Future bass | |
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Stylistic origins |
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Cultural origins | Early 2010s, Australia, United Kingdom, United States |
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Future bass is a style of electronic dance music which developed in the 2010s that mixes elements of dubstep and trap with warmer, less abrasive rhythms. [1] The genre was pioneered by producers such as Rustie, Hudson Mohawke, Lido, San Holo and Cashmere Cat, [2] [3] and it was popularised in the mid to late-2010s by artists such as Flume, Martin Garrix, Illenium, Louis the Child and Mura Masa. [4] 2016 was seen as the breakout year for the genre. [5] [6] [7]
The genre was pioneered by Scottish producers Rustie and Hudson Mohawke and American producer RL Grime, who began producing future bass tracks in 2010. [8] One of the first popularity-fueling releases in the genre was Rustie's album Glass Swords , released in 2011. [9] Later, in 2013, the Flume remix of Disclosure's song "You & Me" brought the genre into the mainstream, [10] and through the mid-2010s future bass became popular in the United Kingdom, United States, Japan, China, Korea and Australia. [8]
The sound waves are often modulated using automation or low-frequency oscillation controlling the cutoff of an audio filter (typically a low- or high-pass filter), or the wave's amplitude, to adjust the waveform (to create a ‘wobbly’ effect on its parameters). In addition, it is common to utilize a somewhat "twinkly"-sounding gradual rise in pitch during "risers" (gradual pre-drop buildups of white noise), and arpeggio chords, vocal chops, or vocoders. [1]
Tracks commonly feature a 4/4 time signature with BPM set between 130BPM to 175BPM. [11]
Kawaii future bass | |
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Stylistic origins | Future bass, Chiptune, Denpa song |
Cultural origins | Early-to-mid 2010s, Japan |
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Kawaii future bass (also known simply as kawaii bass) is a subgenre of future bass, known for its happy and cute timbre and strong Japanese pop culture influences. Often, chiptune sounds, soft square waves, samples from anime or video games, percussion instruments, and door and bed squeaks are incorporated into such songs. Snail's House and other producers have produced tracks of this subgenre, [12] with the former being credited as the genre pioneer after releasing the extended play Kirara in 2015. [13]
J-future core | |
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Stylistic origins | Future bass, Hardcore, Chiptune, Denpa song |
Cultural origins | Late 2010s, Japan |
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J-future core (also known simply as Future core), refers to hardcore styles mixed with melodic content and the characteristic sound design of future bass. [14] Its name comes from the "FÜGENE" compilation album on SoundCloud in the first half of 2017. [15] Often, chiptune sounds, active square waves, edited vocals, samples from future bass and Hardcore (electronic dance music genre), percussion instruments, make the genre sounds more like a Future products. The compilation led some music producers from Japan to recognize it as a new musical genre. [16]
Chiptune, also called 8-bit music, is a style of electronic music made using the programmable sound generator (PSG) sound chips or synthesizers in vintage arcade machines, computers and video game consoles. The term is commonly used to refer to tracker format music using extremely basic and small samples that an old computer or console could produce, as well as music that combines PSG sounds with modern musical styles. It has been described as "an interpretation of many genres" since any existing song can be arranged in a chiptune style defined more by choice of instrument and timbre than specific style elements.
Hardstyle is an electronic dance genre that emerged in the late 1990s, with origins in the Netherlands, Belgium and Italy. Hardstyle mixes influences from techno, new beat and hardcore.
A drop or beat drop in music, made popular by electronic dance music (EDM) styles, is a point in a music track where a sudden change of rhythm or bass line occurs, which is preceded by a build-up section and break.
Electronic dance music (EDM), also referred to as club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.
Wonky is a subgenre of electronic dance music known primarily for its off-kilter or "unstable" beats, as well as its eclectic, colorful blend of genres including hip-hop, electro-funk, 8-bit, jazz fusion, glitch, and crunk. Artists associated with the style include Joker, Rustie, Hudson Mohawke, Zomby, and Flying Lotus. The genre includes the microgenre aquacrunk and is related to purple sound.
