Hip house

Last updated

Hip house, also known as rap house or house rap, is a musical genre that mixes elements of house music and hip hop music, that originated in both London, United Kingdom and Chicago, United States in the mid-to-late 1980s. [1]

Contents

British group the Beatmasters' "Rok da House" is known to be the first hip house record, [2] having been written and pressed to vinyl in August 1986.[ citation needed ] Other early hip house records by British artists include "Pump Up the Volume" by MARRS and "Beat Dis" by Bomb the Bass, both from 1987.

History

Minor controversy ensued in 1988 when a U.S. record called "Turn Up the Bass" by Tyree Cooper featuring Kool Rock Steady claimed it was the "first hip house record on vinyl". The Beatmasters disputed this, pointing out that "Rok da House" had originally been written and pressed to vinyl in 1986. The outfit then released "Who's in the House?" featuring British emcee Merlin, containing the lines "Beatmasters stand to attention, hip house is your invention" and "Watch out Tyree, we come faster". More claims to the hip-house crown were subsequently laid down by Fast Eddie in "Yo Yo Get Funky!", Rob Base and DJ E-Z Rock with "It Takes Two", and Tony Scott's "That's How I'm Living".

After successful releases by the Beatmasters, Deskee, Tyree, KC Flightt, Doug Lazy and Mr. Lee, hip-house became popular in the acid house warehouse scene and nightclubs. Hip house also garnered substantial chart success. [3] The style complemented sample-based records of the period, produced by British artists such as S-Express, Bomb the Bass and M|A|R|R|S.

Hip house's further crossover success would come in the form of two ground breaking records: "I'll House You" by the Jungle Brothers and "It Takes Two" by Rob Base and DJ E-Z Rock. "I'll House You" is generally seen as a collaboration between New York City house-music producer Todd Terry and the Jungle Brothers (an Afrocentric hip-hop group from New York). "It Takes Two" was described by Hip Hop Connection magazine as "...the first palatable form of hip-house for hardcore hip hop fans."[ citation needed ]

Hip hop rappers that would receive the hip house remix treatment included Vitamin C, Sweet Tee, Raze, and the D.O.C.

Hip house tracks featured on popular dance compilations including Telstar's Deep Heat compilation series and was championed by DJs such as To Kool Chris and Chad Jackson.

As house music emerged as a worldwide industry by the late 1980s, U.S. acts such as C+C Music Factory would use the hip house formula in hits such as "Gonna Make You Sweat", as well as the Eurodance genre — particularly with hits by the Belgian group Technotronic, German groups Snap! and Real McCoy, and Italian Lee Marrow.

Influence on UK rave scene

Late 1980s hip house releases by UK artists such as Double Trouble and Rebel MC, Blapps Posse and Shut Up and Dance were an early influence towards the early 1990s UK rave scene and the breakbeat hardcore genre (and genres that developed from it such as jungle). [4] [5]

Hip house in the present day

A modern form of hip house became popular in the mid-2000s, known as electro hop, [6] with artists enjoying mainstream success towards the end of the decade and into the 2010s. These artists included LMFAO, [7] [8] Pitbull (most notably with his albums Rebelution (2009) [9] and Planet Pit (2011)), [10] [11] Flo Rida, [12] [13] Far East Movement, [14] [15] [16] [17] Hyper Crush, [18] Example (described as "rave-rap" or "rave-hop") and Azealia Banks. [19] Electronic dance music DJs/producers also had hits in the genre, which featured vocals from rappers. These include "C'mon (Catch 'em by Surprise)" by Tiësto and Diplo with Busta Rhymes, [6] and "Forever" by Wolfgang Gartner and will.i.am. French DJ David Guetta had several hip house hits such as "Memories" with Kid Cudi, [6] "Where Them Girls At" with Flo Rida and Nicki Minaj, [20] "Gettin' Over You" with LMFAO and "Little Bad Girl" with Taio Cruz and Ludacris. [6]

Hip house in the 2020s include "Boss Bitch" by Doja Cat, "Ego Death" by Ty Dolla Sign, "My High" by Disclosure, Aminé and Slowthai, "Believe What I Say" by Kanye West, "Her" by Megan Thee Stallion and "Thique" by Beyoncé.

Related Research Articles

<span class="mw-page-title-main">Drum and bass</span> Type of electronic music

Drum and bass is a genre of electronic dance music characterised by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.

Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.

Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.

Jungle is a genre of electronic music that developed out of the UK rave scene and Jamaican sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.

Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos.

Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.

Techstep is a dark subgenre of drum and bass that was created in the mid-1990s.

Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and Northern England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.

Popular music of the United Kingdom in the 1990s continued to develop and diversify. While the singles charts were dominated by boy bands and girl groups, British soul and Indian-based music also enjoyed their greatest level of mainstream success to date, and the rise of World music helped revitalise the popularity of folk music. Electronic rock bands like The Prodigy and Chemical Brothers began to achieve a high profile. Alternative rock reached the mainstream, emerging from the Madchester scene to produce dream pop, shoegazing, post rock and indie pop, which led to the commercial success of Britpop bands like Blur and Oasis; followed by a stream of post-Britpop bands like Radiohead and The Verve.

