EDM trap | |
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Stylistic origins | |
Cultural origins | Early 2010s, United States |
Typical instruments | |
Derivative forms | Future bass |
Subgenres | |
Other topics | |
EDM trap (simply known as trap) is a fusion genre of hip hop, rave music and EDM (electronic dance music), [5] that originated in the early 2010s on peaking popularity of big room house and hip hop trap genres. It blends elements of hip hop trap, which is an offshoot of Southern hip hop, with elements of EDM like build-ups, drops, dense production with rave music synthesizers, and breakdowns. [6] As it was popularized, it increasingly began incorporating more pop elements.
Around 2012, a new style of electronic dance music (EDM) emerged which incorporated elements of trap music, [7] creating "dirty, aggressive beats [and] dark melodies." [7] Electronic music producers, such as TNGHT, Baauer, RL Grime, Flosstradamus and Yellow Claw (DJs) expanded the popularity, and brought wider attention to the derivative forms of trap. [8] This genre saw the use of techno, dub, and electro sounds combined with the Roland TR-808 drum samples and vocal samples typical of hip hop trap. [8]
In the later half of 2012, these various offshoots of hip hop trap became increasingly popular and made a noticeable impact on the American electronic dance music scene. [9] The music was initially dubbed simply as "trap" by producers and fans, which led to the term "trap" being used to address the music of both rappers and electronic producers, to much confusion among followers of both. The term "trap" continued to be used to describe two separate genres of hip hop and dance music. [10] The new wave of the genre has been labeled by some as "EDM trap" to distinguish it from the hip hop genre. The terms "trap-techno" and "trapstep" are often labeled by producers to describe the musical structure of an individual track. The evolving EDM trap has seen incorporation and stylistic influences from dubstep, in which trap has been hailed as the superseding phase of dubstep during the mid-2010s. The new phase typically plays at 140 BPM with strong bass drops, which began growing in popularity from 2013. [11]
In 2013, a fan-made video by Filthy Frank (also known as Joji), of EDM trap producer Baauer's track "Harlem Shake", became an internet meme, propelling the track to become the first EDM trap song to hit number one on the Billboard Hot 100. [12] This challenge the track was used for consisted of one person dancing to the rhythm of the song until the beat dropped, in which then whoever else within the video would dance along with the person dancing in the beginning. Five EDM trap producers performed at the 2013 Ultra Music Festival in the United States, including DJ Craze, Baauer and Flosstradamus. [7] The 2013 Tomorrowland festival featured a "trap stage".
On February 10, 2013, All Trap Music released their debut compilation album which featured 19 tracks from artists including RL Grime, Flosstradamus, Baauer, Bro Safari and 12th Planet. Described by the music press as the first album of its kind [13] [14] it reached number two in the iTunes dance chart with Vibe stating it was "the world's biggest-selling EDM trap album ever." [11] In 2013, DJ Snake and Lil Jon released the single "Turn Down for What", which became both a commercial hit charting in several countries and a critical hit. Rolling Stone voted "Turn Down for What" as the second best song of 2014, saying that, "The year's nutsiest party jam was also the perfect protest banger for a generation fed up with everything. DJ Snake brings the synapse-rattling EDM and Southern trap music; Lil Jon brings the dragon-fire holler for a hilarious, glorious, glowstick-punk fuck you." [15]
EDM trap music has also found fame internationally, especially in South Korea. South Korean boy band BigBang was one of the earliest groups to bring EDM trap into the K-pop sphere with commercial hit singles such as "Good Boy" (2014) by its members GD X Taeyang and "Bang Bang Bang" (2015). [16] In 2018, South Korean girl group Blackpink released the commercially and critically successful single "Ddu-Du Ddu-Du", which propelled the EDM trap sound to "global heights". Rolling Stone recognized "Ddu-Du Ddu-Du" for having perfected and popularized K-pop's EDM trap template, and named it the sixth best Korean song of all time. [17]
EDM trap began to fuse with synth-pop and emo pop in the late 2010s when Philadelphia producer group Working on Dying began to produce Eternal Atake, the third studio album by Francisville rapper Lil Uzi Vert. Brandon Finessin of Working on Dying earned eight producer credits on Lil Uzi Vert's emo rap album, adding hyperpop and EDM elements to traditional trap drum sequences. This led to Lil Uzi Vert and Brandon Finessin leading the Billboard charts collaboratively on the Producers and Songwriters Top 100s. [18] This caused an offshoot scene of hyperpop trap beats to emerge from minor YouTube producers based on Working on Dying's electronic approach to trap music.[ citation needed ]
A new subgenre of EDM trap music referred to as trapwave (or hardwave) emerged also in late 2010s that fuses trap music with synthwave.[ citation needed ]
East Coast hip hop is a regional subgenre of hip hop music that originated in New York City during the 1970s. Hip hop is recognized to have originated and evolved first in The Bronx, New York City.
The term hyphy is an Oakland, California slang meaning "hyperactive". More specifically, it is an adjective describing the hip hop music and the culture associated with the Oakland area. The term was first coined by Oakland rapper Keak da Sneak.
