Seapunk | |
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Stylistic origins | |
Cultural origins | 2011 Tumblr cyberculture |
Subgenres | |
Local scenes | |
Chicago, Illinois | |
Other topics | |
Seapunk is a subculture that originated on Tumblr in 2011. It is associated with an aquatic-themed style of fashion, 3D net art, iconography, and allusions to popular culture of the 1990s. The advent of seapunk also spawned its own electronic music microgenre, featuring elements of Southern hip hop and pop music and R&B music of the 1990s. Seapunk gained limited popularity as it spread through the Internet, although it was said to have developed a Chicago club scene. [1]
Originally, seapunk started as a trend and an Internet meme on Tumblr in 2011.[ citation needed ] The term "seapunk" was coined by DJ Lil Internet in 2011, when he humorously wrote in a tweet on Twitter saying, "Seapunk leather jacket with barnacles where the studs used to be." [2] In December 2011, Cluster Mag reported on the emergence of seapunk in electronic media and quoted Pictureplane, who described seapunk as "a mostly Internet-based phenomenon birthed out of the Tumblr and Twitter universes as a means to describe a lifestyle aesthetic that is all things oceanic and of the sea." [3] Musician Ultrademon is also credited with originating the short-lived movement. She released an album titled Seapunk in 2012. [4]
Miles Raymer of the Chicago Reader described seapunk music as "a style of music that incorporates bits of ‘90s house, the past 15 years or so of pop and R&B and the latest in southern trap rap—all overlaid with a twinkly, narcotic energy that recalls new-age music and chopped and screwed hip hop mix tapes in roughly equal measure." [1] According to The New York Times , seapunk music "constitutes a tiny music subgenre" that contains elements of witch house, chiptune, drum and bass, and Southern rap. The New York Times also noted that some seapunk tracks remix songs from R&B acts such as Beyoncé and Aaliyah. [2] In January 2012, an article about seapunk music was featured in the Dazed & Confused magazine. Katia Ganfield interviewed Lilium Kobayashi (a.k.a. Ultrademon) in the article, titled "Seapunk: A new club scene intent on riding sub-bass sound waves into the future". [5]
Seapunk was said to have developed a Chicago club scene. [1]
Notable seapunk artists include Azealia Banks, Grimes, Isaiah Toothtaker, Slava, Unicorn Kid. [6] [7]
Seapunks often wear bright green, blue, turquoise, cyan, or aquamarine clothing; [8] featuring nautical themes such as mermaids or dolphins, plastic Ray Ban wayfarers, shell jewelry, feathers, tartan overshirts associated with the surfer subculture, baseball caps, tie dye, transparent-plastic jackets, and skipper caps. Symbols such as yin-yangs, smiley faces, and references to the 1990s are also part of the style. [9]
Seapunks often dye their hair, and sometimes facial hair, with varying shades of turquoise, lilac, and sea blue. [10] The seapunk styling was appropriated by several mainstream popular music and hip hop artists during the 2010s, most notably Kreayshawn, Nicki Minaj, Soulja Boy, Taylor Swift, Katy Perry, Lady Gaga, Azealia Banks, Rihanna, and Frank Ocean. [11]
Images featuring neon flashing colors and rotating geometric shapes floating above oceans of brilliant blue or green water are found on the pages tagged with a #Seapunk hashtag on Tumblr. Seapunk digital imagery draws largely from 1990s 3D net art. The aforementioned imagery has given rise to other internet-based subgenres consisting of similar themes, such as slimepunk and icepunk. [2]
Rapper Azealia Banks used seapunk imagery in her "Atlantis" music video in 2012. [9] Singer Rihanna was influenced by seapunk in her "Diamonds" performance on Saturday Night Live in 2012. [9] [12]
Elements of seapunk imagery were claimed to have influenced designers such as Versace and Cartiergod's "Ocean Gang". [13]
The punk subculture includes a diverse and widely known array of music, ideologies, fashion, and other forms of expression, visual art, dance, literature, and film. Largely characterised by anti-establishment views, the promotion of individual freedom, and the DIY ethics, the culture originated from punk rock.
