Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
Senegal's music is best known abroad due to the popularity of mbalax, a development of conservative music from different ethnic groups and sabar drumming popularized internationally by Youssou N'Dour.
A griot is a West African historian, storyteller, praise singer, poet, and/or musician.
The music of the Gambia is closely linked musically with that of its neighbor, Senegal, which surrounds its inland frontiers completely. Among its prominent musicians is Foday Musa Suso. Mbalax is a widely known popular dance music of the Gambia and neighbouring Senegal. It fuses popular Western music and dance, with sabar, the traditional drumming and dance music of the Wolof and Serer people.
The Wolof, the largest ethnic group in Senegal, have a distinctive musical tradition that, along with the influence of neighboring Fulani, Tukulor, Serer, Jola, and Malinke cultures, has contributed greatly to popular Senegalese music, and to West African music in general. Wolof music takes its roots from the Serer musical tradition, particularly from the Serer pre-colonial Kingdom of Saloum. Virtually all Wolof musical terminology including musical instruments comes from the Serer language.
Mbalax is the urban dance music of Senegal and the Gambia. The musical style is rooted in the indigenous instrumental and vocal styles accompanied by polyrhythmic sabar drumming of the Wolof, a social identity that includes both the original Wolof people of the Greater Senegambia region and the urban panethnic identity that arose during colonialism. A cultural value proved by Wolof is their one's and respect of other cultural and musical practices. Therefore the origins of mbalax include a fusion of Wolof, Soce, and Serer music, rhythms, and instrumentation. The Wolof ability to include the diverse styles from Senegambian groups has allowed the sabar and its modern music formation to thrive. It is not uncommon, for example, for a sabar event to include music of the Serer such as the njuup, which is connected to sacred ndut rite ceremonies. In this way many ethnic groups may participate and the inclusion also increases the accessibilyt and popularity of the genre. In the 1970s, mbalax arose as Senegalese fused indigenous music styles with urban dance music from the African diaspora, the West, and the continent. These foreign sounds included U.S. soul, jazz, and salsa. Afro Cuban musics from the diaspora, Congolese rumba, and rock were also fused with the rhythms of sabar that were now played on the electric bass, guitar and keyboards.
Daara J are a Senegalese rap duo that consists of N'Dongo D and Faada Freddy. Their music takes influence from hip hop, Afro-Cuban rhythms, and reggae and is performed in English, French, Spanish, and Wolof.
Alioune Palla Mbaye dit « Nder » is a Senegalese singer. Nder takes his name from the n'der, the drum favoured by his griot father.
Positive Black Soul is a hip hop group based in Dakar, Senegal, one of the first such collectives in the country. Founded in 1989, the group is composed of Didier Sourou Awadi and Amadou Barry, both of whom had previously been in other hip hop groups. They perform in the English, French, and Wolof languages and use traditional Senegalese instruments as part of their songs. Political and social activism have played important roles in the group since it was founded.
The Serer people are a West African ethnoreligious group. They are the third-largest ethnic group in Senegal, making up 15% of the Senegalese population. They also reside in northern Gambia and southern Mauritania.
Didier Awadi is a Senegalese rapper and a significant figure in Francophone West African hip hop. As a founding member of Positive Black Soul (PBS) with Duggy Tee, Awadi toured around the world contributing to the international popularity of Hip Hop Galsen. Awadi works as a solo artist, accompanied by his crew PBS Radikal. He participates in the Senegalese music industry through his label, recording studio, and rehearsal space, Studio Sankara. Awadi offers a conscious and revolutionary style of music strengthened by articulated and rooted messages. His motivation and inspiration is grounded in the Burkinabé revolutionary Thomas Sankara's phrase: "Let's dare to invent our future!"
Pee Froiss is a hip hop group formed in Dakar, Senegal in 1993. It was originally a dance group which refocused on rap. Early on, Pee Froiss received mentorship from the Senegalese rap luminaries Positive Black Soul, which produced their first album Wala Wala Bok? in 1996. The band's music is rapped in Wolof, French, and English and features traditional Senegalese instruments such as the kora as part of its instrumentation. Pee Froiss was one of the first rap groups to include a female performer in their lineup, Sistah Joyce. The group created all of their own music videos with very sparse resources, the first of which was released with their first album. Wala Wala Bok? is considered a classic of Senegalese hip hop. Alongside, Positive Black Soul and Daara J, Pee Froiss emerged as trailblazers in Senegalese hip hop, galvanizing a generation by intertwining the genre with themes of political resistance and social activism.
