Bristol underground scene

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Bristol underground scene
Banksybomb.JPG
A work by Bristol graffiti artist Banksy
DateEarly 1980s–present
Location Bristol, England
Outcome
  • Creation of trip hop music
  • Rise of graffiti
  • Publicity of social issues
  • Rise of independent media

The Bristol underground scene is a cultural movement in Bristol, England, beginning in the early 1980s. The scene was born out of a lack of mainstream clubs catering for the emergence of hip hop music, with street and underground parties a mainstay. Many DJ crews formed in the early 80s playing hip hop, house and soul in disused venues with sound systems some borrowed from the reggae scene: City Rockers, 2 Bad, 2 Tuff, KC Rock, UD4, FBI, Dirty Den, Juice Crew, Rene & Bacus, Soul Twins, Fresh 4 and Bristol ultimate DJ Masters The Wild Bunch. These names were the precursors to the more well known names that came from this scene. [1] It is characterized by musicians and graffiti artists. The scene was influenced by the city's multiculturalism, political activism, and the arts movements of punk, reggae, hip hop, hippies and new age. [2]

Contents

Bristol has been particularly associated with the trip hop music genre. [3]

The Bristol scene has a strong relationship between music and visual art, particularly graffiti art. A founding member of the band Massive Attack, Robert Del Naja, originally a graffiti artist, and local graffiti artist Banksy, have gone on to produce album covers and artworks. Inkie, collaborator alongside Banksy, also took part in Bristol's counter-culture scene. [4] [5]

History

The music scene in Bristol in the 1970s and '80s was influenced by Caribbean immigrants, [1] as well as the growing UK punk movement of the time. [2]

The city of Bristol was beginning to form a sound system culture in the late 1970s, with regular impoundings of music equipment by police. [6] Due to rising social tensions in the city, the 1980 St. Pauls riot occurred, after a police raid of the Black and White Café. After the riots, the police no longer confiscated music equipment. Music fans began looking towards reggae bands like the Black Roots because of their messages of pacifism in a time of social conflict. [7]

In the early 1980s, hip hop culture made its way to Bristol and graffiti artists like Robert Del Naja and Banksy began making graffiti art. [2] In music, the Wild Bunch sound system began playing hip hop, reggae, funk and rhythm and blues tracks but with added ambient effects, leading to the development of trip hop music. [8]

Characteristics

Activism

By definition the underground scene tends to be slightly apart from the mainstream, and this is reflected in the politics of some of the artists and musicians associated with it. Robert Del Naja and others openly declared their opposition to the Iraq War, for example. [9] Del Naja and Banksy have both submitted art works to the War Paint exhibition which showcases anti-war art work.

"Bristol sound" and trip hop

The Bristol sound was the name given to a number of bands and producers from Bristol, in the late 1980s and early 1990s. [10] The city has been particularly associated with the music genre trip hop. Salon magazine has said that trip hop was spawned in "the bohemian, multi-ethnic city of Bristol, where restlessly inventive DJs had spent years assembling samples of various sounds that were floating around: groove-heavy acid jazz, dub, neo-psychedelia, techno disco music, and the brainy art rap". [3]

The Bristol sound has been described as "possessing a darkness that is uplifting, a joyful melancholy". [11] As a whole, the Bristol sound was characterised by a slow, spaced-out hip hop sound that a number of artists in the early and mid-1990s made synonymous with the city. These artists include Massive Attack, [12] Portishead and Tricky and others such as Way Out West, Smith & Mighty, Up, Bustle and Out, Monk & Canatella, Kosheen, Roni Size, and the Wild Bunch. [13]

Graffiti

Many graffiti artists came out of Bristol, including Banksy, an anonymous, English graffiti artist who designed album covers for bands like Blur and Monk & Canatella. Banksy has produced art work in Barcelona, New York City, Australia, London, San Francisco and the West Bank. He uses his original street art form to promote alternative aspects of politics from those displayed by the mainstream media. Some believe that his graffiti helps to provide a voice for those living in urban environments that could not otherwise express themselves, and that his work is also something which improves the aesthetic quality of urban surroundings. Others disagree, asserting that his work is simply vandalism.

There has long been an interplay between the different music and art scenes in Bristol. Del Naja of the band Massive Attack was initially a graffiti artist, "indeed, his first ever live gig was as a DJ accompanying artwork he had produced in a gallery in Bristol". [9]

Independent media

Bristol also has a tradition of print media, now best exemplified by The Bristolian and Bristle magazine.

