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| Funkstep | |
|---|---|
| Other names | Dubbage |
| Stylistic origins | |
| Cultural origins | Late 2000s, UK |
Funkstep (also known as dubbage) is a style of UK funky, incorporating elements of dubstep and sometimes drum and bass. [1]
Since the dubstep movement in 2001, funkstep has gained more listeners and therefore more record producers to produce this music style. Funkstep took shape since 2012 [2] by blending the genres of dubstep, drumstep, drum and bass, UK funky and electro house.
The changes of speed in funkstep are evident, since drumstep will register at anywhere from 150 to 170 BPM as a result of its 2-step beat and French and electro house by contrast between 120 and 130 BPM. This problem is usually solved by playing the song during its drumstep or even dubstep parts in half speed, as compared to the occurring house in similar parts.
Most funkstep songs start with calm intros, which can sometimes be mixed up with drumstep because of its dubstep and drum and bass-like drums. But after starting with a typical funkstep riff and changing the bassdrum to a consistent 4x4-cadence, it is easy to recognize the bridge to more complex house music, which is typical for a funkstep song. A song can contain these bridges and changes repeatedly, which mostly indicate the drops and highlights. Funkstep is also often in conjunction with glitch because of their similar BPM and arsenal of distorted sounds.
Since funkstep contains parts sounding similar to different variations of house, drum and bass and drumstep, it is attractive for listeners of several styles of music and pretty diverse.
Since 2009, notable scene reports were trying to simply explain the idea of funkstep to the audience, posting headlines like "Dubstep + Funky House = Funkstep".
UK bass, also called bass music, is club music that emerged in the United Kingdom during the mid-2000s under the influence of diverse genres such as house, grime, dubstep, UK garage, R&B, and UK funky. The term "UK bass" came into use as artists began ambiguously blending the sounds of these defined genres while maintaining an emphasis on percussive, bass-led rhythm.
Drum and bass is a genre of electronic music characterized by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the early 1990s.
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of soul, jazz and rhythm and blues (R&B). It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths.
Breakbeat is a broad type of electronic music that tends to utilize drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Andre Williams, better known as Shy FX, is a British DJ and producer from London. He specialises in drum and bass and jungle music.
Hardstyle is an electronic dance genre that emerged in the late 90s in the Netherlands. Hardstyle mixes influences from techno, new beat and hardcore.
A drop or beat drop in music, made popular by electronic dance music (EDM) styles, is a point in a music track where a sudden change of rhythm or bass line occurs, which is preceded by a build-up section and break.
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. It is generally characterised by sparse, syncopated rhythmic patterns with prominent sub-bass frequencies. The style emerged as an offshoot of UK garage, drawing on a lineage of related styles such as 2-step and dub reggae, as well as jungle, broken beat, and grime. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage. One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" – is that the rhythm lacks the kick drum pattern found in many other styles of electronic music with a regular four-on-the-floor beat.
UK funky is a genre of electronic dance music from the United Kingdom that is heavily influenced by soulful house, soca, tribal house, UK garage, broken beat and grime. Typically, UK funky blends beats, bass loops and synths with African and Latin percussion in the dem bow rhythm and contemporary R&B-style vocals.
Radio Record is a Russian radio station that broadcasts on 106.3 FM from Saint Petersburg. It airs an electronic dance music format with primarily trance and house offerings now expanded to variety of different genres including Rock, Deep House, Future House, Dubstep.
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many DJ Mag Top 100 DJs, including Benny Benassi, Daft Punk, Skrillex, and Steve Aoki.
Tropical house, also known as trop house, is a subgenre of house music, and a derivation of tropical music, with elements of dancehall and Balearic house. Artists of the genre are often featured at various summer festivals such as Tomorrowland. The genre was popularized by artists including Thomas Jack, Kygo, Matoma, Lost Frequencies, Seeb and Gryffin.
Reggaestep is a fusion genre of reggae music and dubstep that gained popularity online in the early 2010s, particularly on SoundCloud. Reggaestep typically has similar drum samples as those used in reggae; however, the timing of these drums corresponds with the typical syncopation of drums in dubstep. Other influence taken from reggae include harmonic accentuation of the offbeats, however off-beat rhythms can sometimes be layered on top of more traditional dubstep or ragga melodies. The tempo tends to be at 140 BPM which is typical to dubstep. The "drops" in reggaestep are very similar to those of dubstep, but often follow similar melody patterns to reggae.
UK garage, abbreviated as UKG, is a genre of electronic dance music which originated in England in the early to mid-1990s. The genre was most clearly inspired by garage house, but also incorporates elements from R&B, jungle and dance-pop. It is defined by percussive, shuffled rhythms with syncopated hi-hats, cymbals and snares, and may include either 4/4 house kick patterns or more irregular "2-step" rhythms. Garage tracks also commonly feature 'chopped up' and time-stretched or pitch-shifted vocal samples complementing the underlying rhythmic structure at a tempo usually around 130 BPM.
Genre-Specific Xperience is a project by Kuwait musician Fatima Al Qadiri that serves as her second extended play in her discography. Its intention is to reinterpret five musical genres through audio and visuals: juke, hip hop, dubstep, electronic tropicalia, and what the press release labeled as "‘90s Gregorian trance." The main idea of the project regards what would happen if the "limitations" of a genre were bypassed or altered. The visuals for the tracks were produced by Tabor Robak, Sophia Al-Maria, Ryan Trecartin, Rhett LaRue, Kamau Patton, and production company Thunder Horse. The music videos premiered at New Museum on 21 October 2011, and the extended play itself was released by UNO Records on 25 October to favorable reviews from professional music journalists. A remix record titled GSX Remixes was released in May 2012 and features re-edits of tracks from Genre-Specific Xperience by acts such as Ikonika and DJ Rashad.