Senegalese wrestling is a type of folk wrestling traditionally performed by several African tribes, from the Wolofs of West Africa to the Nuer and Dinka of South Sudan. and now a national sport in Senegal and parts of The Gambia, and is part of a larger West African form of traditional wrestling. The Senegalese form traditionally allows blows with the hands (frappe), the only one of the West African traditions to do so. As a larger confederation and championship around Lutte Traditionnelle has developed since the 1990s, Senegalese fighters now practice both forms, called officially Lutte Traditionnelle sans frappe and Lutte Traditionnelle avec frappe for the striking version.
The Gambian hip hop scene is a relatively new scene in African hip hop which developed in the mid-1990s and was heavily influenced by American hip hop and Senegalese hip hop. Gambian hip-hop has been heavily influenced by international music scene including worldbeat, Senegalese wolof music, and American hip hop, as well as traditional Gambian mbalax and n'daga music. Dominican merengue and Jamaican reggae, ragga, and dancehall have also influenced the development of Gambian hip-hop.
Tony Vacca is an American percussionist specializing in jazz and an early innovator in world music. He incorporates percussion instruments from a world of traditions that includes African, Caribbean, Asian and Middle-Eastern influences, to which he adds some of his spoken word and rhythm poetry. Tony has been active in the Jazz and World Music stage since the early 1970s.
Senegalese literature is written or literary work which has been produced by writers born in the West African state. Senegalese literary works are mostly written in French, the language of the colonial administration. However, there are many instances of works being written in Arabic and the native languages of Wolof, Pulaar, Mandinka, Diola, Soninke and Serer. Oral traditions, in the form of Griot storytellers, constitute a historical element of the Senegalese canon and have persisted as cultural custodians throughout the nation's history. A form of proto-Senegalese literature arose during the mid 19th century with the works of David Abbé Boilat, who produced written ethnographic literature which supported French Colonial rule. This genre of Senegalese literature continued to expand during the 1920s with the works of Bakary Diallo and Ahmadou Mapaté Diagne. Earlier literary examples exist in the form of Qur’anic texts which led to the growth of a form African linguistic expressionism using the Arabic alphabet, known as Ajami. Poets of this genre include Ahmad Ayan Sih and Dhu al-nun.
Matador is one of the most prominent figures of underground Hip Hop in Senegal. Founding member of the Thiaroye’s group, WA BMG 44, Matador has toured throughout the world gaining an international recognition from the underground hip hop scenes abroad. Since 2006, his struggle to represent the voiceless youth of his home country has taken a renewed turn with the creation of his structure, Africulturban in Pikine. Through this space dedicated to the youth, Matador reiterates his social and political engagement while pursuing his role of “Number One System Enemy” and “General Major Chief of the Dying People Army”.
Moona is a West African rapper. Known for her flow, sharp and poetic lyrics as well as for her active involvement with the youth, Moona is an active member of United Artists for African Rap (AURA) in which she represents her native Benin. Besides, Moona is the only female rapper to have been selected by Africa Unsigned among artists of the continent to receive support for their next production.
Following an historical process of appropriation of American popular music by Senegal, hip hop emerged in the Senegalese capital city in the early mid- 1980s. Although hip hop galsen is now famous for its diverse musical productions, the movement there spread out from its dancing appeal rather than from its musical one. Indeed, Senegalese hip hop artists initially participated in this movement as smurfer, breakdancer, B-boy in general performing during organised podiums. Schools, nightclubs and other temporary public stages thus played an essential role in amplifying this movement in Dakar. Besides, and in contrast to American hip hop, which grew from the youth in the inner city ghettos, hip hop in Dakar began among a somehow middle-class youth who was able to access and/or introduce in their home place new ideas and new cultural expressions coming from abroad. Indeed, hip hop became popular in the capital city through the intensive through informal circulation of VH7 cassettes and recorded videos, which were imported from USA or France by diaspora people.
Wagëblë are a Senegalese hip hop act. Their debut album was released in 2003.