Anarchist Ian Bone's The Bristolian news sheet achieved a regular distribution of several thousand, with its satirical exposés of council and corporate corruption. The Bristolian, "Smiter of the High and Mighty", spawned a radical independent political party that polled 15% in Easton ward in 2003. In October 2005 it came runner up for the national Paul Foot Award for investigative journalism. [14]

The anarchist-oriented Bristle, "fighting talk for Bristol and the South-West", was started in 1997 and had its twentieth issue in 2005. Its pages especially feature subvertising and other urban street art to complement news, views and comments on the local activist scene as well as tackling issues such as drugs, mental health and housing.

The 1970s women's liberation paper Enough was succeeded in the 1990s by the environmental and pagan Greenleaf (edited by George Firsoff), West Country Activist, Kebelian Voice, Planet Easton, the anarcho-feminist Bellow and the present-day punk fanzine Everlong, all of which have been published in Bristol. Move was another Women's Liberation magazine; published by the Gay Women's Group, it continued for a number of years in the late 1970s and early 1980s. It had an international circulation, only selling about a quarter in Bristol throughout its existence.

Bristol based magazines, Trap, and Crack have emerged from the bass music scene, alternative fashion scenes and alternative art scenes, all of which feature a heavy student and post-graduate membership.

Urban radio projects such as the 1980s pirate, Savage Yet Tender, and Electro Magnetic Installation, [15] were more short-lived. Dialect Radio, Bristol's first community internet radio station, is still going and is broadcast over BCFM 93.2fm most weeks, and is available to download over the internet. It is put together by the Bristol Radio Co-op, is run by volunteers on a not-for-profit basis, and covers local arts, music, political issues, and local people of interest.

Racial history

An article in 2008 in The Telegraph stated that: "Racial matters have always carried a historical resonance in Bristol, a city made affluent on the profits of tobacco and slave-trading. Street names such as Blackboy Hill and Whiteladies Road remain as reminders." [2] However, common knowledge that both Whiteladies Road and Blackboy Hill had connections with the slave trade is untrue; both names are derived from pubs. [16] [17] [18]

"It's a past that we feel equivocal about", says Steve Wright.[ who? ] "It's a double-edged thing. There are the beautiful Georgian terraces that we love, but they were built on the profits of slavery. It's our shady past, and Bristolians are a bit self-effacing, a bit ashamed of it and are quite keen to layer new associations on top of it. There's always been a defiant, subversive streak in Bristol, and Banksy's work is very much in that tradition." [2]

Related Research Articles

Trip hop is a musical genre that originated in the late 1980s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other genres, typically of electronic music, as well as sampling from movie soundtracks and other eclectic sources.

<span class="mw-page-title-main">Tricky (rapper)</span> British rapper and record producer (born 1968)

Adrian Nicholas Matthews Thaws, better known by his stage name Tricky, is a British record producer and rapper. Born and raised in Bristol, in southwest England, he began his career as an early member of the band Massive Attack, alongside Robert Del Naja, Grant Marshall & Andrew Vowles. Through his work with Massive Attack and other artists, Tricky became a major figure in the Bristol underground scene, which gave rise to multiple internationally recognized artists and the music genre of trip hop.

<span class="mw-page-title-main">Massive Attack</span> English trip hop group

Massive Attack are an English trip hop collective formed in 1988 in Bristol by Robert "3D" Del Naja, Grant "Daddy G" Marshall, Adrian "Tricky" Thaws and Andrew "Mushroom" Vowles. The group currently consists of Del Naja, Daddy G and Tricky.

<i>Blue Lines</i> 1991 studio album by Massive Attack

Blue Lines is the debut studio album by English electronic music group Massive Attack, released on 8 April 1991 by Wild Bunch and Virgin Records. The recording was led by members Grantley "Daddy G" Marshall, Robert "3D" Del Naja, Adrian "Tricky" Thaws, and Andrew "Mushroom" Vowles, with co-production by Jonny Dollar. It also features contributions by singers Shara Nelson and Horace Andy. Generally regarded as the first "trip hop" album, Blue Lines blended elements of hip hop with dub, soul, reggae, and electronic music.

Downtempo is a broad label for electronic music that features an atmospheric sound and slower beats than would typically be found in dance music. Closely related to ambient music but with greater emphasis on rhythm, the style may be played in relaxation clubs or as "warm-up or cool-down" music during a DJ set. Examples of downtempo subgenres include trip hop, ambient house, chillwave, psybient and lofi hip hop.

