Drum and bass is a genre of electronic dance music characterised by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings.Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. The thing that makes happy hardcore stand apart from happy gabba, is that happy hardcore tends to have breakbeats running alongside the 4/4 kick drum.
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos.
Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.
4hero are an electronic music group from Dollis Hill, London, comprising producers Mark "Marc Mac" Clair & Denis "Dego" McFarlane. While the band is often cited as 4 Hero or 4-Hero, the name is stylised as 4hero on their albums and website. 4hero are known for being pioneers of breakbeat hardcore, jungle/drum and bass, broken beat and nu jazz music.
Techstep is a dark subgenre of drum and bass that was created in the mid-1990s.
Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and Northern England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.
Darkcore is a music subgenre of breakbeat hardcore in the UK rave scene, that emerged from late 1992. It is recognised as being one of the direct precursors of the genre now known as drum and bass.
Now Is Early is the debut studio album by Scottish singer Nicolette, produced by English electronic duo Shut Up and Dance and released in April 1992 by the duo's label of the same name. It follows a string of popular underground singles in the early 1990s that applied the singer's jazz-styled vocals to Shut Up and Dance's early experiments in breakbeat hardcore, with songs from these singles featuring on the record. Stylistically, the record profiles Shut Up and Dance's spacious, breakbeat-driven sound, contrasted with Nicolette's smooth scat-style singing. For the album, the singer wrote torch songs in a stream of consciousness style and explored universal themes.
Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.
XL Recordings Chapters was a musical compilation series which showcased tracks from the XL Recordings record label. Also, other notable breakbeat hardcore, house and techno tracks, XL's output at the time, were featured from other labels.
Don FM was a 1990s London pirate radio station, influential in the development of breakbeat hardcore, jungle and drum and bass music. It was the first jungle pirate station granted a temporary legal license.
The Criminal Minds are a British hip hop group first formed in Milton Keynes, UK in 1985, who would later have success with breakbeat hardcore music during the peak of the early-mid 1990s UK rave scene.
Reggae Owes Me Money is the debut album by British duo The Ragga Twins, produced by hardcore duo Shut Up and Dance and released on the latter's record label of the same name. After establishing themselves as dancehall artists from the Unity soundsystem in the 1980s, the Ragga Twins switched direction in the early 1990s, combining into a duo after signing to Shut Up & Dance's label. The production duo stirred the Ragga Twins' change in direction, fusing their previous reggae and dancehall style into the Shut Up & Dance rave dance style.
Noise Factory were an English breakbeat hardcore and jungle group active in the early 1990s. The group is credited as being pivotal in the transition between hardcore and jungle music.
Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.
