Glass Swords is the debut studio album by Scottish producer Russell Whyte under his alias of Rustie, released by Warp in 2011. The album was produced and recorded between 2008 and 2010 by Whyte, partially in his father's home in Glasgow, Scotland and partly in his own home in London, England. The album contains vocal work from Whyte as well as London based producer Nightwave.
Glass Swords is a musically diverse album that critics found hard to classify as anything specific other than electronic music. The track "Ultra Thizz" was released as a single in September 2011 before the album's release in October of the same year. Re-worked versions of the songs "Surph" and "After Light" were released as singles in 2012 with new vocalists. The album received critical acclaim and was listed as one of the best albums of 2011 by The Guardian, The Wire and Mixmag and shortlisted for the Scottish Album of the Year Award in 2012.
Production
Whyte stated that he began working on the album in "2008 maybe" and worked on it for a two-year period.[4][1]Glass Swords was recorded in Whyte's father's house in Glasgow and in his home in London after Whyte had moved there.[1] The album's music was developed with Whyte not having a strong idea for it, noting that he was "just making tracks and not really thinking too much of it as being an album".[4] The album was created using Ableton on a personal computer along with a MIDI guitar controller, a MIDI keyboard, keyboard, electric guitar and a microphone.[4][1] To give the album an analogue sound, Whyte used compressors and tape distortion plugins to get the tracks what he described as a "sort of warmth".[4] Vocals on the album were done by Whyte on the track "Surph" while his girlfriend Nightwave performed some of the backing vocals.[4][5] Whyte described his music as trying to channel "good energy, just love and peace and happiness and joy. That's what I want from my music, and that's what I want other people to feel."[1]
The last six months of production were spent by Whyte "trying to glue everything together so it made sense as an album."[1] This involved adding intros to some tracks and other motifs to "make it make more sense". Whyte created around one hundred tracks for the album and whittled down the album to a final selection of fourteen.[1] These tracks were sent back and forth between himself and Warp which Whyte described as a "long process" as he found it difficult having people critique the music he wanted to release.[4] Prior to the release of Glass Swords and any single, Whyte released the EP Sunburst in 2010.[4] Several tracks originally planned for the album were described by Whyte as "a lot weirder and more ambient", but that Warp "didn't really want that".[6]
Style
"How does one categorise Rustie? Hip hop? Post-dubstep? Tropical house? Sci-fi trance? Ecstatic techno?"
The Telegraph reviewer Lucy Jones on placing Glass Swords into a specific genre.[7]
Music critics described the album as spanning several subgenres of electronic music. Spin opined that Glass Swords' music "doesn't adhere to any strict definition of genre beyond loose electronic".[1] A reviewer for Fact described the influences of the album as being from video games, progressive rock and "big room dance music".[8] while the BBC stated the songs on the album are "often jamming five or six recognisable influences into a single four-minute track."[9] These included "glossy synths", dirty south hip hop percussion and "fragments of dubstep, UK garage, classic Detroit techno and trance music".[9]AllMusic shared the multiple genres view, finding that it integrated "the currently hip and terminally unhip – garish probes of '80s synth rock, beaten-to-a-pulp dance-pop, '90s rave, and bass music, to name four of several drawing points."[3]
MTV noted the pop culture references in Glass Swords, namely "Hover Traps" samples the video game The Legend of Zelda: Ocarina of Time and the title of "Ultra Thizz" references Bay Area slang for the drug ecstasy.[10] Both Drowned in Sound and Resident Advisor felt that the slap bass on "Hover Traps" "sounds like it was taken right off of Seinfeld".[11][12]Pitchfork noted that the album's more traditional dubstep songs "won't sit still or do what they're supposed to".[13] Specifically, "Crystal Echo" contains sped-up voices and melodies with a dubstep-styled bass while "Surph" used the bass drops related to dubstep but also includes what Pitchfork describes as "pop-rave pianos, trance keyboards, and snippets of sugary R&B".[13]
Release
A single of "Ultra Thizz" was released by Warp as a 12" vinyl single and as a digital download on 6 September 2011.[14] For the Glass Swords album cover, Whyte was shown various designer's portfolios by Warp. Whyte chose Jonathan Zawada, as he felt it had a "'70s sci-fi art feel".[1] After discussing ideas with Whyte, Zawada gave him the album cover in a few days.[1] When asked about the album cover resembling two erect penises, Whyte responded "Everyone says that! That's what I thought when I first saw it and I was like, 'Am I okay with that?' And, yeah, that's fine."[1]
Glass Swords was released by Warp on vinyl, compact disc and digital download on 10 October 2011 in the United Kingdom and 11 October in the United States.[15][16] A launch party for Glass Swords was held on 1 October 2011,[17] which included a performance from Rustie along with DJ sets from Darkstar, Nightwave and Spencer.[17]
A re-worked version of "Surph" was released as a single featuring Nightwave on vocals in March 2012.[18][19] In 2012, a re-worked version of the song "After Light" was released with Aluna Francis, the singer for United Kingdom-based R&B group AlunaGeorge, providing the vocals.[19] Whyte's follow-up album to Glass Swords titled Green Language was released in 2014.[20]
