AJ" Masaed, an American-Yemeni rapper producing music since 1997. Although he had grown in the United States, AJ has successfully reached Yemeni audience by addressing to local issues and incorporating traditional musical language into his hits. This versatility was also one of the reasons he drew international recognition, since he entered in the Yemeni music scene, he has been partnering up with several Yemeni artists, such as Sammy Nash ( S19 ) Hussein Muhib, Fuad Al-Kibisi, Fuad Al-Sharjabi, Ibrahim Al-Taefi, Abdurahman Al-Akhfash and others, and helping new ones to develop their talents. He has also played a major role on propagating the understanding of rap as a means of change. [6]
The second king of Rap in Yemen is Smokie Almo, aka YungYem, known by his American-Arabic Rap where he would mix Yemeni Arabic and American English in his songs. YungYem gained a huge popularity amongst Yemeni people mostly the youth.
One contributing factor to the development of the music is also the creation of Yemen Music House in 2007 [7] that has been providing assets to the development of a contemporary music scene. [8] In 2009, took place the first Yemeni Rap public festival, co-sponsored by the French and German foreign-missions. [9] Due to the importance of this event, AJ draws a comparison between it and the fall of the Berlin Wall. [10]
In 2018 a new Yemeni rapper Yemeknight emerged to the scene with his debut single called “Envision” which gained major popularity within western listeners and Yemeni immigrants in Europe and North America; his unique style of mixing Yemeni street slang with English words while focusing on the eccentric visuals is contributing to taking Yemeni Hiphop to a global scale.
Since the Arab Revolutions have been mostly associated to youth movements, music have been thoroughly present in these processes. The Arabic rap music has been spread out and recognized by young Arab audiences. One recurrent example is the Tunisian rapper El Général. In the Yemeni case, one popular artist is Yemen's Monsters and Kawi, but there are and many other rappers that have been producing independently and publishing on social medias.
Most often, these songs are displayed on YouTube featuring images of the revolution, addressing a call for the Yemeni youth and singing "Erhal" (Arabic for "leave", that has been the slogan of street manifestations) [11] to the former dictator Ali Abdullah Saleh. [12]
Rap has been used to mobilize the youth as a language they can relate to, one example is the employment of this music style by the comedian Adre'i on a public manifestation, and that have also been spread as viral on the internet. [13]
Yemeni rap has strong roots on American rap, differing, for example, from what is made in the Maghreb that gets influences from French rap. AJ himself is American based, but he also mentions 2Pac as an influence on local rap enthusiasts. Besides that, artists such as AJ mixes with traditional Yemeni music and even incorporates local instruments on their productions. [14]
The American influence is also evident when many artists choose to mix Arabic language with English language on their lyrics. Examples are the young and still independent artists such as Smokie Almo aka YungYem, Monika and Nadir Mohammed Haidar, [6] and also Nadeem "Yung Sheikh" Al-Eryani, who has already made appearances on CNN and Al-Hurra televisions. [15] [16] There's also a Yemeni-Polish rap group PSW, [17] which use both Polish and Arabic language in their songs focusing strictly on politics.
Traditional Yemeni music of the Jewish community is world widely recognized and has also been influence for foreigner artists of Yemeni origins, such as Diwon an American Jewish DJ that mixes hip hop, afro beat and Arabic music.
As Hip Hop is most usually known to be an entire cultural movement that is not restricted to rap music, it has been also developing in Yemen by its other expression, such as breakdancing, as portrayed on the documentary Shake The Dust and considered to be an alternative activity for Yemeni youth rather than other social activities such as 'yukhazan', the social practice of consuming khat. [18]
Street art and graffiti have also been actively emerging after the revolution as a political tool. [19] One example is the artist Mohamed Al-Ansi that has been living on Change Square and feeding mobilization with his art [20]
Rapping is an artistic form of vocal delivery and emotive expression that incorporates "rhyme, rhythmic speech, and [commonly] street vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content", "flow", and "delivery". Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip-hop music, and so commonly associated with the genre that it is sometimes called "rap music".
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
Yemen, a country on the Arabian Peninsula, holds a prominent position in the realm of music, garnering recognition for its distinctive musical traditions. Revered as a cultural capital within the Arab world, Yemen has contributed significantly to the musical landscape of the region.
Australian hip hop traces its origins to the early 1980s and was initially largely inspired by hip hop and other urban musical genres from the United States. As the form matured, Australian hip hop has become a commercially viable style of music that is no longer restricted to the creative underground, with artists such as Onefour, Hilltop Hoods, Kerser and Bliss n Eso and having achieved notable fame. Australian Hip-Hop is still primarily released through independent record labels, which are often owned and operated by the artists themselves. Despite its genesis as an offshoot of American hip-hop, Australian hip hop has developed a distinct personality that reflects its evolution as an Australian musical style. Since the inception of the Australian hip-hop scene, Australian Aboriginals have played a prominent role.
The Canadian hip hop scene was established in the 1980s. Through a variety of factors, it developed much slower than Canada's popular rock music scene, and apart from a short-lived burst of mainstream popularity from 1989 to 1991, it remained largely an underground phenomenon until the early 2000s.