A drop or beat drop in music, made popular by electronic dance music (EDM) styles, is a point in a music track where a sudden change of rhythm or bass line occurs, which is preceded by a build-up section and break.
Electronic dance music (EDM), also referred to as club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.
Flosstradamus is the stage name of American DJ and musician Curt Cameruci. From 2007 until 2016, Flosstradamus consisted of Cameruci and Josh Young from Chicago. The duo announced they would both be pursuing solo careers, with Cameruci to continue using Flosstradamus as a stage name. Cameruci is also known as Autobot, and Young is also known as J2K and YehMe2. Flosstradamus is known for being one of the early pioneers of the trap genre, made popular by their remix of Major Lazer's hit single "Original Don".
This article is an overview of the major events and trends in popular music in the 2010s.
Electro house is a genre of electronic dance music and a subgenre of house music characterized by heavy bass and a tempo around 125–135 beats per minute. The term has been used to describe the music of many DJ Mag Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki, and Deadmau5.
Trap is a subgenre of hip hop music pioneered by Atlanta rappers T.I., Jeezy, and Gucci Mane, which originated in the Southern United States, with lyrical references to trap starting in 1991 but the modern sound of trap appearing in 1999. The genre gets its name from the Atlanta slang term "trap house", a house used exclusively to sell drugs. Trap music is known for its simple, rhythmic, minimalistic productions that uses synthesized drums, and is characterized by complex hi-hat patterns, snare drums, bass drums, some tuned with a long decay to emit a bass frequency, and lyrical content that often focuses on drug use and urban violence.
Harry Bauer Rodrigues, known professionally as Baauer, is an American record producer and DJ, best known for his double platinum song "Harlem Shake".
Future bass is a style of electronic dance music which developed in the 2010s that mixes elements of dubstep and trap with warmer, less abrasive rhythms. The genre was pioneered by producers such as Rustie, Hudson Mohawke, Lido, San Holo and Cashmere Cat, and it was popularised in the mid to late-2010s by artists such as Flume, Martin Garrix, Illenium, Louis the Child and Mura Masa. 2016 was seen as the breakout year for the genre.
"Bad and Boujee" is a song by American hip-hop group Migos featuring American rapper Lil Uzi Vert. Written alongside producer Metro Boomin and co-producer G Koop, it was originally released to the Quality Control Music YouTube channel on August 27, 2016 before being officially released on October 28 by Quality Control Music, 300 Entertainment, and Atlantic Records as the lead single from the group's second studio album Culture (2017).
Daniel Pollard, more commonly known by his stage name HXV, is an American music producer. The first release from HXV was a mixtape titled We Off That, which was introduced under Diplo's Mad Decent label. Following this was his debut EP titled Run the Trap. This included the song "Flex", which caught the attention of Diplo, later landing HXV the opportunity to remix Major Lazer's "Jah No Partial". The response to this remix was outstanding, thus securing him a spot in the community.
Trocon Markous Robert Jr., better known by his stage name FKi 1st, $1T or 1st Down, is an American rapper, singer, songwriter, DJ, and record producer. He first became known as one half of the Atlanta-based production duo FKi with fellow producer SauceLordRich, which was formed in 2007. The duo produced for music industry artists in hip hop and contemporary R&B during the 2010s, resulting in credits on Billboard Hot 100-charting singles such as "Dope" by Tyga, "Watch Out" by 2 Chainz, "Make It Rain", "Bring It Back" and "Ayy Ladies" by Travis Porter, as well as the quadruple platinum-certified single "Weekend" by Mac Miller. In his solo work, Robert has co-produced the singles "Work" for Iggy Azalea in 2013, "White Iverson" for Post Malone in 2015, co-wrote "Deja Vu" for the artist the following year, and "Pick It Up" for Famous Dex in 2017.
Emo rap is a subgenre of hip hop with influence from emo. Originating from the SoundCloud rap scene in the mid-2010s, the genre fuses characteristics of hip hop music, such as trap-style beats with vocals that are usually sung. The most prominent artists in the genre were Lil Peep, XXXTentacion, and Juice Wrld.
Bass music is a term used to describe several genres of electronic dance music and hip hop music arising from the 1980s on, focusing on a prominent bass drum and/or bassline sound. As one source notes, there are "many different types of bass music to fall into, each putting a different spin on one of music's loudest elements". Typically, the bass sound is created using synthesizers and drum machines such as the influential Roland TR-808.
Working on Dying is an American producer collective based in Philadelphia, Pennsylvania. It was created in 2012 by American record producer Richard Ortiz, known professionally as F1lthy, and his younger brother, Jordan Ortiz, who is known professionally as Oogie Mane.
"Demon High" is a song by American rapper Lil Uzi Vert, released on October 29, 2021. Produced by Charlie Handsome, Rex Kudo, and Pro Logic, the song sees Lil Uzi Vert sing-rapping about a failed relationship.
Rage is a microgenre of trap music. Distinguishing features of rage include short looping stereo-widened future bass-influenced synthesizer lead hooks and basic, energetic trap rhythms. Among the pioneers of rage are rappers Playboi Carti, Lil Uzi Vert and Trippie Redd.