For the genre that fuses chiptune with various associated rock music and is also sometimes called nerdcore, see Nintendocore. For the hardcore punk movement, see Nardcore.
MC Frontalot, considered the "Godfather of Nerdcore", performing in April 2007
Nerdcore is a genre of hip hop music characterized by subject matter considered of interest to nerds and geeks. Self-described nerdcore musician MC Frontalot has the earliest known recorded use of the term (to describe this genre) in the 2000 song "Nerdcore Hiphop".[5] Frontalot, like most nerdcore artists, self-publishes his work and has released much of it for free online. As a niche genre, nerdcore generally holds to the DIY ethic, and has a history of self-publishing and self-production.[6]
Though nerdcore rappers rhyme about anything from politics to science fiction, there are some perennial favorites in nerdcore subject matter, including anime, Star Wars, role-playing games, science, fantasy and computers.
Music with similar themes, but different musical styles can be found in the filk and geek rock genres. There are hip hop artists who have recorded compositions which focus on similar topics, but who are not generally considered nerdcore. Examples would be Blackalicious, a group which does not claim to be nerdcore, despite science-oriented songs like "Chemical Calisthenics", and MF DOOM, who was heavily inspired by comic book supervillains but is generally seen as more conventional hip hop. Conversely, one does not need to concentrate on those topics to be nerdcore: most of the songs by Frontalot do not focus narrowly on stereotypically nerdy topics. The difference is largely one of self-identification; the group Blackalicious does not identify as "nerds", while Frontalot does.[7]
Being more defined by lyrics, nerdcore has no unifying musical sound, and the sound of nerdcore varies wildly from artist to artist. One common theme, especially in the early days of the genre, is unclearedsampling. MC Frontalot addressed this directly in his 1999 song "Good Old Clyde", a thank you of sorts to Clyde Stubblefield for the "funky drummer" break – which was sampled to provide the song's beat. Sources for samples in nerdcore range from Vanilla Ice to Wolfgang Amadeus Mozart ("Rondo Alla Turca", in MC Plus+'s "Computer Science for Life"). YTCracker's Nerdrap Entertainment System is an entire album made up primarily of samples from 8-bitNintendo games. Another notable artist, Random, created an album dedicated to the Mega Man video games in 2007 titled MegaRan. Though some artists have moved away from this—Frontalot, for example, completely remixed several songs to remove uncleared samples before releasing them commercially on his 2005 album Nerdcore Rising—it is still quite common, as most nerdcore tracks are released non-commercially and thus attract little to no attention from the RIAA.
Several DJs have provided beats and done remixes for multiple nerdcore artists, most notably Baddd Spellah, who currently mixes the majority of Frontalot's tracks. Spellah also won a remix competition in 2004.
The earliest known recorded use of the term "nerdcore hip hop" was in 2000 by MC Frontalot. However, prior to that time artists as varied as the Beastie Boys, Kool Keith, Deltron 3030, MC 900 Ft. Jesus, MC Paul Barman, Company Flow, and MF Doom began exploring topics far outside the traditional hip-hop culture, including stereotypically "nerdy" topics like space and science fiction. Though these underground artists were generally outside geek culture and are not considered nerdcore, they can be said to have set the stage for artists like Frontalot, who has listed several of them as influences. Beastie Boys outer-space sci-fi themed album Hello Nasty in 1998; including, among other potentially influencing tracks, the spacey robotic "Intergalactic" and the distinctively video game sound themed song "Unite"; garnered mainstream recognition years ahead of the popular movement. Nerdcore had clear influences from geek culture as well, including geek rockers like They Might Be Giants, parodists like "Weird Al" Yankovic (who released the rap songs "I Can't Watch This" in 1992, "It's All About the Pentiums" in 1999, "White & Nerdy" in 2006, and "Foil" in 2014), and others.
In the summer of 2004 the fledgling genre took a large step forward when the popular web comic Penny Arcade held its first convention, The Penny Arcade Expo, in Bellevue, WA. Though the expo was primarily devoted to video and table top gaming, geek-friendly musicians also performed including Penny Arcade's "official rapper" MC Frontalot and Optimus Rhyme.[8]
The next year, two full concerts took place at the 2005 Penny Arcade Expo and included nerdy hip-hop acts MC Frontalot and Optimus Rhyme.[9] After the 2005 expo, all three acts would have the "nerdcore" label permanently affixed to them. Thanks to the popularity of these acts, the nerdcore fan base began to form and in some cases those fans would go on to become nerdcore artists themselves.