<span class="mw-page-title-main">Banksy</span> Pseudonymous England-based graffiti artist, political activist, and painter

Banksy is a pseudonymous England-based street artist, political activist, and film director whose real name and identity remain unconfirmed and the subject of speculation. Active since the 1990s, his satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stenciling technique. His works of political and social commentary have appeared on streets, walls, and bridges throughout the world. His work grew out of the Bristol underground scene, which involved collaborations between artists and musicians. Banksy says that he was inspired by 3D, a graffiti artist and founding member of the musical group Massive Attack.

<span class="mw-page-title-main">Robert Del Naja</span> British musician and graffiti artist (born 1965)

Robert Del Naja, also known as 3D, is a British artist, musician, singer and songwriter. He emerged as a graffiti artist and member of the Bristol collective the Wild Bunch, and later as a founding member and sole consistent member of the band Massive Attack, with which he is still active. In 2009, he received the British Academy's Ivor Novello Award for Outstanding Contribution to British Music.

UK rap, also known as British hip hop or UK hip hop, is a music genre and culture that covers a variety of styles of hip hop music made in the United Kingdom. It is generally classified as one of a number of styles of R&B/Hip-Hop. British hip hop can also be referred to as Brit-hop, a term coined and popularised mainly by British Vogue magazine and the BBC. British hip hop was originally influenced by the dub/toasting introduced to the United Kingdom by Jamaican migrants in the 1950s–70s, who eventually developed uniquely influenced rapping in order to match the rhythm of the ever-increasing pace and aggression of Jamaican-influenced dub in the UK. Toasting and soundsystem cultures were also influential in genres outside of hip hop that still included rapping – such as grime, jungle, and UK garage.

New Zealand hip hop derives from the wider hip hop cultural movement originating amongst African Americans in the United States. Like the parent movement, New Zealand hip hop consists of four parts: rapping, DJing, graffiti art and breakdancing. The first element of hip hop to reach New Zealand was breakdancing, which gained notoriety after the release of the 1979 movie The Warriors. The first hip hop hit single, "Rapper's Delight" by the Sugarhill Gang, became a hit in New Zealand when it was released there in 1980, a year after it was released in the United States. By the middle of the 1980s, breakdancing and graffiti art were established in urban areas like Wellington and Christchurch. By the early 1990s, hip hop became a part of mainstream New Zealand culture.

<span class="mw-page-title-main">Daddy G</span> British musician (born 1959)

Grantley Evan Marshall, also known by the stage name Daddy G, is a British DJ and a founding member of the band Massive Attack.

Bristol is a city in South West England. As the largest city in the region it is a centre for the arts and sport. The region has a distinct West Country dialect.

The Wild Bunch were an English sound system and loose collective of musicians and DJs based in the St Paul's, Montpelier and Bishopston districts of Bristol, England, named after Sam Peckinpah's 1969 Western film.

European hip hop refers to hip hop music and culture originating from Europe. Emerging in the 1980s following the genre's popularity in the United States, European hip hop has evolved into a diverse and influential musical movement. It encompasses a wide range of styles and subgenres, reflecting the continent's varied cultural landscapes and the experiences of both ethnic nationals and immigrant communities. Notable regional scenes include British hip hop and grime, German hip hop featuring both ethnic German and Turkish artists, and French hip hop, which has undergone several distinct eras of development. Other countries such as the Netherlands, Italy, Poland, and Romania have also produced significant hip hop scenes, each with its own unique characteristics and prominent artists.

<i>Bass Is Maternal</i> 1995 studio album by Smith & Mighty

Bass Is Maternal is the debut studio album by Bristolian production duo Smith & Mighty, released by More Rockers in 1995. The album was recorded in 1989 for ffrr/London Records, who had signed the duo after they had built up underground success in their native city for their innovative Bristol underground scene sound, but the labels deemed the record unsuitable for release. The record explores links between dub music and British rave culture, incorporating styles of rock, reggae and electronic music with an emphasis on dub-style bass. The album title and artwork highlight the perceived association between the exposure of bass and maternity.

<span class="mw-page-title-main">Neil Davidge</span> British composer (born 1962)

Neil Davidge is an English record producer, songwriter, film score composer and musician. Once an associate of dance producers DNA, he is best known as the long-term co-writer and producer for trip hop collective Massive Attack. In 1997, he also produced the Sunna album One Minute Science. During that time he has established a career as a film score composer including projects such as Push, Bullet Boy, Trouble the Water, and additional music for Clash of the Titans.

