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In music recording, mix automation allows the mixing console to remember the audio engineer's adjustment of faders during the post-production editing process. A timecode is necessary for the synchronization of automation. Modern mixing consoles and digital audio workstations use comprehensive mix automation.
The need for mix automation originates from the 1970s and the changeover from studios mostly using eight-track tape machines to multiple, synchronized 24-track recorders. Mixing could be laborious and require up to four people, and the results could be almost impossible to reproduce. Manufacturers such as Solid State Logic and AMS Neve developed systems that enabled one engineer to oversee every detail of a complex mix, although the computers required to power these desks remained a rarity into the late 1970s. [1]
According to record producer Roy Thomas Baker, Queen's 1975 single "Bohemian Rhapsody" was one of the first mixes to be done with automation. [2]
All of these include the mute button. If mute is pressed during writing of automation, the audio track will be muted during playback of that automation. Depending on software, other parameters such as panning, sends, and plug-in controls can be automated as well. In some cases, automation can be written using a digital potentiometer instead of a fader.
A music sequencer is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control (OSC), and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones, signals from electric or electronic instruments, or recorded sounds. Mixers may control analog or digital signals. The modified signals are summed to produce the combined output signals, which can then be broadcast, amplified through a sound reinforcement system or recorded.
Multitrack recording (MTR), also known as multitracking, is a method of sound recording developed in 1955 that allows for the separate recording of multiple sound sources or of sound sources recorded at different times to create a cohesive whole. Multitracking became possible in the mid-1950s when the idea of simultaneously recording different audio channels to separate discrete "tracks" on the same reel-to-reel tape was developed. A "track" was simply a different channel recorded to its own discrete area on the tape whereby their relative sequence of recorded events would be preserved, and playback would be simultaneous or synchronized.
Pro Tools is a digital audio workstation (DAW) developed and released by Avid Technology for Microsoft Windows and macOS. It is used for music creation and production, sound for picture and, more generally, sound recording, editing, and mastering processes.
A digital audio workstation (DAW) is an electronic device or application software used for recording, editing and producing audio files. DAWs come in a wide variety of configurations from a single software program on a laptop, to an integrated stand-alone unit, all the way to a highly complex configuration of numerous components controlled by a central computer. Regardless of configuration, modern DAWs have a central interface that allows the user to alter and mix multiple recordings and tracks into a final produced piece.
Audio editing software is any software or computer program, which allows editing and generating of audio data. Audio editing software can be implemented completely or partly as a library, as a computer application, as a web application, or as a loadable kernel module. Wave editors are digital audio editors. There are many sources of software available to perform this function. Most can edit music, apply effects and filters, adjust stereo channels, etc.
In the domain of digital audio, a control surface is a human interface device (HID) which allows the user to control a digital audio workstation or other digital audio application. Generally, a control surface will contain one or more controls that can be assigned to parameters in the software, allowing tactile control of the software. As digital audio software is complex and can play any number of functions in the audio chain, control surfaces can be used to control many aspects of music production, including virtual instruments, samplers, signal processors, mixers, DJ software, and music sequencers.
A variable-gain (VGA) or voltage-controlled amplifier (VCA) is an electronic amplifier that varies its gain depending on a control voltage.
Tracktion is a digital audio workstation for recording and editing audio and MIDI. The software is cross-platform, that runs on Apple macOS, Microsoft Windows, and Linux.
Human User Interface Protocol is a proprietary MIDI communications protocol for interfacing between a hardware audio control surface and digital audio workstation (DAW) software. It was first created by Mackie and Digidesign in 1997 for use with Pro Tools, and is now part of the Mackie Control Universal (MCU) protocol.
An audio signal is a representation of sound, typically using either a changing level of electrical voltage for analog signals, or a series of binary numbers for digital signals. Audio signals have frequencies in the audio frequency range of roughly 20 to 20,000 Hz, which corresponds to the lower and upper limits of human hearing. Audio signals may be synthesized directly, or may originate at a transducer such as a microphone, musical instrument pickup, phonograph cartridge, or tape head. Loudspeakers or headphones convert an electrical audio signal back into sound.
A Virtual Mixer is a software application that runs on a computer or other digital audio system. Providing the same functionality of a digital or analog mixing console, a virtual mixer takes the audio outputs of many separate tracks or live sources and combines them into a pair of stereo outputs or other routed subgroups for auxiliary outputs.
Track automation or sometimes only automation refers to the recording or handling of time-based controlling data in time-based computer applications such as digital audio workstations, video editing software and computer animation software.
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product.
Harrison Mixbus is a digital audio workstation (DAW) available for Microsoft Windows, Mac OS X and Linux operating systems and version 1 was released in 2009.
MAGIX Samplitude/ Sequoia is a computer program made by MAGIX for recording, editing, mixing, mastering and outputting audio. The first version was released in 1992 for the Amiga and three years later for Microsoft Windows. The latest versions of the software are Samplitude Pro X5, Samplitude Pro X5 Suite and Sequoia 16. Samplitude is an example of a digital audio workstation (DAW).
Music Center Incorporated (MCI) is the former name of a United States manufacturer of professional audio equipment that operated from 1955 until 1982 when it was acquired by the Sony Corporation. The company is credited with a number of world firsts: commercialising the 24-track multi-track recorder, the tape Auto Locator and in-line mixing console.
MuLab is a digital audio workstation application for macOS and Windows platforms.
MultitrackStudio is a digital audio workstation application for macOS, Windows and iPad platforms.