Also in 2005, the new subgenre of geeksta rap (named for gangsta rap) emerged, largely independently of more traditional nerdcore. The difference was in both lyrics and attitude; the geeksta artists (mostly computer scientists) focused on proclaiming their prowess with computers and other technical abilities. This braggadocio led to the first nerdcore feud, between MC Plus+ and Monzy.[10]
Schäffer the Darklord performing at Nerdapalooza in July 2008
In 2006, nerdcore rapper Jason Z. Christie, a.k.a. High-C, created the first websites dedicated solely to the genre of nerdcore, NerdcoreHipHop.org and RhymeTorrents.com.[11] The sites quickly became the foundation of the scene's online community. Along with the websites, High-C also created the world's first all nerdcore hip-hop compilation CD.[12] The "Rhyme Torrents Compilation" consisted of numerous volumes and dozens and dozens of tracks by various artists. Soon after the release of the cds, Nerdcore as a genre began getting mainstream press attention.[13] High-C also appeared in Wired Magazine and the film Nerdcore for Life. He was removed from the release version of the documentary Nerdcore Rising.
Additionally, in 2006, MC Lars's single "Download This Song", which critiqued the music industry's stance on digital downloading and highlighted the battles many faced with the RIAA, charted at number 29 on the ARIA Chart.[14] This not only amplified the reach of nerdcore but also underscored the significance of digital culture and the internet within the evolving landscape of hip hop music.[15]
Each summer from July 2008 to 2013, nerdcore rappers and other nerd music acts gathered in Orlando, Florida for an event named Nerdapalooza, a nerd music charity festival based on bringing various genres of "nerd music" together into one large production.[16]
"Glitched: The Dutch Nerdcore Event" was the first major, all-nerdcore event to be held outside the United States.[17] It took place at Club Panama in Amsterdam in February 2009 and featured the European premiere of the documentary Nerdcore for Life as well as performances of four rappers from the film, MC Lars, YTCracker, Beefy, and MC Router.
As of the late 2010s-to-early 2020s, a branch of Nerdcore has taken off of YouTube where musicians create songs about famous video games, movies, anime and other famous forms of media. This branch of Nerdcore has since branched off into a new sub-genre of Nerdcore called Otacore (mix of Otaku meaning a fan of Japanese culture and Nerdcore) or Anime Rap where artists rap and sing about characters from anime. Famous artists of Otacore include Rustage, Daddyphatsnaps, Shao Dow, Shwabadi, Connor Quest, Breeton Boi, Divide Music, McGwire, HalaCG, FabvL, DizzyEight, GameboyJones, None Like Joshua and Cam Steady. In recent years a new genre of nerdcore has emerged that is referred to as HackOr sometimes pronounced as Hack Core.[18][19][20]
Two feature-length documentaries about the world of nerdcore were completed in early 2008, Nerdcore Rising and Nerdcore For Life. Nerdcore Rising, directed by New York filmmakers Negin Farsad and Kimmy Gatewood, follows nerdcore pioneer MC Frontalot as he embarked on his first US tour in 2006.[21]Nerdcore For Life by Chicago director Dan Lamoureux examines the genre as a whole and contains appearances by over three dozen of the best known performers in the scene.[22]
Nerdcore, as a genre, has not been without its share of controversies. A significant point of contention involves the relationship between nerdcore and hip hop's cultural roots. The genre has been criticized for potentially distancing itself from the sociocultural origins of hip-hop, which are deeply tied to African-American culture. Some journalists and critics have suggested that cultural appropriation could become an issue if nerdcore, initially dominated by white artists, continues to separate itself from these origins, potentially encouraging the erasure of Black culture.[23] This issue became particularly heated in 2010, when debates around the genre's racial dynamics led to significant online discourse.[24][25]
Another layer of controversy within the nerdcore community centers on the personal behavior of some of its stars. Notably, mc chris faced backlash in 2012 when he had a fan ejected from a show over a critical tweet. The incident was widely condemned and led to a significant decline in his popularity, influencing his decision to retire from touring.[26][27]
Additionally, in 2016, Alex Trebek faced backlash after calling the creators of a contestant's favorite music genre, nerdcore hip-hop, "losers" during a Jeopardy! episode. The contestant, Susan Cole, had shared her love for nerdcore, appreciating how it focuses on video games, science fiction, and other niche interests. Trebek’s comment, meant as a joke, sparked outrage on social media. Despite the controversy, Cole won $22,600 and returned for another episode.[28] The incident would later resurface on social media during the COVID-19 lockdown, leading fans to revisit the moment.[29]
Ken Lawrence is a nerdcore rapper who purports to be the late theoretical physicist Stephen Hawking rapping under the name MC Hawking.
Underground hip-hop is an umbrella term for hip hop music that is outside the general commercial canon. It is typically associated with independent artists, signed to independent labels or no label at all. Underground hip hop is often characterized by socially conscious, positive, or anti-commercial lyrics. However, there is no unifying or universal theme – AllMusic suggests that it "has no sonic signifiers". "The Underground" also refers to the community of musicians, fans and others that support non-commercial, or independent music. Music scenes with strong ties to underground hip hop include alternative hip hop and conscious hip hop. Many artists who are considered "underground" today were not always so, and may have previously broken the Billboard charts.
