East Coast hip hop | |
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Stylistic origins | |
Cultural origins | August 11, 1973, The Bronx, New York City, U.S. [1] [2] |
Derivative forms | |
Fusion genres | |
Regional scenes | |
Other topics | |
East Coast hip hop is a regional subgenre of hip hop music that originated in New York City during the 1970s. [3] [4] Hip hop is recognized to have originated and evolved first in The Bronx, New York City. [5]
In contrast to other styles, East Coast hip hop music prioritizes complex lyrics for attentive listening rather than beats for dancing. [5] The term "East Coast hip hop" more specifically denotes hip hop originating from the Northeastern United States. Southeastern states such as Georgia or Florida instead produce Southern hip hop rather than East Coast hip hop, although the District of Columbia, Virginia, and Maryland produce East Coast hip hop. [6] [7] [8]
In contrast to the more simplistic rhyme pattern and scheme used in older hip hop, hip hop in the late ‘80s developed a stronger emphasis on lyrical dexterity. [3] It also became characterized by multi-syllabic rhymes, complex wordplay, a continuous free-flowing delivery and intricate metaphors. [3] Although East Coast hip hop can vary in sound and style, "aggressive" beats and the combining of samples were common to the subgenre in the mid- to late 1980s. [5] The aggressive and hard-hitting beats of the form were emphasized by such acts as EPMD, Beastie Boys and Public Enemy, while artists such as Eric B. & Rakim, Boogie Down Productions, LL Cool J, Big Daddy Kane, Nas, The Notorious B.I.G., and Slick Rick were noted for their lyrical skill. Lyrical themes throughout the history of East Coast hip hop have ranged from lyrical consciousness by such artists as Public Enemy and A Tribe Called Quest to Mafioso rap themes by rappers such as Raekwon, MF Grimm and Kool G Rap. [3]
East Coast hip hop is occasionally referred to as New York rap due to its origins and development at block parties thrown in New York City during the 1970s. [3] According to AllMusic, "At the dawn of the hip-hop era, all rap was East Coast rap." [5] Leading up to hip hop, there were spoken-word artists such as the Last Poets who released their debut album in 1970, and Gil Scott-Heron, who gained a wide audience with his 1971 track "The Revolution Will Not Be Televised". These artists combined spoken word and music to create a kind of "proto-rap" vibe. [9] Following this, early artists of hip hop such as DJ Kool Herc, Grandmaster Flash, Afrika Bambaataa, the Sugarhill Gang, Kurtis Blow, Jam Master Jay and Run-DMC, pioneered East Coast hip hop during hip hop's earlier years in the 1970s and 1980s. [5]
As the genre developed, lyrical themes evolved through the work of East Coast artists such as the Native Tongues, a collective of hip hop artists associated with generally positive, Afrocentric themes, and assembled by Afrika Bambaataa. New York–based groups such as De La Soul, Public Enemy, A Tribe Called Quest, and the Jungle Brothers also earned recognition for their musical eclecticism. [5] This period from the mid-1980s to mid-1990s has been called the "golden age" of hip hop. Although East Coast hip hop was more popular throughout the late 1980s, N.W.A's Straight Outta Compton (released in the summer of 1988) presented the toughened sound of West Coast hip hop, which was accompanied by gritty, street-level subject matter. [5] Later in 1992, Dr. Dre's G-funk record The Chronic would introduce West Coast hip hop to the mainstream. Along with a combined ability to keep its primary function as party music, the West Coast form of hip hop became a dominant force during the early 1990s. [5] Although G-Funk was the most popular variety of hip hop during the early 1990s, the East Coast hip hop scene remained an integral part of the music industry. During this period, several New York City rappers rising from the local underground scene, began releasing noteworthy albums in the early and mid-1990s, such as Nas, The Notorious B.I.G. and others. [10] The Stretch Armstrong and Bobbito Show was the launch pad for many East Coast rappers during this era.
Nas's 1994 debut album Illmatic has also been noted as one of the creative high points of the East Coast hip hop scene, and featured production from such renowned New York–based producers as Large Professor, Pete Rock and DJ Premier. [10] Meanwhile, The Wu-Tang Clan, Onyx, Black Moon, Smif-N-Wessun, Big L, Lost Boyz and Mobb Deep became pillars in New York's hardcore hip hop scene, achieving widespread critical acclaim for their landmark albums, Enter the Wu-Tang (36 Chambers) (1993), Lifestylez ov da Poor & Dangerous (1995), Enta da Stage (1993), Bacdafucup (1993), Dah Shinin' (1995), Legal Drug Money (1996) and The Infamous (1995).