At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, the album has received an average score of 82, indicating universal acclaim, based on 14 reviews.[22]Pitchfork stated that "One of the best things about Glass Swords is that, for all of its pop-goes-clubbing bluster, it's also as psychedelic, where the devil's in the zillion little details zigzagging across the tracks" and that "there's not a lot here that will redefine your ideas of what dubstep or electronic music in general can do. For all of Rustie's skill as a sculptor of very 21st-century beats, Glass Swords can feel just as much like a "greatest bits" collage."[13]Fact gave the album a five out of five rating, stating that "you get the impression that it's the point Rustie has been building up to for the last five years; an album made in relative isolation, with zero self-consciousness, shame or thought for trend behind it."[8]Drowned in Sound gave the album an eight out of ten rating, finding that the album is "equally impressive is the fact that this formula (or lack thereof) never grows tired. Thirteen tracks of excess could easily have been a recipe for sighs, but instead it is consistently addictive and grin-inducing."[11]
The BBC described Whyte's music as "a little difficult to handle" but that the album "shows just the right amount of restraint to prevent total disarray. Even if the album weren't half as much fun as it is, that feat would be worthy of celebration in itself."[9]Exclaim! noted that "songs like "Hover Traps," "Death Mountain" and "All Nite" are, at their core, extremely primitive. But it's in the way that Rustie builds, deconstructs and sequences his songs that allows Glass Swords to work its way into your psyche" and that "after a couple of listens, one may come to the conclusion that Rustie might just be a one-trick-pony. But, man, that one trick is perfect."[28]Uncut referred to the album as "easy to admire but hard to love".[26]
Glass Swords was listed on several critics' year-end lists.[29]Mixmag and The Wire placed Glass Swords as the third and second best albums of 2011 respectively.[29]The Guardian placed the album at ninth in their list of Best Albums of 2011 stating that the album was "the sound of uninhibited, unironic hands-in-the-air joy: banger after banger after banger."[30]
In 2012, The Guardian awarded Rustie with their First Album award, opining that "Rustie's music first attacks like a day-glo migraine, a couple of spins reveals an album imbued with real emotion."[31]Glass Swords was shortlisted for the Scottish Album of the Year Award in 2012.[32] In 2014, Fact placed the album at number one on their list of "Top 100 Albums of the Decade So Far", describing the album as "full of exhilarating, ecstatic, thrilling, fun and sometimes downright silly songs" and "It's the sound of someone changing dance music by utterly disregarding dance music."[33]
Reflecting on the album in 2014, Whyte stated that he felt that he "went kind of quite crazy on Glass Swords" and that he was "taking the piss with kitsch sounds and over-the-top silliness".[34] Whyte stated that he wanted his next album Green Language to be different and "more serious".[34]
Warp Records is a British independent record label founded in Sheffield in 1989 by record store employees Steve Beckett and Rob Mitchell and record producer Robert Gordon. It is currently based in London.
Dubstep is a genre of electronic dance music that originated in South London in the early 2000s. The style emerged as a UK garage offshoot that blended 2-step rhythms and sparse dub production, as well as incorporating elements of broken beat, grime, and drum and bass. In the United Kingdom, the origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s.
William Emmanuel Bevan, known by his recording alias Burial, is a British electronic musician from South London. Initially remaining anonymous, Burial became the first artist signed to Kode9's electronic label Hyperdub in 2005. He won acclaim the following year for his self-titled debut album, an influential release in the UK's dubstep scene which showcased a dark, emotive take on UK rave music styles such as UK garage and 2-step; it was named the album of the year by The Wire. Burial's second album, Untrue, was released to further critical acclaim in 2007.
Crystal Castles was a Canadian electronic music group formed in 2006 in Toronto, Ontario, by songwriter-producer Ethan Kath and singer-songwriter Alice Glass. Crystal Castles was known for their chaotic live shows and lo-fi melancholic homemade productions. They released many limited vinyl singles between 2006 and 2007 before releasing four studio albums between 2008 and 2016.
Untrue is the second studio album by British electronic music producer Burial. Released on 5 November 2007 by Hyperdub, the album was produced by Burial in 2007 using the digital audio editing software Sound Forge. Untrue builds on the sound established by Burial on his eponymous debut album from the previous year, notably through its more prominent use of pitch-shifted and time-stretched vocal samples. The album, like Burial's previous work, also draws on influences from UK garage, ambient, and hardcore music.
Wonky is a subgenre of electronic dance music known primarily for its off-kilter or "unstable" beats, as well as its eclectic, colorful blend of genres including hip-hop, electro-funk, 8-bit, jazz fusion, glitch, and crunk. Artists associated with the style include Joker, Rustie, Hudson Mohawke, Zomby, and Flying Lotus. The genre includes the microgenre aquacrunk and is related to purple sound.