Hip house, also known as rap house or house rap, is a musical genre that mixes elements of house music and hip hop music, that originated in both London, United Kingdom and Chicago, United States in the mid-to-late 1980s.
Japanese cyberpunk refers to cyberpunk fiction produced in Japan. There are two distinct subgenres of Japanese cyberpunk: live-action Japanese cyberpunk films, and cyberpunk manga and anime works.
Hipster hop is a term that was used by music bloggers and critics in the 2000s and early 2010s to describe hip hop music that was perceived to be influenced by the hipster subculture. The term has been applied to artists such as The Cool Kids and Kid Cudi, though it has not been embraced by such artists.
Witch house is a microgenre of electronic music that is musically characterized by high-pitched keyboard effects, heavily layered basslines and trap-style drum loops, while it aesthetically employs occult and gothic-inspired themes.
The 2010s were defined by hipster fashion, athleisure, a revival of austerity-era period pieces and alternative fashions, swag-inspired outfits, 1980s-style neon streetwear, and unisex 1990s-style elements influenced by grunge and skater fashions. The later years of the decade witnessed the growing importance in the western world of social media influencers paid to promote fast fashion brands on Pinterest and Instagram.
Mako: Island of Secrets is an Australian television programme for children and teenagers created by Jonathan M. Shiff. Internationally released as Mako Mermaids, the show is a spin-off of H2O: Just Add Water and is produced by Jonathan M. Shiff Productions in association with Network Ten, ZDF and Netflix, with assistance from Screen Australia and Screen Queensland.
Azealia Amanda Banks is an American rapper, singer and songwriter. Raised in the Harlem neighborhood of New York City, she began releasing music through Myspace in 2008 before being signed to XL Recordings at age 18. She subsequently signed with Interscope and Polydor Records before separating in 2013. Banks became an independent artist and started her own independent record label, Chaos & Glory Recordings. She later signed to Parlophone and Warner Records before quitting her label in 2023.
1991 is the debut EP by American rapper Azealia Banks. It was first released on May 28, 2012, in the United Kingdom through Polydor Records and a day later in the United States by Interscope Records. Its lead single, "212", preceded its release on December 6, 2011. Its second single, "Liquorice", was released on December 4, 2012. Banks also released music videos for every song, including the non-singles "1991" and "Van Vogue".
"Liquorice" is a song by American rapper Azealia Banks, taken from her debut extended play (EP) titled 1991 (2012). The song was released onto Banks' Tumblr account on December 18, 2011, and was later released for digital download on December 4, 2012. Built around Lone's song "Pineapple Crush", "Liquorice" is an acid house track that incorporates synthesizers in its composition. Lyrically, the song contains wordplay from Harlem, Banks' origin, and is inspired by interracial dating. A music video for the single was directed by Rankin and was released in June 2012.
Fantasea is the debut mixtape by American rapper Azealia Banks, released as a free download on July 11, 2012.
"Diamonds" is a song recorded by Barbadian singer Rihanna for her seventh studio album, Unapologetic (2012). It was written by Sia together with its producers, Benny Blanco and Stargate. The song premiered on September 26, 2012, during the Elvis Duran and the Morning Show and was digitally released the following day as the lead single from Unapologetic. "Diamonds" is a mid-tempo pop, electronic and R&B ballad that features heavy synthesizers, orchestral sounds and electronic rhythms. The song's lyrics serve as a departure from the themes of unhealthy relationships that were on Rihanna's previous singles contrasted to the song's portrayal of lovers as "diamonds in the sky".