The Notorious B.I.G. became the central figure in East Coast hip hop during most of the 1990s. Bad Boy Records comprised a team of producers known as the Hitmen Stevie J, Derrick "D Dot" Angelletie and Amen Ra directed by Sean Combs to move the focus on hip hop to New York with the Notorious B.I.G.'s Billboard topping hits. [11] His success on the music charts and rise to the mainstream drew more attention to New York at the time of West Coast hip hop's dominance. [11] According to AllMusic editor Steve Huey, the success of his 1994 debut album Ready to Die "reinvented East Coast rap for the gangsta age" and "turned the Notorious B.I.G. into a hip-hop sensation — the first major star the East Coast had produced since the rise of Dr. Dre's West Coast G-funk". [11] Many saw his dominating presence as a catalyzing factor in the East Coast/West Coast hip hop rivalry that polarized much of the hip hop community, stirring the issue enough to result in the Brooklyn rapper's 1997 death, as well as his West Coast counterpart, Tupac Shakur, months prior. [12] By the late 90s, East coast rap had returned to mainstream dominance. [13]
Biggie's commercial success helped pave the way for the success of other up-and-coming East Coast rappers such as Jay-Z, DMX, Busta Rhymes, 50 Cent, Ja Rule, the Lox, Fat Joe, and Big Pun. [11] [14] Many East Coast hip hop producers also rose to prominence during this period such as Timbaland, Pharrell, Just Blaze, Swizz Beatz, Irv Gotti, and 7 Aurelius [i] .
A mainstream revitalization of East Coast rap occurred in the late 2000s and early 2010s, albeit without the same level of ubiquity as in the 1990s. Younger artists at this time used Internet resources such as social media, blogging, and music streaming to build a following among fans, [15] [16] blurring the lines between the underground and the mainstream. Rappers who emerged during this "blog era" include Joey Bada$$, Nicki Minaj, Wiz Khalifa, Meek Mill, Pusha T, Vast Aire, Wale, Logic, Azealia Banks, and Mac Miller.
Various factors have led to a decline in unique regional scenes across many musical genres, including East Coast rap. In addition, rivalries between different cities and regions have declined significantly and artists across different regions and genres are much more willing to collaborate than in the past. Despite this, the distinctive East Coast sound is still notable in today's music, often mixed with modern trap sounds. Lil Uzi Vert, from Philadelphia, began their career representing the East Coast style, but moved to Atlanta to join others such as Lil Yachty and Playboi Carti, all of whom gained popularity by using online social media. [17]
In addition, New York City's drill movement, heavily influenced by UK drill (and often using the same London producers), has injected new energy into the New York hip hop scene, attracting critical acclaim, media controversy and a significant following, despite departing from standard hip hop song structures. [18] The movement started in Brooklyn, led by artists such as the late Pop Smoke, Fivio Foreign, Sheff G, and 22Gz. [18]
East Coast hip hop was the dominant form of rap music during the Golden Era of hip hop. [3] Many knowledgeable hip hop fans and critics are particularly favorable towards East Coast hip hop of the early-mid 1990s, viewing it as a time of creative growth and influential recordings, and describing it as "The East Coast Renaissance". Music writer May Blaize of MVRemix Urban comments on the nostalgia felt among hip hop fans for records released during this time:
It was claimed as the East Coast Renaissance. Wu-Tang brought the ruckus with 36 Chambers . The world was ours when Nas released Illmatic . Big L, (The MVP) came out with Lifestylez ov da Poor and Dangerous . Temperatures rose in clubs when Mobb Deep came out with The Infamous and Brooklyn's finest Jay-Z released Reasonable Doubt . . . And who can forget the powerful uplifting anthem that would brand New York's concrete "Bucktown" (Smif-n-Wessun's hit single)? . . .Ahh, it was a beautiful time in hip-hop history that many of us wish we could return to. [19]
David Drake of Stylus Magazine writes of hip hop during 1994 and its contributions, stating: "The beats were hot, the rhymes were hot – it really was an amazing time for hip-hop and music in general. This was the critical point for the East Coast, a time when rappers from the New York area were releasing bucketloads of thrilling work – Digable Planets, Gang Starr, Pete Rock, Jeru, O.C., Organized Konfusion – I mean, this was a year of serious music." [10]
East Coast hip hop has also produced a multitude of acclaimed female rappers, including Salt and Pepa, The Real Roxanne, Monie Love, Queen Latifah, Lil Kim, Lauryn Hill, Ladybug Mecca, Foxy Brown, Charli Baltimore, Eve, Missy Elliott, Angie Martinez, Remy Ma, Lil Mama, Nicki Minaj, Cardi B, and Coi Leray.
Gangsta rap or gangster rap, initially called reality rap, is a subgenre of rap music that conveys the culture and values typical of urban gangs, reality of the world and street hustlers. Emerging in the late 1980s, gangsta rap's pioneers include Schoolly D of Philadelphia and Ice-T of Los Angeles, later expanding in California with artists such as N.W.A and Tupac Shakur. In 1992, via record producer and rapper Dr. Dre, rapper Snoop Dogg, and their G-funk sound, gangster rap broadened to mainstream popularity.
