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The year 2018 in Japanese music .
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
1 | Best Generation [1] | Generations from Exile Tribe | J-pop | Rhythm Zone |
2 | Westival [2] | Johnny's West | J-pop | Johnny's Entertainment |
3 | Jack in the Box [3] | Shuta Sueyoshi | Rap | Avex Trax |
10 | The Museum III [4] | Nana Mizuki | J-pop / Anison | King Records |
Boku Dake no Kimi (Under Super Best) [5] | Nogizaka46 | J-pop | Sony Music Japan | |
17 | Everybody!! [6] | WANIMA | Punk rock / Pop punk | Unborde |
Violet [7] | Pentagon | J-pop | Cube Entertainment Japan | |
24 | Bokutachi wa, Ano Hi no Yoake wo Shitteiru [8] | AKB48 | J-pop | King Records |
31 | Countdown [9] | Exo | J-pop | Avex Trax |
Killer Tune Shikane yo [10] | Golden Bomber | Rock / Pop punk / EDM | Zany Zap | |
Shiori Goto: Best [11] | Shiori Niiyama | J-pop / Pop rock | Being |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
7 | Hatachi no Morning Musume [12] | Morning Musume | J-pop | Zetima |
Digital Native [13] | Yasutaka Nakata | Future bass / EDM | Unborde | |
Aio Piano [14] | Ai Otsuka | J-pop | Avex Trax | |
14 | World Domination [15] | Band-Maid | Hard rock | Crown Stones |
Watashi Kono Mama de Ii no kana [16] | BoA | J-pop | Avex Trax | |
#5 [17] | Ling Tosite Sigure | Post-hardcore / Indie rock | Sony Music Japan | |
Honey [18] | Scandal | Pop rock / Alternative rock | Epic Records Japan | |
XYZ=repainting [19] | Sexy Zone | J-pop | Pony Canyon | |
Riri | Riri | R&B / EDM | Sony Music Associated Records | |
21 | Time [20] | Leo Ieiri | J-pop / Pop rock | Colourful Records |
I [21] | Juju | J-pop / New wave / Jazz | Sony Music Japan | |
Evolve to Love [22] | Kokia | J-pop / Folk | Victor Entertainment | |
28 | Deen The Best Forever Complete Singles+ [23] | Deen | J-pop / Pop rock | Epic Records Japan |
And [24] | Koda Kumi | J-pop / Urban / R&B | Rhythm Zone | |
BTOB Japan Best Album 2014-2017 ~1096 Days~ [25] | BtoB | J-pop | Cube Entertainment Japan | |
Yoru, Carmen no Shishuu [26] | Kiyoharu | Rock | Triad |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
4 | Big Yell [47] | Yuzu | J-pop | Senha & Co. |
No Time | Jun. K | J-pop | Epic Records Japan | |
11 | UreD [48] | Greeeen | Pop rock | Zen Music |
Haru to Shura | Haru Nemuri | |||
Yuming kara no, Koi no Uta. [49] | Yumi Matsutoya | J-pop | EMI Records | |
The Empire Strikes Start!! [50] | Empire | J-pop | Avex Trax | |
18 | Revenant [51] | Mary's Blood | Heavy metal | Tokuma Japan Communications |
Shinee The Best From Now On [52] | Shinee | J-pop | EMI Records | |
25 | Bunriha no Natsu [53] | Nariaki Obukuro | R&B / J-pop / PBR&B | Epic Records Japan |
Piece [54] | Monsta X | J-pop | Universal Music Japan | |
Otonoe [55] | Wagakki Band | J-pop / Folk / Heavy metal | Avex Trax | |
Magic Hour [56] | Maaya Uchida | J-pop | Pony Canyon |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
2 | Hybrid Funk [57] | Tsuyoshi Domoto | Neo-soul | Johnny's Entertainment |
9 | Magic [58] | Exo-CBX | J-pop | Avex Trax |
23 | Chain [59] | NCT 127 | J-pop | Avex Trax |
Kyō Kara Watashitachi wa: GFriend 1st Best [60] | Gfriend | J-pop | King Records |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
6 | Ni no Kuni II: Revenant Kingdom Original Soundtrack [61] | Joe Hisaishi | Soundtrack | Avex Entertainment |
Battle Against Damnation [62] | Lovebites | Power metal / Thrash metal | Victor Entertainment | |
Chasing the Horizon [63] | Man with a Mission | Rap rock / Electro-rock | Sony Music Records | |
13 | Ninth [64] | The Gazette | Gothic metal / Metalcore / Alternative metal | Sony Music Records |
Kisses and Kills [65] | The Oral Cigarettes | Alternative rock / Indie rock | A-Sketch | |
17 | Galapagos [66] | Wednesday Campanella | Art pop / Hip house / Tropical house | Warner Music Japan |
19 | Tomorrow [67] | TVXQ | J-pop / Dance-pop | Avex Trax |
20 | Hashiridasu Shunkan [68] | Hiragana Keyakizaka46 | J-pop / Dance-pop | Sony Music Records |
27 | Tetsuya Komuro Archives "T" [69] | Various Artists | J-pop | Avex Trax |
Tetsuya Komuro Archives "K" [70] | J-pop | Avex Trax | ||
Hatsukoi [71] | Hikaru Utada | J-pop / Soul / R&B | Epic Records Japan |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
4 | #Cookie Jar [72] | Red Velvet | J-pop | Avex Trax |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
1 | Legend S: Baptism XX [73] | Babymetal | Kawaii metal / J-pop / Heavy metal | Toy's Factory |
Gracia [74] | Mari Hamada | J-pop / Heavy metal | Victor Entertainment | |
15 | Future Pop [75] | Perfume | J-pop / Electropop / EDM / Future bass | Universal J |
22 | Sense or Love [76] | Hey! Say! JUMP | J-pop | J Storm |
DNA [77] | Koda Kumi | J-pop / Urban / R&B / Electropop | Rhythm Zone | |
29 | Shine [78] | Pentagon | J-pop | Cube Entertainment Japan |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
