 | This article relies largely or entirely on a single source .(July 2012) |
| Tech trance | |
|---|---|
| Stylistic origins | |
| Cultural origins | Late 1990s, Europe |
| Typical instruments | Synthesizer, drum machine, sequencer, sampler |
| Derivative forms | |
Tech trance, is a subgenre within electronic music that draws upon the techno and trance genres as the name suggests.
Tech trance was pioneered by Oliver Lieb among others in the late 1990s. Other early examples of tech-trance producers are Humate, Chris Cowie and Marmion. Tech trance evolved in a new direction during the early 2000s, some DJs pioneering this in San Francisco were Keith Edwards, Skyscraper, Owen Vallis and DJ Amber. By 2006, the most widespread variant of trance was the still growing and evolving genre of tech trance, pioneered by the likes of producers such as Dave Schiemann, Simon Patterson, Bryan Kearney, Will Atkinson, Matt Bowdidge, John Askew, Ian Booth, Sam Jones, Will Rees, Indecent Noise, Marco V, Tempo Giusto and Mark Sherry. [1] [2]
Defining features of tech trance are complex, electronic rhythms, heavily quantised and usually driven by a loud kick drum, with filtered, dirty or slightly distorted hi-hat sounds and claps; harder synth sounds, usually with a large amount of resonance or delay; minimal pads, often with sidechaining to increase the volume of the beat. While earlier variants of trance often featured piano, strings or acoustic guitar, tech trance almost exclusively features synthesized sound, though electric guitar sounds occasionally feature. [1]
Trance is a genre of electronic dance music that emerged from the British new-age music scene and the early 1990s German techno and hardcore scenes.
Breakbeat is a broad type of electronic music that tends to utilize drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Psychedelic trance, psytrance or psy is a subgenre of trance music characterized by arrangements of rhythms and layered melodies created by high tempo riffs. It is comparable to the hardcore, underground style of trance music. The genre offers variety in terms of mood, tempo, and style. Some examples include full on, darkpsy, forest, minimal (Zenonesque), hitech psy, progressive, suomi, psy-chill, psycore, psybient, psybreaks, or "adapted" tracks from other music genres. Goa trance preceded psytrance; when digital media became more commonly used psytrance evolved. Goa continues to develop alongside the other genres.
Goa trance is an electronic dance music style that originated in the early 1990s in the Indian state of Goa. Goa trance often has drone-like basslines, similar to the techno minimalism of 21st century psychedelic trance (psytrance). Psychedelic trance developed from Goa trance.
Tech house is a subgenre of house music that combines stylistic features of techno with house. The term tech house developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house. The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK.
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Uplifting trance is a broad subgenre of trance music. The name, which emerged in the wake of progressive trance in 1996, is derived from the feeling which listeners claim to get. The genre, which originated in Germany, is massively popular in the trance scene, and is one of the dominant forms of dance music worldwide. Historically it is related to the emergence of psychedelic trance and the two styles influenced each other. Classical music strongly influenced the development of uplifting trance both in the 1990s and in the 2000s, with film music also considered influential.
Dance music is music composed specifically to facilitate or accompany dancing. It can be either a whole musical piece or part of a larger musical arrangement. In terms of performance, the major categories are live dance music and recorded dance music. While there exist attestations of the combination of dance and music in ancient times, the earliest Western dance music that we can still reproduce with a degree of certainty are old fashioned dances. In the Baroque period, the major dance styles were noble court dances. In the classical music era, the minuet was frequently used as a third movement, although in this context it would not accompany any dancing. The waltz also arose later in the classical era. Both remained part of the romantic music period, which also saw the rise of various other nationalistic dance forms like the barcarolle, mazurka, ecossaise, ballade and polonaise.
Electro house is a genre of electronic dance music characterized by heavy bass and a tempo around 130 beats per minute. The term has been used to describe the music of many DJ Mag Top 100 DJs, including Benny Benassi, Daft Punk, Skrillex, and Steve Aoki.
Tempo Giusto is a Finnish trance music DJ, producer and composer currently residing in Turku, Finland. He is one of the leading names of Tech Trance and debuted in 2008 with the single "Agent Orange". Since then he has released music with many known electronic dance music labels such as Black Hole Recordings, Armada Music, Ultra Records and Spinnin Records. He also owns the Finland-based Echelon Records with his older brother Ima'gin. Their collaboration on "Gemini" resulted in #1 trance release on Beatport in June 2012. In 2019 Tempo Giusto's collaborative track "Mr. Navigator" with Armin van Buuren resulted in a #1 charting trance single on Beatport. In total Tempo Giusto holds 12 Beatport Top10 trance singles. In 2019 Tempo Giusto was nominated 'Electronic Music Artist' of the year at the Emma-gaala.
Tropical house, also known as trop house, is a subgenre of house music, and a derivation of tropical music, with elements of dancehall and Balearic house. Artists of the genre are often featured at various summer festivals such as Tomorrowland. The genre was popularized by artists including Thomas Jack, Kygo, Matoma, Lost Frequencies, Seeb and Gryffin.
Big room house or simply big room is a subgenre of electro house that gained popularity in the early 2010s after artists like KSHMR, Dimitri Vegas & Like Mike, Hardwell, Nicky Romero, Blasterjaxx, Martin Garrix and R3HAB began infusing it into their musical style.