American rapper Azealia Banks has released one studio album, two extended plays (EPs), three mixtapes, twenty-six singles and twelve promotional singles. At the age of seventeen in November 2008, Banks adopted the stage name Miss Bank$ and signed to XL Recordings. However, she ended the contract with the label quickly afterwards due to conflicting ideas. In 2009, Banks released several songs onto the internet for free download, including "Gimme a Chance" and "Seventeen". Following her departure from XL Recordings, Banks dropped her stage name, opting to use her legal name, Azealia Banks.
Vaporwave is a microgenre of electronic music and a subgenre of hauntology, a visual art style, and an Internet meme that emerged in the early 2010s, and became well-known in 2015. It is defined partly by its slowed-down, chopped and screwed samples of smooth jazz, 1970s elevator music, R&B, and lounge music from the 1980s and 1990s. The surrounding subculture is sometimes associated with an ambiguous or satirical take on consumer capitalism and pop culture, and tends to be characterized by a nostalgic or surrealist engagement with the popular entertainment, technology and advertising of previous decades. Visually, it incorporates early Internet imagery, late 1990s web design, glitch art, anime, stylized Ancient Greek or Roman sculptures, 3D-rendered objects, and cyberpunk tropes in its cover artwork and music videos.
Post-Internet is a 21st-century art movement involving works that are derived from the Internet or its effects on aesthetics, culture and society.
Amalia Soto, known as Molly Soda, is a Brooklyn-based internet performance artist. Soda works across a variety of digital platforms, producing selfies videos, GIFs, zines, and web-based performance art, which are presented both online and in gallery installations in a variety of forms. Molly Soda's work explores the technological mediation of self-concept, contemporary feminism, cyberfeminism, mass media and popular social media culture. Molly Soda is the co-editor with Arvida Byström of the 2017 book Pics or It Didn't Happen: Images Banned from Instagram.
American rapper Azealia Banks has appeared in twenty-three music videos, two films, one television program and two commercials. As a teenager, Banks studied at the LaGuardia High School of Performing Arts in Manhattan. A film opportunity arose through the school, and at the age of fourteen, Banks featured in the film The American Ruling Class, portraying a singer and a dancer in a cameo role. In 2010, Banks' first music video was released for a demo track titled "L8R", which would go on to be included on her debut mixtape Fantasea two years later. The following year, Banks' second music video was released for her breakout single "212", and has since amassed over two-hundred million views on Banks' official YouTube channel. During the promotional campaign of Banks' debut EP 1991, all songs on the project received a video treatment, including her sophomore single "Liquorice", shot by acclaimed director Rankin. Months after the video for "Liquorice" was released, an alternate version was leaked. In July 2012, Banks released her debut mixtape Fantasea. To promote the mixtape, Banks released three music videos for tracks on the project, "Luxury", "Atlantis", and "Fierce", the latter being shot with clothing company ASOS.
Slay-Z is the second mixtape by American rapper Azealia Banks. It was independently released as a free download on March 24, 2016. The eight-song project features collaborations with Rick Ross and Nina Sky; its production was handled by various musicians, including Benga, Coki, An Expresso, and Kaytranada. On July 12, 2017, it was re-released under Banks' record label, Chaos & Glory Recordings, to the iTunes Store and other online music stores.
"Jumanji" is a song recorded by American hip hop artist Azealia Banks for her debut mixtape, Fantasea (2012). The song was released as a free promotional single, available for digital download and streaming via Banks's SoundCloud, on May 11, 2012. "Jumanji" is composed as a tropical track with musical influences including kuduro, dancehall, and calypso music. Instrumentally, the song features a trumpet, a timpani, a harp, and calypso steel drums. The song also features Banks rapping over a beat that was compared by music critics to the work of English musician and producer, M.I.A. Lyrically, the song describes Banks' involvement in media scandals and, as she described, "keeping true to herself". "Jumanji" received acclaim from music critics, who complimented the overall production and Banks's rapping flow. Banks has performed the song live several times, as part of the Mermaid Ball, as well as at the Glastonbury Festival 2013, and Club Nokia in 2015.