5 | Empire Originals [79] | Empire | J-pop | Avex Trax |
12 | BDZ [80] | Twice | J-pop / Electropop | Warner Music Japan |
22 | Last Waltz in Tokyo [81] | World's End Girlfriend | Contemporary classical / Post-rock | Virgin Babylon Records |
26 | The Insulated World [82] | Dir En Grey | Avant-garde metal / Progressive metal | Fire Wall Div. / SMEJ |
Japamyu [83] | Kyary Pamyu Pamyu | J-pop / Electropop / EDM / Eurodance / Bubblegum | Unborde |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
3 | RUN [84] | Tofubeats | J-pop | Unborde |
10 | qp [85] | Ichiko Aoba | Contemporary folk | Victor Entertainment |
Kimi Omou: Shunkashūtō [86] | Mai Kuraki | J-pop / R&B / Dance-pop | Northern Music | |
17 | Jijitsujo [87] | Reol | Electropop / Hip-Hop | Victor Entertainment |
Unlock [88] | Day6 | Pop rock / Ballad | Warner Music Japan |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
14 | Tadashii Itsuwari Kara no Kishō [89] | Zutomayo | J-pop | EMI Records |
16 | Heir to Despair [90] | Sigh | Avant-garde metal / Progressive metal | Candlelight Records |
28 | Taemin [91] | Taemin | J-pop | EMI Records / Universal Music |
Date | Album | Artist | Genre | Labels |
---|---|---|---|---|
5 | Hometown [92] | Asian Kung-Fu Generation | Indie rock / Alternative rock | Ki/oon Records |
Clockwork Immortality [93] | Lovebites | Power metal / Thrash metal | Victor Entertainment | |
Cheers [94] | Lee Hong-gi | J-pop | Warner Music Japan | |
Music Muscle [95] | Maki Ohguro | J-pop | Being Inc. | |
21 | Hologram [96] | Key | J-pop | EMI Records |
26 | BDZ - Repackage | Twice | J-pop / Electropop | Warner Music Japan |
doa (バンド) is a Japanese rock band. The band is named after a single letter of each of the members' names: Daiki Yoshimoto, Shinichiro Ohta, and Akihito Tokunaga. They debuted in 2004 under recording company and label Giza Studio. In 2023, they left the company and became independent. In August 2024, they announced their intent to disband at the end of the year.
This is the discography of J-pop singer Aco.
Ayami Mutō is a Japanese idol, singer, and model. She was represented by Amuse, Inc. from 2004 to 2015, and has been a member of three musical groups formed by the company: Karen Girl's, Sakura Gakuin, and its first sub-unit Twinklestars.
The year 2016 in Japanese music.
Renka (蓮花) is a Japanese pop singer and songwriter under the Being label.
The year 2017 in Japanese music.
Shokichi Yagi, better known by his stage name SHOKICHI, is a Japanese singer, dancer, songwriter, composer and actor. He is a vocalist and performer of Exile and Exile The Second. He was also a member of J Soul Brothers' second generation Nidaime J Soul Brothers until their migration to Exile in 2009.
Taemin is the self-titled third studio album and debut Japanese studio album by South Korean singer Taemin. The album contains twelve tracks and includes Japanese versions of previously released songs by Taemin. The album was released digitally on November 5, 2018, through EMI Records and Universal Music Japan. The album's physical release occurred on November 28, 2018.
The year 2019 in Japanese music.
WACK is a Japanese music production company specialising in alternative idols. The company was founded by Junnosuke Watanabe in 2014, following the first disbandment of Bis and the formation of Pla2me.
5x20 All the Best!! 1999–2019 is the fifth greatest hits album by Japanese boy band Arashi. It was released through J Storm on June 26, 2019. The album debuted at the top spot of the Oricon Weekly Albums chart, selling 1,304,251 copies in its first week of release in Japan. It spent the most weeks at number one of any album on the Oricon Albums Chart in 2019, with four, and was both the best-selling album of 2019 in Japan, as well as worldwide, with 3.3 million copies sold, eventually becoming the world's best-selling album of the year for 2019.
The year 2020 in Japanese music.
B.O.L.T is a Japanese girl idol group managed by Stardust Promotion. It was formed in 2019 with five members, 3 of them were former members of Rock A Japonica:Luna Naitō, Chiho Takai, and Misato Hirase.
Belie is a covers album by Japanese singer Akina Nakamori. It was released on 30 November 2016 under Universal Music Japan.
The year 2021 in Japanese music.
Unconditional Love is the thirteenth studio album by Japanese singer and songwriter Mai Kuraki. The album was released on October 27, 2021, by Northern Music. It is the follow-up to her 2018 album Let's Goal!: Barairo no Jinsei. The album was released in four versions: standard edition, fan club edition, and two limited editions.
The year 2022 in Japanese music.
The year 2023 in Japanese music.
Meme Tokyo (ミームトーキョー) is a Japanese girl group formed by Dear Stage in 2019. They debuted with the single, "Melancholic Circus", on December 25, 2019.