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Shaft was an English electronic music group, scoring a top 10 hit on the UK Singles Chart in December 1991 with "Roobarb & Custard". [1] It featured recreated vocal samples from the vintage children's television cartoon Roobarb , as well as a variety of sound effects. The main contributors were the British record producers Mark Pritchard and Adrian Hughes. [1]
Although the single reached the top 10 in 1991, it climbed to its highest position of No. 7 in January 1992. The follow-up track was "Monkey", which peaked at No. 61 in July 1992. [1]
The use of samples from children's television programmes was not unique to this hit within the genre, with Mark Summers having sampled The Magic Roundabout in his early 1991 hit "Summers Magic". However, Shaft was the first dance act to reach the top 10 with a track using this type of formula. Other groups who went on later in 1992 to repeat this success were Urban Hype, who reached No. 7 with "A Trip to Trumpton", and Smart E's, who achieved a No. 2 hit with "Sesame's Treet". The string of similarly created records were dubbed toytown techno.
Marta Marrero, better known by her stage name Martika, is an American pop singer and actress. She released two internationally successful albums in the late 1980s and early 1990s, which sold over four million copies worldwide. Her biggest hit was "Toy Soldiers", which peaked at #1 for two weeks on the American chart in mid-1989. She is also known for her role as Gloria on Kids Incorporated.
The Turtles are an American rock band formed in Los Angeles, California in 1965, best known for the 1967 hit song "Happy Together". They charted several other top 40 hits, including "It Ain't Me Babe" (1965), "You Baby" (1966), "She'd Rather Be With Me" (1967), "Elenore" (1968) and "You Showed Me" (1969).
Shaft may refer to:
Roobarb is a British animated children's television series, created by Grange Calveley and originally shown on BBC1 just before the evening news. Each cartoon, written by Calveley and directed by Bob Godfrey, was about five minutes long. Thirty episodes were made, and the show was first shown on 21 October 1974. The theme is that of the friendly rivalry between Roobarb, a green dog with an overactive imagination, and Custard, the mischievous laconic pink cat from next door.
"Mah Nà Mah Nà" is a popular song by Italian composer Piero Umiliani. It originally appeared in the Italian film Sweden: Heaven and Hell. It was a minor radio hit in the United States and in Britain, but became better known internationally for its use by The Muppets and on The Benny Hill Show.
The Shamen were a Scottish psychedelic band, formed in 1985 in Aberdeen, who became a chart-topping British electronic dance music act by the early 1990s. The founding members were Colin Angus, Derek McKenzie and Keith McKenzie. Peter Stephenson joined shortly after to take over on keyboards from Angus. Several other people were later in the band. Angus then teamed up with Will Sinnott, and together they found credibility as pioneers of rock/dance crossover. When rapper Mr. C joined, the band moved on to international commercial success with "Ebeneezer Goode" and their 1992 Boss Drum album.
Five Star are a British pop group, formed in 1983 and comprising siblings Stedman, Lorraine, Denise, Doris and Delroy Pearson. Between 1985 and 1988, Five Star had four top 20 albums and 15 top 40 singles in the UK, including the top 10 hits "System Addict" (1986), "Can't Wait Another Minute" (1986), "Find the Time" (1986), "Rain or Shine" (1986), "Stay Out of My Life" (1987) and "The Slightest Touch" (1987). They won the 1987 Brit Award for Best British Group.
This is a summary of 1992 in music in the United Kingdom, including the official charts from that year.
The UK Singles Chart is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling singles in the United Kingdom, based upon physical sales, paid-for downloads and streaming. The Official Chart, broadcast on BBC Radio 1 and MTV, is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio track not longer than 15 minutes with a minimum sale price of 40 pence. The rules have changed many times as technology has developed, the most notable being the inclusion of digital downloads in 2005 and streaming in July 2014.
Mark Summers is the English CEO, sound engineer and music producer of Scorccio, a music production company founded in the UK in 1996. A London DJ since 1979, he is a guest lecturer and masterclass presenter on sample replay production, sound engineering, DJ culture, sampling and the music industry. His productions have been featured on hits for Nicki Minaj, Diplo, Sam Smith, the Prodigy, Pitbull, Fatboy Slim, David Penn, Jess Glynne, Disclosure, Steve Aoki, CamelPhat, Swedish House Mafia, the Shapeshifters and many other notable music artists. He is related to Herbie Flowers, one of the UK's best-known session bass players.
"Could It Be Magic" is a song written by Adrienne Anderson and composed by Barry Manilow, inspired by Frédéric Chopin's Prelude in C minor, Opus 28, Number 20.
Krush were a UK dance music group, who had a crossover hit single with "House Arrest" in 1987.
"Theme from Shaft", written and recorded by Isaac Hayes in 1971, is the soul and funk-styled theme song to the Metro-Goldwyn-Mayer film Shaft. The theme was released as a single two months after the movie's soundtrack by Stax Records' Enterprise label. "Theme from Shaft" went to number two on the Billboard Soul Singles chart and to number one on the Billboard Hot 100 in the United States in November 1971. The song was also well received by adult audiences, reaching number six on Billboard's Easy Listening chart. The song is considered by some to be one of the first disco songs.
"A Trip to Trumpton" is a song by the English duo Urban Hype. It was released on 29 June 1992 as the lead single from their debut studio album, Conspiracy to Dance (1992). Songwriting credits were shared by Freddie Phillips, the composer of the original music for Trumpton. The track was engineered by the DJ Jack Smooth. It featured samples from the 1960s children's television programme, Trumpton.
"Sesame's Treet" is a 1992 single by the English rave group Smart E's. It is a remix of "Can You Tell Me How to Get to Sesame Street?", with the song's title being a pun on "Sesame Street". The song reached No. 2 on the UK Singles Chart in July 1992 and peaked within the top 10 in Australia, Ireland, and New Zealand. In the United States, it reached No. 60 on the Billboard Hot 100.
Toytown techno is an underground subgenre of techno that emerged in the early 1990s, characterized by merging techno, jungle, or breakbeat hardcore with samples from children's programs or public information films.
Mark Pritchard is an English electronic musician, currently signed to Warp. He has produced a large discography with a constant change of styles and genres, in both solo work under various aliases, and collaborations.
"Everybody's Free (To Feel Good)" is a song by Zambian-born Zimbabwean singer Rozalla, released in August 1991 as the second single from her second album, Everybody's Free (1992). It had been a staple in the clubs in Ibiza and Mallorca in the summer of 1991, and hordes of recovering ravers were delighted to find "that tune about being free to feel good and stuff" was available to buy back home. Upon its release, the song reached number two in Belgium, the Netherlands and Spain, while entering the top 10 in Denmark, France, Germany, Ireland, Sweden, Switzerland and the United Kingdom. On the Eurochart Hot 100, the single reached number six, and in Zimbabwe, it peaked at number four. It also topped the US Billboard Hot Dance Club Play chart. The song is widely regarded as one of the biggest dance anthems of the 1990s and it has been remixed and re-released several times.