Bitpop is a type of electronic music and subgenre of chiptune music, where at least part of the music is made using the sound chips of old 8-bit computers and video game consoles.
Electro house is a genre of electronic dance music and a subgenre of house music characterized by heavy bass and a tempo around 125–135 beats per minute. The term has been used to describe the music of many DJ Mag Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki, and Deadmau5.
Glass Swords is the debut studio album by Scottish producer Russell Whyte under his alias of Rustie, released by Warp in 2011. The album was produced and recorded between 2008 and 2010 by Whyte, partially in his father's home in Glasgow, Scotland and partly in his own home in London, England. The album contains vocal work from Whyte as well as London based producer Nightwave.
Future house is a house music genre that emerged in the 2010s in the United Kingdom, described as a fusion of deep house, UK garage and incorporating other elements and techniques of other EDM genres. It is high in energy, generally consisting of big drops, 4/4 beats and is sonically bass heavy.
Big room house or simply big room is a fusion subgenre of house music that gained popularity in the early 2010s. Although the term "big room" started appearing in news articles circa 2007, the current state of this subgenre emerged around 2010—12 and was popularized by songs such as "Epic" and "Cannonball". From 2013 on, artists like Martin Garrix, KSHMR, Dimitri Vegas & Like Mike, Hardwell, Nicky Romero, Afrojack, and R3HAB began experimenting with this sound in their compositions.
Thomas Michael Purcell, known professionally as Wave Racer, is an Australian musician, multi-instrumentalist and music producer. The name "Wave Racer" is adapted from the Nintendo 64 game Wave Race 64. His debut single, consisting of two songs, "Rock U Tonite" and "Stoopid", was released in 2013. The same year, he signed with Australian independent record label Future Classic, who also signed other electronic artists including Cashmere Cat and Flume.
EDM trap is a fusion genre of hip hop, rave music and EDM, that originated in the early 2010s on peaking popularity of big room house and trap music genres. It blends elements of trap, which is an offshoot of Southern hip hop, with elements of electronic dance music like build-ups, drops, dense production with rave music synthesizers, sound designs and breakdowns. As it was popularized, it increasingly began incorporating more pop elements.
Riddim is a subgenre of dubstep known for its heavy use of repetitive and minimalist sub-bass and triplet percussion arrangements. It shares the same name as the Jamaican genre that influenced both it and dubstep, which originally derived from dub, reggae, and dancehall. Originating in the United Kingdom, specifically Croydon, in the early 2010s as a resurgence of the style used by early dubstep works, riddim started to gain mainstream presence in the electronic music scene around 2015.
Phonk is a subgenre of hip hop and trap music directly inspired by 1990s Memphis rap. The style is characterized by vocals from old Memphis rap tapes and samples from early 1990s hip hop, especially cowbell samples resembling that of the Roland TR-808 drum machine. The genre draws from the dark, distortive techniques of the chopped and screwed sound.
Hyperpop is a loosely defined electronic music movement and microgenre that predominantly originated in the United Kingdom during the early 2010s. It is characterised by a maximalist or exaggerated take on popular music, and typically integrates pop and avant-garde sensibilities while drawing on elements commonly found in electronic, hip hop, and dance music.
Wave is a genre of bass music and a visual art style that emerged in the early 2010s in online communities. It is characterized by atmospheric melodies and harmonies, melodic and heavy bass such as reese, modern trap drums, chopped vocal samples processed with reverb and delay, and arpeggiators. Visually, it incorporates computer-generated imagery and animation, and imagery from video games and cartoons.
Rage is a microgenre of trap music. Distinguishing features of rage include short looping stereo-widened future bass-influenced synthesizer lead hooks and basic, energetic trap rhythms. Among the pioneers of rage are rappers Playboi Carti, Lil Uzi Vert and Trippie Redd. Playboi Carti's Opium record label has also been highly influential on the genre.