Zomby is a British electronic musician who began releasing music in 2007. He has released music on several labels, including Hyperdub, Werk Discs, and 4AD. Zomby's influences include oldschool jungle music and Wiley's eskibeat sound.
Mount Kimbie is an English electronic music duo consisting of Dominic Maker and Kai Campos, Mount Kimbie was formed in 2008. The duo expanded on the musical template of the UK dubstep scene, releasing early EPs Maybes and Sketch on Glass to critical praise the following year. Their debut album Crooks & Lovers in 2010 received further acclaim and was listed as one of the defining albums of the decade by DJ Mag.
James Blake Litherland is an English singer, songwriter, and record producer. He first gained recognition following the release of three extended plays—The Bells Sketch, CMYK and Klavierwerke—in 2010. He signed with A&M Records to release his self-titled debut album (2011) the following year, which was met with critical praise and peaked within the top ten of the UK Albums Chart.
Liam Sylvester McLean, better known by his stage name Joker, is a British record producer who creates music in genres such as dubstep and grime and was known for creating the subgenre "purple sound". He was named "2009 king of bass music" by XLR8R magazine and was featured in the September 2009 issue of The Wire magazine. He has contributed to two releases produced by the London-based record company Hyperdub. He also runs his own label known as Kapsize Recordings. His debut album, The Vision, was released on 31 October 2011 through independent label 4AD. His sophomore LP, The Mainframe, was released on 16 February 2015 through his own Kapsize imprint.
On a Mission is the debut studio album by British singer Katy B. The album was released on 1 April 2011, by Rinse and Columbia Records and in the United States on 13 September. Katy worked with producers and writers DJ Zinc, Benga, and Rinse FM founder Geeneus. Katy had been recording songs for the album since June 2007 and continued recording for three years until December 2010. The album was heavily influenced by the singer's life experiences and her journey into the music world.
LuckyMe is a United Kingdom-based record label and design studio specialising in the release of new electronic, hip hop, pop, rock and underground dance music. Referred to as "one of the most innovative and prolific independent record labels of the decade" and acclaimed for "distinctive visual arts projects and collaborations".
Rustie is a Scottish musician from Glasgow. He is associated with the Numbers label collective and first received attention for his 2007 EP Jagz the Smack. He signed to Warp Records in 2009. His 2011 debut album Glass Swords won him widespread acclaim. His music blends disparate genres, including hip hop, rave, and video game music.
III (stylized as (III)) is the third studio album by Canadian electronic music duo Crystal Castles, released on November 7, 2012, by Fiction Records and Polydor Records. Production was handled by Ethan Kath, with additional production by Jacknife Lee.
"After Light" is a single by Scottish musician Rustie, featuring vocals from Aluna Francis of AlunaGeorge. The song was released in the United Kingdom as a digital download on 23 July 2012 from his debut studio album Glass Swords. The song features added vocals on top of an instrumental track of the same name, which was released in 2011. The song reached number 173 on the UK Singles Chart. This is also featured on the Warp radio station in the video game Sleeping Dogs.
Green Language is the second studio album by Glaswegian producer Russell Whyte under the alias Rustie. The album, released on Warp on August 25, 2014, was announced with the track "Raptor" - first played by Annie Mac on BBC Radio 1 in June 2014. It features guest appearances from D Double E, Danny Brown, Gorgeous Children, and Redinho. The title of the album derives from "the language of the birds".
Citizen is an American rock band from Southeast Michigan and Northwest Ohio that formed in 2009. The band currently consists of Mat Kerekes (vocals), brothers Nick and Eric Hamm (bass), Mason Mercer, and Ben Russin (drums). They are currently signed to Run for Cover Records, and have released five studio albums to date: Youth (2013), Everybody Is Going to Heaven (2015), As You Please (2017), Life in Your Glass World (2021), and Calling the Dogs (2023). Considered a part of emo's fourth wave, Pitchfork have described Citizen as "a band their fans can grow up with rather than out of."
Evenifudontbelieve is the third album by Russel Whyte under his alias of Rustie. It was released on 5 November 2015 by Warp.
Future bass is a style of electronic dance music which developed in the 2010s that mixes elements of dubstep and trap with warmer, less abrasive rhythms. The genre was pioneered by producers such as Rustie, Hudson Mohawke, Lido, San Holo and Cashmere Cat, and it was popularised in the mid to late-2010s by artists such as Flume, Martin Garrix, Illenium, Louis the Child and Mura Masa. 2016 was seen as the breakout year for the genre.
Kai Campos is a British electronic musician from St Austell, Cornwall. He made his name as one half of Mount Kimbie alongside Dominic Maker and as a musician and DJ in the Greater London electronic music scene. He initially met Maker at Southbank University where he was studying film. The duo began making music together in a home studio in Peckham.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