<span class="mw-page-title-main">Inkie</span> English painter

Inkie is a London-based painter and street artist, originally from Clifton, Bristol. He is cited as being part of Bristol's graffiti heritage, along with Banksy, 3D and Nick Walker.

See No Evil is a collection of works of public art by multiple graffiti artists, located around Nelson Street in Bristol, UK. The artwork was first created in an event in August 2011 that was Europe's largest street art festival at the time. It culminated with a block party. The street was mostly repainted in a repeat event in 2012. The artworks comprise murals of various sizes, in different styles, some painted on tower blocks, including a 10-storey office block. The works were created under a road closure, using scaffolding and aerial work platforms.

<i>Well Hung Lover</i> Mural in Bristol

Well Hung Lover, also called Naked Man Hanging From Window and simply Naked Man, is a mural by the anonymous street artist Banksy, on a wall in Frogmore Street, Bristol, England.

<span class="mw-page-title-main">Graffiti in the United Kingdom</span>

Since the 1980s, the introduction of hip hop and electro music brought street art and graffiti to the UK on a large scale. This was further expanded with the introduction of custom made spray paint which allowed artists to create even more artistic and experimental graffiti. Notably, Banksy is arguably one of the most famous graffiti artists in the UK, but it was the crews such as DryBreadZ who first gained recognition. Examples of UK graffiti artists include: Banksy, Stik, Inkie and My Dog Sighs.

References

  1. 1 2 "Massive Attack: Out of the Comfort Zone". Bl.uk. Retrieved 8 January 2021.
  2. 1 2 3 4 5 Baker, Lindsay (28 March 2008). "Banksy: off the wall – Telegraph". The Daily Telegraph. UK. Retrieved 24 June 2009.
  3. 1 2 Miles, Milo (12 November 1995). "Trip-Hop". Salon. Salon Media Group. Retrieved 24 June 2009.
  4. "Street art show comes to Bristol". BBC News. 9 February 2009. Retrieved 31 August 2011. Street art [...] erupted in the UK in the early 1980s [...] active on the Bristol scene at that time included Banksy, Nick Walker, Inkie and Robert del Naja, or '3D', of Massive Attack.
  5. Reid, Julia (6 February 2008). "Banksy Hits Out at Street Art Auctions". Sky News . London. Retrieved 31 August 2011. Along with Banksy, Bristol's graffiti heritage includes 3D, who went on to form Massive Attack, Inkie, and one of the original stencil artists Nick Walker.
  6. "Melissa Chemam - Massive Attack: Out Of The Comfort Zone - Paperback". Roughtrade.com. Retrieved 8 January 2021.
  7. "How '80s soundsystem culture gave birth to Bristol's thriving musical underground". Huckmag.com. 12 February 2016. Retrieved 28 September 2019.
  8. "How '80s soundsystem culture gave birth to Bristol's thriving musical underground". Britishcouncil.org. Retrieved 28 September 2019.
  9. 1 2 Blake, Veronica (20 March 2008). "War Paint Exhibition – Preview and Robert Del Naja interview". IndieLondon. IndieLondon.co.uk. Retrieved 24 June 2009.
  10. "Smithy & Mighty". Bristolarchiverecords.com. Retrieved 8 January 2021.
  11. "Peter Webb". Exploring The Networked Worlds of Popular Music. Routledge. Retrieved 30 August 2010.
  12. "The Uniqueness Of Massive Attack - Melissa Chemam". Classicalalbumsudays.com. 15 January 2018. Retrieved 8 January 2021.
  13. "Feature / When Bristol music went 'Out of the Comfort Zone'". Epigram.org.uk. 20 April 2019. Retrieved 8 January 2021.
  14. Hooper, Dickon (14 October 2005). "Scurrilious magazine scoops top award". BBC News. BBC. Retrieved 24 June 2009.
  15. "Electro Magnetic Installation Bristol". The Pirate Archive. Retrieved 24 June 2009.
  16. Winstone, Reece (1966). Bristol As It Was 1874–1866. p. Photos 82, 83.
  17. Hammersley, G. H. Survey of the Manor of Clifton. in Clifton and Durdham Down: A Landscape History, p. 6, Plan 2.
  18. Smith, V. (2002). Street Names of Bristol. Broadcast Books. ISBN   1-874092-90-7.

Bibliography

Chemam, Melissa (2019), Massive Attack: Out of the Comfort Zone, Tangent Books, ISBN   1910089729, ISBN   978-1910089729