Hard trance | |
---|---|
Stylistic origins | |
Cultural origins | Early 1990s, Belgium, Germany, Netherlands |
Derivative forms |
Hard trance is a subgenre of trance music that originated in Belgium, Germany and the Netherlands in the early 1990s as the Breakbeat hardcore production community began to diversify into new and different styles of electronic music, all influenced by Hard house, New beat, Happy hardcore and Jungle music. The popularity of hard trance peaked during the late 1990s and has since then faded in scope of newer forms of trance.
Hard trance is often characterized by strong, hard (or even downpitch) kicks, fully resonant basses and an increased amount of reverberation applied to the main beat. Melodies vary from 140 to 180 BPMs and it can feature plain instrumental sound in early compositions, with the latter ones tending to implement side-chaining techniques of progressive on digital synthesizers.
Hard trance was the final form of progressive to hit the mainstream. It eventually morphed into hardstyle, jumpstyle and gabber. Its mainstream popularity decreased in the mid-2000s.[ clarification needed ][ citation needed ]
The hard trance sound developed out of the breakbeat hardcore/hardcore era which itself developed from Belgian New Beat industrial style of Techno. When the hardcore breakbeat production community split into its separate subgenres, hard trance began to develop within the breakbeat hardcore production community. Hard trance went on to become one of the dominant and most successful electronic music styles throughout the 1990s in mainland Europe and around the world. The British electronic music scene split off into other styles such as jungle/drum and bass, hardcore, techno and house.
Remaining popular around 1993–1997 in mainland Europe, hard trance was associated with mega-raves of many thousands of ravers. Many series of compilation CDs came initially from the originators of the sound and the clubs that promoted it. It ultimately went overground and reached commercial status becoming known commercially as "maximaal".
Throughout the 1990s the popularity of the sound caused a flurry of popular and financially successful tracks to be licensed by major record labels, with the sound becoming aggressively marketed through commercial compilations on TV, radio and across the different forms of media. In Belgium hard trance was popular in the 1990s, with the label Bonzai Records and titles such as The First Rebirth by Jones & Stephenson released in 1993, [1] Rave City by Yves Deruyter released in 1993, [2] Let There Be House by Cherrymoon Trax released in 1994, [3] The Wave by The Belgica Wave Party released in 1993, [4] Belgium Jump by Dream Your Dream released in 1993, [5] Back To Reality by Phrenetic System released in 1994. [6]
The hard trance sound came to the UK via the underground techno community in clubs such as Heaven, Trade, Melt and FF and Fist or through clubs such as The Orbit in Morley and Club UK in London. It never reached the same commercial heights or as on the continental mainland due to British music scene already being widely diversified into styles such as jungle/drum & bass, hardcore and house. However it is frequently played in the free party scene and many clubs and festivals still play it to this day.
New Zealand was late to the party and enjoyed Hard Trance into the mid-2000s. The majority of clubs were centred in the K road region of Auckland and included Kiss, Bed, Stair Case and Jones Bar. Auckland's scene was well supplied and transitioned to drum and bass, breaks and eventually dub step in the late 2000s
Alongside the birth of hard trance, the same producers and record labels were already producing and developing the jumpstyle sound, the successor of gabber, which was popular in the Netherlands. Jumpstyle used the same sounds as the hard trance sound with faster beat patterns but slightly slower than gabber, this developed directly into hardstyle toward the end of the 1990s, which along hardtechno and hard house came to dominate the harder spectrum of electronic music.[ clarification needed ]
The sound influenced and led to the development of UK hard house and its subgenres, prior to this style the UK clubs where hard house developed were typically already playing a mixture of harder techno styles, progressive trance, electro and hardstyle incorporating many sounds and influences from each style can be heard across the others.
Jointly with happy hardcore it evolved into makina.
Trance is a genre of electronic dance music that emerged from EBM in Frankfurt, Germany, in the late 1980s and early 1990s, and quickly spread throughout Europe.
Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Freetekno is a cultural movement that is present in Europe, Australia and North America. Freetekno sound systems or tribes form in loose collectives, frequently with anarchist philosophies. These sound systems join to hold parties wherever a viable space can be found – typical locations include warehouses, fields, abandoned buildings or forests. Because freetekno parties are usually held illegally this sometimes leads to clashes with the police, as was the case at both the 2004 and 2005 Czechtek festivals and many other, smaller parties around the world at different times.
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Mainstream hardcore, mainstyle or nu style gabber is a subgenre of hardcore techno. The essence of mainstream hardcore sound is a distorted bass drum sound, overdriven to the point where it becomes clipped into a distorted square wave and makes a recognizably melodic tone.
Jungle is a genre of electronic music that developed out of the UK rave scene and Jamaican sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings. Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. The thing that makes happy hardcore stand apart from Gabber, is that happy hardcore tends to have breakbeats running alongside the 4/4 kick drum.
Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.
Techstep is a dark subgenre of drum and bass that was created in the mid-1990s.
Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and Northern England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.
Jumpstyle is an electronic dance style and music genre popular in Western Europe, originally in Belgium.
The music of the Streets of Rage series of beat 'em up games, released in the early 1990s, was primarily produced by Yuzo Koshiro.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient history, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG, EBM and hip hop. It flourished in Western Europe during the late-1980s.
Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.