<span class="mw-page-title-main">Mark Summers</span> English sound engineer and music producer

Mark Summers is the English CEO, sound engineer and music producer of Scorccio, a music production company founded in the UK in 1996. A London DJ since 1979, he is a guest lecturer and masterclass presenter on sample replay production, sound engineering, DJ culture, sampling and the music industry. His productions have been featured on hits for Nicki Minaj, Diplo, Sam Smith, the Prodigy, Pitbull, Fatboy Slim, David Penn, Jess Glynne, Disclosure, Steve Aoki, CamelPhat, Swedish House Mafia, the Shapeshifters and many other notable music artists. He is related to Herbie Flowers, one of the UK's best-known session bass players.

Pop rap is a genre of music fusing the rhythm-based lyricism of hip hop with pop's preference for melodic vocals, catchy hooks, and positive lyrics on pop-like productions and structure. This genre gained mainstream popularity during the 1990s, though the influences and roots of pop rap can trace back to late-1980s hip-hop artists such as Run-DMC, LL Cool J, and Beastie Boys.

The music of Miami is a diverse and important field in the world of music. The Greater Miami area has long been a hub for diverse musical genres. For example, South Florida has been a hub for Southern Rap. Miami, in particular, is a "hub" for Latin Music in the United States. Miami bass, a prominent hip-hop genre in the late 1980s and early 1990s, got its start in Miami; Luther "Luke Skyywalker" Campbell and his 2 Live Crew were among the more prominent Miami Bass acts, largely because of an obscenity scandal fomented by Broward County, Florida Sheriff Nick Navarro. Moreover, although not a South Florida native, Jimmy Buffett rose to prominence after moving to Key West, Florida and has long been associated with the "South Florida lifestyle". Other notable South Florida-based musical performers include Gloria Estefan, Marilyn Manson, Leslie Grace, Tony Succar, Vanilla Ice, DJ Laz, and Pitbull.

<span class="mw-page-title-main">Dance music</span> Music composed specifically to facilitate or accompany dancing

Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.

Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.

<span class="mw-page-title-main">Don FM</span> Radio station

Don FM was a 1990s London pirate radio station, influential in the development of breakbeat hardcore, jungle and drum and bass music. It was the first jungle pirate station granted a temporary legal license.

<i>Pitbull Starring in Rebelution</i> 2009 studio album by Pitbull

Pitbull Starring in Rebelution is the fourth studio album by the Cuban-American rapper Pitbull. It was released on August 28, 2009, through J, Polo Grounds and Mr. 305. The production on the album was handled by multiple producers including DJ Khalil, Dr. Luke, Lil Jon, Play-N-Skillz and Jim Jonsin who also served as executive producer. The album also features guest appearances by B.o.B, Ke$ha, Nayer, Akon, Lil Jon and Slim of 112. This became his first major-label release, his first album to be released on his own Mr. 305 Inc. label and also Polo Grounds' second release since Hurricane Chris's 51/50 Ratchet.

The Criminal Minds are a British hip hop group first formed in Milton Keynes, UK in 1985, who would later have success with breakbeat hardcore music during the peak of the early-mid 1990s UK rave scene.

Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.

References

  1. ↑ Phillip Mlynar (2 May 2016). "Hip House: An Oral History". Red Bull Music Academy .
  2. ↑ "Cookie Crew Reviews, Music, News".
  3. ↑ Henderson, Alex. "Hip House". AllMusic. Archived from the original on 2010-11-13. Retrieved 2010-06-01.
  4. ↑ James, Martin (1997). State of Bass. Boxtree.
  5. ↑ "History Sessions: Hardcore Breakbeats (1990 – 1991)". A Bass Chronicle. 15 July 2014.
  6. 1 2 3 4 "Evolution of Electro Hop". Recording Arts Canada. February 20, 2020.
  7. ↑ "Together Festival Featuring LMFAO, Lil Jon and DJ Afrojack". Bk.asia-city.com. 23 March 2012.
  8. ↑ Hobart, Erika (November 13, 2009). "LMFAO and Shwayze played at Showbox SoDo on Thursday, November 12, 2009". Seattle Weekly.
  9. ↑ Ntshanga, Masande. "Pitbull - Rebelution". Channel.
  10. ↑ Caramanica, Jon (June 22, 2011). "Rootless Rapper Finds His Rhythm". The New York Times.
  11. ↑ Caramanica, Jon (March 15, 2017). "Pitbull Moves Beyond Hip-Hop and Into the Unknown on 'Climate Change'". The New York Times.
  12. ↑ "Top 10 Highest-Selling Hip-Hop Artists Of All Time". TheThings. February 12, 2021.
  13. ↑ "Flo Rida talks charity, Frank Ocean and haters". 13 July 2012.
  14. ↑ Outlets, Tanger. "Far East Movement Takes The Stage At Tanger Outlets". www.prnewswire.com (Press release).
  15. ↑ "StackPath". www.frontiertouring.com.
  16. ↑ "Far*East Movement reveals MV for "Rocketeer" ft. Ryan Tedder".
  17. ↑ "Far East Movement Is What'cha Want". E! Online. September 29, 2011.
  18. ↑ "Hyper Crush". San Antonio Current.
  19. ↑ "Azealia Banks 1991". Exclaim.ca.
  20. ↑ "The Nicki Minaj Singles Tournament: Round Two". Pitchfork. December 23, 2014.
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.