Drum and bass is a genre of electronic dance music characterised by fast breakbeats with heavy bass and sub-bass lines, samples, and synthesizers. The genre grew out of the UK's jungle scene in the 1990s.
Breakbeat hardcore is a music genre that spawned from the UK rave scene during the early 1990s. It combines four-on-the-floor rhythms with breakbeats usually sampled from hip hop. In addition to the inclusion of breakbeats, the genre also features shuffled drum machine patterns, hoover, and other noises originating from new beat and Belgian techno, sounds from acid house and bleep techno, and often upbeat house piano riffs and vocals.
A rave is a dance party at a warehouse, club, or other public or private venue, typically featuring performances by DJs playing electronic dance music. The style is most associated with the early 1990s dance music scene when DJs played at illegal events in musical styles dominated by electronic dance music from a wide range of sub-genres, including drum and bass, dubstep, trap, break, happy hardcore, trance, techno, hardcore, house, and alternative dance. Occasionally live musicians have been known to perform at raves, in addition to other types of performance artists such as go-go dancers and fire dancers. The music is amplified with a large, powerful sound reinforcement system, typically with large subwoofers to produce a deep bass sound. The music is often accompanied by laser light shows, projected coloured images, visual effects and fog machines.
Jungle is a genre of dance music that developed out of the UK rave scene and sound system culture in the 1990s. Emerging from breakbeat hardcore, the style is characterised by rapid breakbeats, heavily syncopated percussive loops, samples, and synthesised effects, combined with the deep basslines, melodies, and vocal samples found in dub, reggae and dancehall, as well as hip hop and funk. Many producers frequently sampled the "Amen break" or other breakbeats from funk and jazz recordings.Jungle was a direct precursor to the drum and bass genre which emerged in the mid-1990s.
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s.
Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos.
Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.
Speedcore is a form of electronic music that is characterized by a high tempo and aggressive themes. It was created in the early to mid-1990s and the name originates from the hardcore genre as well as the high tempo used. Speedcore beats per minute (BPM) is classified when a song is 300+ BPM.
Bouncy techno is a hardcore dance music rave style that developed in the early 1990s from Scotland and North England. Described as an accessible gabber-like form, it was popularised by Scottish DJ and music producer Scott Brown under numerous aliases.
The following is a glossary of terms that are specific to anime and manga. Anime includes animated series, films and videos, while manga includes graphic novels, drawings and related artwork.
Drum and bass is an electronic music genre that originated in the UK rave scene having developed from breakbeat hardcore. The genre would go on to become one of the most popular genres of electronic dance music, becoming international and spawning multiple different derivatives and subgenres.
Japanese popular culture includes Japanese cinema, cuisine, television programs, anime, manga, video games, music, and doujinshi, all of which retain older artistic and literary traditions; many of their themes and styles of presentation can be traced to traditional art forms. Contemporary forms of popular culture, much like the traditional forms, are not only forms of entertainment but also factors that distinguish contemporary Japan from the rest of the modern world. There is a large industry of music, films, and the products of a huge comic book industry, among other forms of entertainment. Game centers, bowling alleys, and karaoke parlors are well-known hangout places for teens while older people may play shogi or go in specialized parlors. Since the end of the US occupation of Japan in 1952, Japanese popular culture has been influenced by American media. However, rather than being dominated by American products, Japan localised these influences by appropriating and absorbing foreign influences into local media industries. Today, Japanese popular culture stands as one of the most prominent and influential popular cultures around the world.
DJ Sharpnel is a Japanese music duo composed of Jea and Lemmy, who are signed under their independent record label Sharpnelsound. They are credited for pioneering the J-core genre, recognized for their speedcore, gabber, happy hardcore and trance productions.
Saori@destiny is a Japanese singer-lyricist. She made her independent debut on December 5, 2007, with the single "My Boy", followed by her major-label debut single "Sakura" on March 26, 2008 under D-topia Entertainment. During her time as a major-label artist, Saori was produced by former artist Terukado Ōnishi, and she released two studio albums and two EPs that time: Japanese Chaos (2008), Wow War Techno (2009), World Wild 2010 (2010) and Domestic Domain (2011). After leaving D-topia in April 2012, Saori went on a two-year hiatus and returned in 2014 as Saoriiiii. On January 1, 2023, Saori announced that she has changed her stage name again to Saori Rinne.
Footwork, also called juke, footwork/juke or Chicago juke, is a genre of electronic dance music derived from ghetto house with elements of hip hop, first appearing in Chicago in the late 1990s. The music style evolved from the earlier, rapid rhythms of ghetto house, a change pioneered by RP Boo. It may draw from the rapid rhythms and sub-bass frequencies of drum & bass. Tracks also frequently feature heavily syncopated samples from rap, pop and other sources, and are often around 160 bpm.
Denpa (電波), also denpa-kei (電波系) or denpa-san (電波さん), is a Japanese term for people who may feel disconnected from reality or dissociated from the people around them. Individuals with schizophrenia may experience vivid fantasies, persecutory delusions, or other intense beliefs. Their speech and actions may appear odd or confusing to those around them. This societal perspective is similar to the way Japanese culture views otaku who suffer from maladaptive daydreaming disorder, paranoia, or schizophrenia.
Gabber is a style of electronic dance music and a subgenre of hardcore techno, as well as the surrounding subculture. The music is more commonly referred to as Hardcore, which is characterised by fast beats, distorted & heavier kickdrums, with darker themes and samples. This style was developed in Rotterdam and Amsterdam in the 1990s by producers like Marc Acardipane, Paul Elstak, DJ Rob, and The Prophet, forming record labels such as Rotterdam Records, Mokum Records, Pengo Records and Industrial Strength Records.
A denpa song (電波ソング) is a type of Japanese music that is intentionally strange and catchy. Common features of denpa songs include intentionally off-key vocals, nonsensical lyrics and an over-the-top tune. Denpa music has grown into a subculture within Japan, forming a significant aspect of otaku culture and has large numbers of dōjin circles and music artists dedicated to denpa music. Denpa is not a specific genre in itself, but rather an umbrella term for various kinds of music.
A nightcore (also known as sped-up song, sped-up version, sped-up remix, or, simply, sped-up) edit is a version of a music track that increases the pitch and speeds up its source material by approximately 35%. This gives an effect almost identical to playing a 33⅓-RPM vinyl record at 45 RPM. This 35% increase in RPM causes the note C4 to become slightly lower in pitch than the note F#4 (261.63 Hz becomes 353.19 Hz) which is an increase of approximately 5 and a half semitones.