Ukrainian hip hop is a major part of the Ukrainian music scene. Refers to all genres of hip hop music in the Ukrainian language. The term Ukr-hop is also sometimes used to refer to any hip hop music made by Ukrainians, including instrumental hip hop, as well as rap songs by members of the Ukrainian diaspora.
Egyptian hip hop is a form of hip hop music in Egypt that draws its inspiration from local, regional and global events. Since the early 2000s, Egyptian Hip Hop has gained significant popularity and is listened to by a global audience prompted by the internet as the latest medium of technology and music streaming services such as Spotify and Anghami.
Full Surface is a record label founded in 2001, by American hip hop recording artist and record producer Kasseem "Swizz Beatz" Dean. With the help of his protégé, Cassidy, who was the 1st artist signed, the label was established. The label used to operate through Sony's J and through Universal's Interscope, Motown and Universal Motown. However, the label also had released material through joint ventures with other companies outside the Sony BMG group.
Hip hop or hip-hop is a culture and art movement that was created by African Americans, starting in the Bronx, New York City. Pioneered from Black American street culture, that had been around for years prior to its more mainstream discovery, it later reached other groups such as Latino Americans and Caribbean Americans. Hip-hop culture has historically been shaped and dominated by African American men, though female hip hop artists have contributed to the art form and culture as well. Hip hop culture is characterized by the key elements of rapping, DJing and turntablism, and breakdancing; other elements include graffiti, beatboxing, street entrepreneurship, hip hop language, and hip hop fashion. From hip hop culture emerged a new genre of popular music, hip hop music.
Jasiel Amon Robinson, better known by his stage name Yung Joc, is an American rapper from Atlanta, Georgia. He is best known for his 2006 single "It's Goin' Down", which peaked at number three on the Billboard Hot 100. Prior to its release, he signed with Puff Daddy's Bad Boy South, an imprint of Atlantic Records in a joint venture with Block Entertainment; the song served as lead single for his debut studio album, New Joc City (2006). Both the album and its sequel, Hustlenomics (2007), peaked at number three on the Billboard 200 despite mixed critical responses. He is also known for his guest appearance on T-Pain's 2007 single "Buy U a Drank ", which peaked atop the Billboard Hot 100.
Arabic hip-hop is a segment of hip hop music performed in the Arabic-speaking world. Due to variety of dialects and local genres which exist in the localities, Arabic hip-hop music may appear very diverse depending on the country of the song. Like most artists of the genre, the hip-hop artists from the Arabic-speaking world are highly influenced by American hip-hop.
DAM is a Palestinian hip-hop group founded in 1999 by brothers Tamer and Suhell Nafar and their friend Mahmoud Jreri from the mixed city of Lod. In 2015 female singer Maysa Daw joined the group. The group's songs are themed on protest, inequality, Israeli–Palestinian conflict, and self-criticism of Arab-Israeli society, including the violence and drug dealing within Israel's mixed cities. DAM is the best-known and most famous Palestinian hip hop group; it is also often called the "quintessential Palestinian resistance band".
Iranian hip hop, also known as Persian hip hop, refers to hip hop music in the Persian language developed in Iran and the Iranian diaspora. It originated from American hip hop culture, but has developed into a distinct rap style that draws on Iranian cultural concepts and engages with the modern issues Iranians are facing today.
Palestinian hip hop reportedly started in 1998 with Tamer Nafar's group DAM. These Palestinian youth forged the new Palestinian musical subgenre, which blends Arabic melodies and hip hop beats. Lyrics are often sung in Arabic, Hebrew, English, and sometimes French. Since then, the new Palestinian musical subgenre has grown to include artists in Palestine, Israel, Great Britain, the United States and Canada.
Yassin Alsalman, better known by his stage name Narcy, is an Iraqi-Canadian rapper, author, university instructor and actor. He currently resides in Montreal, Quebec, Canada.
Hip-hop or hip hop, formerly known as disco rap, is a genre of popular music that emerged in the late 1960s and early 1970s primarily from African American, Afro-Latin, and Afro-Caribbean musical aesthetics practiced by youth in the South Bronx. Hip-hop music originated as an anti-drug and anti-violence social movement led by the Afrika Bambaataa and the Universal Zulu Nation. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art or writing. Knowledge is sometimes described as a fifth element, underscoring its role in shaping the values and promoting empowerment and consciousness-raising through music. In 1999, emcee KRS-One, often referred to as "The Teacher," elaborated on this framework in a Harvard lecture, identifying additional elements that extend beyond the basic four. These include self-expression, street fashion, street language, street knowledge, and street entrepreneurialism, which remain integral to hip-hop's musical expression, entertainment business, and sound production. Girls’ double-dutch was also recognized as a key stylistic component of breakdancing, according to KRS. While often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.
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Hagage "AJ" Masaed or Hajaj Abdulqawi Masaed is an American-Yemeni rapper born in Ohio, considered to be the precursor of Yemen Hip Hop music.
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