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Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, The Orb, The Future Sound of London, the Black Dog, Pete Namlook and Biosphere.
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s.
Techstep is a dark subgenre of drum and bass that was created in the mid-1990s.
Free tekno, also known as tekno, freetekno and hardtek, is the music predominantly played at free parties in Europe. The spelling tekno is deliberately used to differentiate the musical style from techno. The music is fast and it can vary between 150 and 185 bpm and is characterised by a pounding repetitive kick drum. Nevertheless, bass drum distortion by clipping is used less often as in the related genre of mainstyle hardcore. Nowadays, some tekno producers also use drum sets that rather sound trancey, since many members of the tekno subculture as well as the psytrance subculture frequently attend the same raves and the two scenes are closely connected.
Neurofunk is a dark subgenre of drum and bass which emerged between 1997 and 1998 in London, England as a progression of techstep. It was further developed by juxtaposing elements of darker, heavier, and harder forms of funk with multiple influences ranging from techno, house and jazz, distinguished by consecutive stabs over the bassline; razor-sharp backbeats; scarce or nonexistent traditional melodies; a hyper focus on sub sound design; the use of modulated, distorted and filtered synthesizers and audio capture from samplers such as the Akai S1000 and Emu E6400. Neurofunk is very closely related to Techstep, but the primary characteristic that distinguishes the two genres is Neurofunk has more emphasis on flowing complex rhythms using processed and enhanced sampled breakbeats/percussion and expressive, distorted, filtered and modulated bass sounds overlaid with rich layered soundscapes and percussive stab sounds. Neurofunk, as described by Musicmap creator Kwinten Crauwels, "sounds like the natural soundtrack of the brain: neurological chemicals flowing and rushing, creating both deeply obscure and delicate emotions."
Electronic dance music (EDM) is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.
"Charly" is the debut single released by the British electronic act the Prodigy, later included on their debut album, Experience (1992), although the version featured on the album is the significantly different "Trip into Drum & Bass" remix.
Mark Summers is the English CEO, sound engineer and music producer of Scorccio, a music production company founded in the UK in 1996. A London DJ since 1979, he is a guest lecturer and masterclass presenter on sample replay production, sound engineering, DJ culture, sampling and the music industry. His productions have been featured on hits for Nicki Minaj, Diplo, Sam Smith, the Prodigy, Pitbull, Fatboy Slim, David Penn, Jess Glynne, Disclosure, Steve Aoki, CamelPhat, Swedish House Mafia, the Shapeshifters and many other notable music artists. He is related to Herbie Flowers, one of the UK's best-known session bass players.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are old-fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
"A Trip to Trumpton" is a song by the English duo Urban Hype. It was released on 29 June 1992 as the lead single from their debut studio album, Conspiracy to Dance (1992). Songwriting credits were shared by Freddie Phillips, the composer of the original music for Trumpton. The track was engineered by the DJ Jack Smooth., who conceived the idea, co-wrote and produced it without proper credit. It featured samples from the 1960s children's television programme, Trumpton.
Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.
"Sesame's Treet" is a 1992 single by the English rave group Smart E's. It is a remix of "Can You Tell Me How to Get to Sesame Street?", with the song's title being a pun on "Sesame Street". The song reached No. 2 on the UK Singles Chart in July 1992 and peaked within the top 10 in Australia, Ireland, and New Zealand. In the United States, it reached No. 60 on the Billboard Hot 100.
Shaft was an English electronic music group, scoring a top 10 hit on the UK Singles Chart in December 1991 with "Roobarb & Custard". It featured recreated vocal samples from the vintage children's television cartoon Roobarb, as well as a variety of sound effects. The main contributors were the British record producers Mark Pritchard and Adrian Hughes.
Urban Hype were an English breakbeat hardcore duo. The duo was formed in 1988, consisting of Bob Dibden and Mark Lewis. They are best known for their toytown techno single, "A Trip to Trumpton", which peaked at No. 6 in the UK Singles Chart in July 1992. They had two other minor UK chart entries, and briefly saw their second album Conspiracy to Dance released in the United States through Radikal Records.
New beat is a Belgian electronic dance music genre that fuses elements of new wave, hi-NRG, EBM and hip hop. It flourished in Western Europe during the late-1980s.
Gabber is a style of electronic dance music and a subgenre of hardcore techno, as well as the surrounding subculture. The music is more commonly referred to as Hardcore, which is characterised by fast beats, distorted & heavier kickdrums, with darker themes and samples. This style was developed in Rotterdam and Amsterdam in the 1990s by producers like Marc Acardipane, Paul Elstak, DJ Rob, and The Prophet, forming record labels such as Rotterdam Records, Mokum Records, Pengo Records and Industrial Strength Records. The image of the "Gabber" was based upon a method actor who was active in Rotterdam at the time, going by the name of "Opa Bert". Opa Bert was famous locally in the early 90's for always wearing tracksuits in combination with having a completely bald head. These features became a visual mainstay in the scene.
References
- ↑ Cardew, Ben (11 September 2017). "'We were just clowning about': how cartoon rave changed pop". The Guardian . ISSN 0261-3077 . Retrieved 22 August 2020.
- 1 2 Colin Larkin, ed. (1998). The Virgin Encyclopedia of Dance Music (First ed.). Virgin Books. pp. 343/4. ISBN 0-7535-0252-6.
- ↑ "Toytown Techno". Oxford Reference . Retrieved 30 June 2016.