Latin hip hop is hip hop music that is recorded by artists in the United States of Hispanic and Latino descent, along with Spanish-speaking countries in the Caribbean, North America, Central America, South America, and Spain.
Christopher George Latore Wallace, known by the stage names the Notorious B.I.G., Biggie Smalls, and Biggie, was an American rapper. Rooted in the New York rap scene and gangsta rap traditions, he is widely considered one of the greatest rappers of all time. Wallace became known for his distinctive, laidback lyrical delivery, offsetting his lyrics' often grim content. His music was usually semi-autobiographical, telling of hardship and criminality but also of debauchery and celebration.
West Coast hip-hop is a regional genre of hip-hop music that encompasses any artists or music that originated in the West Coast of the United States. West Coast hip-hop began to dominate from a radio play and sales standpoint during the early to-mid 1990s with the birth of G-funk and the emergence of record labels such as Suge Knight and Dr. Dre's Death Row Records, Ice Cube's Lench Mob Records, the continued success of Eazy-E's Ruthless Records, Dr. Dre's Aftermath Entertainment, and others.
Southern hip hop, also known as Southern rap, South Coast hip hop, or dirty south, is a blanket term for a regional genre of American hip hop music that emerged in the Southern United States, especially in Georgia, Texas, Louisiana, Tennessee, and Florida—often titled "The Big 5," five states which constitute the "Southern Network" in rap music.
Hip house, also known as rap house or house rap, is a musical genre that mixes elements of house music and hip hop music, that originated in both London, United Kingdom and Chicago, United States in the mid-to-late 1980s.
Nathaniel Thomas Wilson, better known by his stage name Kool G Rap, is an American rapper. He began his career in the mid-1980s as one half of the group Kool G Rap & DJ Polo and as a member of the Juice Crew. He is widely considered to be one of the most influential and skilled MCs of all time, and a pioneer of mafioso rap/street/hardcore content and multisyllabic rhyming. On his album The Giancana Story, he stated that the "G" in his name stands for "Giancana", but on other occasions he has stated that it stands for "Genius".
Crunk is a subgenre of southern hip hop that emerged in the early 1990s and gained mainstream success during the early to mid 2000s. Crunk is often up-tempo and one of Southern hip hop's more nightclub-oriented subgenres. Distinguishing itself with other Southern hip hop subgenres, crunk is marked and characterized by its energetic accelerated musical tempo, club appeal, recurrent chants frequently executed in a call and response manner, multilayered synths, its pronounced reliance on resounding 808 basslines, and rudimentary musical arrangement. An archetypal crunk track frequently uses a dominant groove composed of a nuanced utilization of intricately multilayered keyboard synthesizers organized in a recurring pattern, seamlessly shifting from a lower to a higher pitch that encompasses the song's primary central rhythm, both in terms of its harmonic and melodic aspects. The main groove is then wrapped up with looped, stripped-down, and crisp 808 dance claps and manipulated snare rolls coupled and accompanied by a bassline of thumping 808 kick drums. The term "crunk" was also used throughout the 2000s as a blanket term to denote any style of Southern hip hop, a side effect of the genre's breakthrough to the mainstream. The word derives from its African-American Vernacular English past-participle form, "crunk", of the verb "to crank". It refers to being excited or high on drugs.
Underground hip-hop is an umbrella term for hip hop music that is outside the general commercial canon. It is typically associated with independent artists, signed to independent labels or no label at all. Underground hip hop is often characterized by socially conscious, positive, or anti-commercial lyrics. However, there is no unifying or universal theme – AllMusic suggests that it "has no sonic signifiers". "The Underground" also refers to the community of musicians, fans and others that support non-commercial, or independent music. Music scenes with strong ties to underground hip hop include alternative hip hop and conscious hip hop. Many artists who are considered "underground" today were not always so, and may have previously broken the Billboard charts.
Golden age hip hop refers to hip hop music created from the mid or mid-late 1980s to the early or early-mid 1990s, particularly by artists and musicians originating from the New York metropolitan area. A precursor to the new-school hip hop movement, it is characterized by its diversity, quality, innovation and influence on overall hip hop after the genre's emergence and establishment in the old-school era, and is associated with the development and eventual mainstream success of hip hop. There were various types of subject matter, while the music was experimental and the sampling from old records was eclectic.
Enta da Stage is the debut album by American East Coast hip hop group Black Moon, released on October 19, 1993, through Nervous Records. The album was produced by Black Moon member DJ Evil Dee along with Mr. Walt of Da Beatminerz. Enta da Stage features the debut of underground hip hop duo Smif-N-Wessun, as well as appearances from Havoc of Mobb Deep and Dru Ha, the co-founder of Duck Down Records.