Damian Alexander Hess, better known by his stage name MC Frontalot, is an American rapper and web designer. He is widely credited as a pioneer of the nerdcore hip hop genre, blending elements of hip hop with themes from nerd culture.
Bryce Case Jr., otherwise known as YTCracker, is an American rapper from La Mirada, California. His stage name derives from having formerly been a black hat hacker. Case is best known for his contributions to the hacking community along with nerdcore hip hop subculture.
Nerdcore Rising is the official debut album by nerdcore rapper MC Frontalot. The album was first released on August 27, 2005 at the Penny Arcade Expo.
Optimus Rhyme was a hip hop group from Seattle, Washington. Optimus Rhyme is most widely considered a nerdcore group because of the nerdy nature of their lyrics. The name of the band as well as the stage names of the members and many of their lyrics refer to the Transformers franchise. Their music is a combination of rapped hip hop lyrics with funk rock music. Optimus Rhyme formed in Seattle in 2000.
Dan Maynes-Aminzade, mononymously known as Monzy, is a nerdcore hip hop artist and software engineer at Facebook.
Jesse Alexander McDonald, better known by their stage name Jesse Dangerously or The Halifax Rap Legend, is an alternative hip hop artist from Halifax, Nova Scotia and operating out of Ottawa, Ontario. Dangerously has released solo projects, provided guest vocals for other local artists, hosted a weekly radio show, written a weekly column, and produced beats for other musicians. They are a member of the Backburner crew.
Raheem Jarbo, also known by his stage names Mega Ran and Random, is an American underground nerdcore rapper, chiptune DJ, author and record producer. In February 2015, he changed his stage name to Mega Ran, removing Random from any releases.
Keith A. Moore is a nerdcore rapper, better known by the stage name Beefy, from the Tri-Cities, Washington.
Secrets from the Future is the second studio album from nerdcore hip hop artist MC Frontalot. It was released on tour and through his website on April 6, 2007.
Nerdapalooza was an annual nerd music and arts festival in Orlando, Florida, United States, the first of its kind to invite all genres of the nerd music movement under one roof, including geek rock, nerdcore, chiptune, and video game music. The festival was conceived by John "hex" Carter, who hosted a nerdy music themed radio show through KRFH, the student-run radio station at Humboldt State University. The word is derived from nerd and palooza, a reference to Lollapalooza. Nerdapalooza, LLC was dissolved on October 29, 2013.
Beau Fa'asamala, known as ZeaLouS1, is an American rapper and producer from Oceanside, California. The self-proclaimed "King of the Boss Fights" and "The Sleeping Dragon of Nerdcore" started making beats, producing, and MC'ing while attending California State University, San Marcos as an Audio Production major. He has worked with notable artists such as Dr. Awkward, MC Frontalot, MC Lars, YTCracker, Random, and Beefy.
Nerdcore Rising is a documentary/concert film starring MC Frontalot and other nerdcore hip hop artists such as MC Chris, Wheelie Cyberman of Optimus Rhyme and MC Lars, with contributors from artists such as "Weird Al" Yankovic, Prince Paul, and Brian Posehn. The film, directed and produced by Negin Farsad, was premiered at the 2008 South by Southwest festival in Austin, Texas. It combines interviews about nerdcore and its origins with footage of MC Frontalot's 2006 Nerdcore Rising national tour.
Nerdcore for Life is a 2008 documentary film about the world of nerdcore hip-hop directed by Dan Lamoureux and produced by Crapbot Productions.
Alternative hip hop is a subgenre of hip hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk."
Christopher Brendan Ward IV, better known by the stage name MC Chris, is an American rapper, voice actor, comedian, and writer. He is recognized for his high-pitched voice and for blending his "geek” background with a “gangsta rap” persona, leading to the popularization of the nerdcore genre originally pioneered by MC Frontalot. He has released ten albums, five EPs, one re-release, and a tenth-anniversary edition of his recordings with the Lee Majors.
Nerd music is the overall category of music collecting the musical genres that grew from nerd culture; different styles that share the same common ground.
Enongo Lumumba-Kasongo, known as Sammus, is an American underground rapper, former teacher, and record producer.
Richie Branson is an American music producer, game designer, and nerdcore rapper from San Antonio, Texas. His stage name is derived from that of British entrepreneur Richard Branson. He has also made various ending themes for the Rooster Teeth web series Camp Camp, in which he also voices Jake Stonewall. He is also known as the "Otaku King" and founder of the group Otaku Gang.
Russell, Chris (2014). "Now Its Time for a Little Braggadocio". In DiBlasi, Alex; Willis, Victoria (eds.). Geek Rock: An Exploration of Music and Subculture. Rowman & Littlefield. pp.161–174. ISBN9781442229761.
Sewell, Amanda (2015). "Nerdcore hip-hop". In Williams, Justin A. (ed.). The Cambridge Companion to Hip-Hop. Cambridge Companions to Music. Cambridge University Press. pp.223–231. ISBN9781107037465.
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