Illmatic is the debut studio album by the American rapper Nas. It was released on April 19, 1994, by Columbia Records. After signing with the label with the help of MC Serch, Nas recorded the album in 1992 and 1993 at Chung King Studios, D&D Recording, Battery Studios, and Unique Recording Studios in New York City. The album's production was handled by DJ Premier, Large Professor, Pete Rock, Q-Tip, L.E.S., and Nas himself. Styled as a hardcore hip-hop album, Illmatic features multi-syllabic internal rhymes and inner-city narratives based on Nas' experiences growing up in the Queensbridge Houses in Queens, New York.
Hip hop is one of the most popular music styles in Bulgaria, especially among young people.
Dirty rap is a subgenre of hip hop music that contains lyrical content revolving mainly around sexually explicit subjects.
European hip hop refers to hip hop music and culture originating from Europe. Emerging in the 1980s following the genre's popularity in the United States, European hip hop has evolved into a diverse and influential musical movement. It encompasses a wide range of styles and subgenres, reflecting the continent's varied cultural landscapes and the experiences of both ethnic nationals and immigrant communities. Notable regional scenes include British hip hop and grime, German hip hop featuring both ethnic German and Turkish artists, and French hip hop, which has undergone several distinct eras of development. Other countries such as the Netherlands, Italy, Poland, and Romania have also produced significant hip hop scenes, each with its own unique characteristics and prominent artists.
Hip-hop or hip hop, formerly known as disco rap, is a genre of popular music that emerged in the late 1960s and early 1970s primarily from African American, Afro-Latin, and Afro-Caribbean musical aesthetics practiced by youth in the South Bronx. Hip-hop music originated as an anti-drug and anti-violence social movement led by the Afrika Bambaataa and the Universal Zulu Nation. The genre is characterized by stylized rhythmic sounds—often built around disco grooves, electronic drum beats, and rapping, a percussive vocal delivery of rhymed poetic speech as consciousness-raising expression. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art or writing. Knowledge is sometimes described as a fifth element, underscoring its role in shaping the values and promoting empowerment and consciousness-raising through music. In 1999, emcee KRS-One, often referred to as "The Teacher," elaborated on this framework in a Harvard lecture, identifying additional elements that extend beyond the basic four. These include self-expression, street fashion, street language, street knowledge, and street entrepreneurialism, which remain integral to hip-hop's musical expression, entertainment business, and sound production. Girls’ double-dutch was also recognized as a key stylistic component of breakdancing, according to KRS. While often used to refer solely to rapping and rap music, "hip-hop" more properly denotes the practice(s) of the entire subculture. The term hip-hop music is sometimes used synonymously with the term rap music, though rapping may not be the focus of hip-hop music. The genre also centers DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Alternative hip hop is a subgenre of hip hop music that encompasses a wide range of styles that are not typically identified as mainstream. AllMusic defines it as comprising "hip hop groups that refuse to conform to any of the traditional stereotypes of rap, such as gangsta, bass, hardcore, and party rap. Instead, they blur genres drawing equally from funk and pop/rock, as well as jazz, soul, reggae, and even folk."
Chopper is a hip hop music subgenre that originated in the Midwestern United States and features fast-paced rhyming or rapping. Those that rap in the style are known as choppers, and rapping in the style is sometimes referred to as chopping. The style is one of the major forms of Midwest hip hop, though by the early 2000s, it had spread to other parts of the United States including California and New York City, and it has spread around the world since.
Drill is a subgenre of hip hop music that originated in Chicago in the early 2010s. It is sonically similar to the trap music subgenre and lyrically similar to the gangsta rap subgenre. Early drill artists are noted for their explicit, confrontational style of lyricism and association with crime in Chicago, especially the Black Disciples and Gangster Disciples. The genre progressed into the American mainstream in 2012 following the success of pioneering rappers like Chief Keef, Lil Reese, Lil Durk, Fredo Santana, G Herbo, Lil Bibby and King Louie, who had many local fans and a significant internet presence alongside producer Young Chop. Other rappers, such as Lil JoJo, FBG Duck, S. Dot, Edai, L'A Capone, RondoNumbaNine, SD and producer Leek-E-Leek also contributed to the early drill scene. Chief Keef, in particular, is considered the primary progenitor and popularizer of drill music, responsible for bringing it to the mainstream. The growing fanbase sparked major label interest, leading to deal negotiations and signings.
Illmatic, the 1994 debut album by Nas, made a significant impact on the hip hop genre. The album has been credited as one of the pivotal works that returned East Coast hip hop, particularly Queensbridge's hip hop scene, to prominence in a time when public attention was focused on West Coast releases. Nas' lyricism and storytelling on Illmatic has been regarded as setting a new standard for lyrical sophistication in major hip hop releases. The production of Illmatic has also been viewed as influential in cementing the characteristic sound of New York hip hop.